» Posts Tagged ‘shanehurlbut’
Say what you will about Shane Hurlbut, but there aren’t too many professional Directors of Photography who take the time out of their crazy schedules to try to give back to the community. Shane’s most recent work that we’ve covered here was the Canon-sponsored film “The Ticket,” shot in 4K on the Canon 1D C. While I saw that film at NAB (and wasn’t too crazy about the quality of the footage coming out of that camera), it doesn’t take away from the fact that he’s a professional DP who knows a thing or two about lighting. In his newest blog post, he gives a good run-down on how to use smoke to achieve different lighting goals. More »
NAB 2012: Day 2 Recap - Las Vegas Supermeet: Adobe CS6, Smoke, Blackmagic, Shane Hurlbut, Morgan Spurlock
No video updates at the moment, as my entire night was spent at the Eleventh Annual Las Vegas Supermeet, a meeting of the Creative Pro User Group Network, which is a gathering of editors and like-minded post people. Unfortunately the event was plagued by projection and sound problems (the in-house staff are the only people who can touch that stuff). It’s ironic that this happened to a room full of nerds who understand the issues and could have fixed it pretty easily! Regardless we got to see a bit of Adobe CS6, the new Smoke, the Blackmagic Cinema Camera, Shane Hurlbut talked about the Canon 1DC, and we got a wonderfully hilarious talk from Morgan Spurlock, who went into detail about his career. More »
Canon had its big NAB screening on Sunday night, showing off both its 4K DSLR, the EOS 1D-C, and the C500. As part of the presentation they screened “The Ticket”, a short film written/directed by Po Chan, lensed by Shane Hurlbut, and shot on the EOS 1D-C. Filmed and displayed in 4K, Hurlbut showed just what the camera can do, and now we too can see what it looks like by way of his blog (albeit through the limitations of Vimeo). Hurlbut goes on to share some interesting behind the scenes tidbits, and praise that might just entice you into giving this camera a whirl: More »
Comparisons are fun, even more when they’re for expensive cameras. As I’ve said before, we try to look at all sorts of different topics from around the film industry, and we are not just going to look at DIY options like the hacked GH2. Shane Hurlbut, who runs a fantastic and informative blog himself, was recently shooting a promo for HBO’s Game of Thrones. He decided to shoot the Canon C300 alongside the Arri Alexa for the promo. Shane came up with some interesting results. More »
When I first published my DSLR guide, one of my favorite moments was finding the link posted to a forum, followed by a grizzled veteran’s comment to the extent of, “I will not answer anyone’s question here unless they go read this guide first.” This was exactly what I wanted the guide to be — a FAQ that would help others get started. Despite weighing in at a hundred-something pages, however, my own guide is far from comprehensive, and in the year since publishing it, a number of other training resources have sprung up (which is not to say that mine was the first). After creating their own HDSLR guide, B&H Photo is now launching an HDSLR training series in conjunction with DP Shane Hurlbut. More »
DP Shane Hurlbut is a treasure trove of useful information about HDSLRs, as few Hollywood DPs have embraced the DSLR revolution with as much fervor (or online presence) as Shane. He will be presenting a free webinar on Tuesday, Dec. 14, at 12 p.m. EST (9 a.m. PST) — yes, it’s short notice, but the workshop may be archived; if it is, I will update this post with the link to the video is here. Here’s Shane talking about his work with The Bandito Brothers on Act of Valor: More »
DP Shane Hurlbut is at the forefront of using prosumer HDSLRs in high-end productions. His background isn’t in still photography, but rather shooting 35mm Hollywood blockbusters like Terminator Salvation and Into the Blue. As such, he’s perhaps more qualified than anyone when it comes to using DSLRs as part of a traditional movie workflow. Here’s an excerpt from Shane’s HDSLR Bootcamp: More »
Regardless of whether you think Po Chang’s The Last 3 Minutes is a rip-off of Chris Milk’s Last Day Dream, the DP of the former film, Shane Hurlbut, has posted a series of very interesting behind-the-scenes videos from the making of the short. Despite the use of low-cost DSLRs, the video had a sizable budget, apparent in the amount of equipment and size of the crew employed on the shoot. Shane’s done a very helpful voiceover, illustrating several clever shooting and lighting techniques: More »











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