» Posts Tagged ‘speedbooster’

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Just a few months ago, a company many are familiar with for their smart Canon EF to Sony NEX adapters, Metabones, introduced a brand new adapter with an optical component that can make full-frame lenses faster, wider, and sharper by focusing them onto a smaller format like APS-C/Super 35mm. Metabones also announced they were going to be releasing a Micro 4/3 to Nikon, Leica R, Contax C/Y, Contarex, ALPA, and Rollei Speedbooster adapter. Originally set to be released in the first half of 2013, it looks like we’re going to have to wait a bit longer. More »

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Just a few short months ago, it was announced that the Blackmagic Cinema Camera would be receiving a Micro 4/3 lens mount option alternative to its original Canon EF mount. Granted, for those of us still waiting on the BMCC to ship, a few short months is no stretch of time to merely shrug off — particularly when the mount announced was to be a “passive” or “dumb” one, meaning electronic control would not be supported for smart MFT lenses. There’s been speculation that this would change — and given Blackmagic’s recent addition to the consortium of companies aligned with the official Micro 4/3 standard, this speculation seems less outlandish than ever. More »

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There’s more than one way to get a lens on a camera it shouldn’t naturally fit, particularly when adaptation has to go beyond mere lens mount disparity and extends all the way to major sensor size differences. Of course, in approximately none such case does the adapter getting the job done actually widen field of view, improve clarity and sharpness, and increase exposure levels by up to one full stop. In fact, to expect as much (and all in one device) would seem to equate to madness — especially if such a device supports electronic lens control. This is not the short and skinny of the new Tom Cruise sci-fi/action film, but that of the Metabones Speed Booster. The adapter not only mounts your Canon full frame 50mm f/1.8 lens, for instance, to your Sony FS100 — but also turns it into a sharper 35mm f/1.2 in the process. More »