» Posts Tagged ‘4k’

Description image

Sharp AOALast October, Sharp ran a filmmaking contest called the Art of Amazing 4K Film Competition, and now they’re back for another round of ultra high definition goodness. and once again asking filmmakers to submit their best 4K short films. Once again partnering with THX and RED, Sharp will be taking 4K short film entries for the chance to win a host of cool prizes, like a screening of your film at the Mill Valley Film Festival, a private tour of Skywalker Ranch, and more than $65,000 in prizes for filmmakers and fans. More »

Description image

shogun-product-divider2In the past month, two relatively revolutionary photo/stills cameras have hit the market. I’m talking, of course, about the Panasonic GH4 and the Sony A7s, both of which feature the ability to record 4K video (although not internally in the case of the A7s), and both of which offer high frame rate shooting at 1080. For a multitude of reasons relating to image quality, both of these cameras beg to be used with an external 4K HDMI recorder of some sort. The only problem — no such recorder is available on the market yet. In a few months time, however, that will not be the case, as Atomos will have released its highly anticipated Shogun 4K recorder/monitor. Today, the company opened up the pre-ordering process for the Shogun, and for people who order prior to July 31st, Atomos is throwing in a kick-ass free gift as well. More »

Description image

red youtube 4k open source vp9 codec channelRED is well-known as a proponent of 4K, and as a manufacturer of cameras capable of shooting at that resolution (and higher). It’s also no stranger to the consumer 4K-viewing realm, a growing market in which the company’s REDRAY streaming player competes. Now, RED has announced it has been working with YouTube to employ and improve the open-source VP9 codec for encoding of 4K media to select channels, as opposed to the comparably-efficient but legally-entangled H.265 (aka HEVC) codec. And, to kick off the party, RED has also opened up the new “Shot on RED” channel to host and aggregate RED-shot footage and films. More »

Description image

Blackmagic URSA 4K with PL MountA little over two years ago, Blackmagic Design completely disrupted the cinema camera market, and changed expectations about how much we should be paying for excellent image quality. Their goal with the first 2.5K Cinema Camera was to make something with as much flexibility in post as possible, and would be a companion to cameras like the Canon 5D Mark II — which is why they chose the Canon EF mount. They haven’t stopped with just one camera model, as they have since introduced the Pocket Cinema Camera, Production Camera 4K, and the URSA 4K Digital Cinema Camera, which features interchangeable sensors. At the recent NAB show, I interviewed Blackmagic CEO Grant Petty and asked him all sorts of questions about their camera line, firmware updates, and what he thought about the image issues some people have experienced with the Production Camera 4K. More »

Description image

blackmagic-ursa small[UPDATE: You can hear the full interview here.] I had the chance to talk with Blackmagic CEO Grant Petty back at NAB 2014, and while it’s taken a while to get the interview together, it will finally be going live on Monday. Grant offered up tons of fascinating details about his mindset with hardware, his take on the rest of the industry, and what’s going on with the Production Camera 4K, and he also gave some interesting tidbits about the new URSA 4K Digital Cinema Camera, which was first announced back at NAB. I’ve put together a teaser in which Grant mentions that the URSA is not only capable of frame rates higher than 60fps, but that they should be coming this year. More »

Description image

Dave Dugdale Downscaling 4K to 1080pDave Dugdale of Learning DSLR Video recently produced a terrific review of the new Panasonic GH4, which shoots 4K internally to SD cards. Since the majority of work is still being finished in 1080p, he’s been downscaling most of the stuff he’s shot to 1080p, but he wanted to explore the differences between downscaling in the timeline or after he’s finished editing in a 4K timeline in Premiere. He also addresses people accusing him of being paid off by Panasonic for his review. More »

Description image

Kinefinity KineMINIWe talk an awful lot about cameras here on No Film School. Why? Because new cameras are absurdly exciting. However, there’s one camera company that might make some of the most intriguing and cost-effective cameras on the market, yet it’s a company that we rarely mention. I’m talking of course about Kinefinity, the Chinese company whose cinema cameras offer many of the features and aesthetics of RED’s cameras at a fraction of the cost. The folks at HDVideoshop in Berlin recently went out and shot with the KineMINI 4K, and shared some excellent footage, BTS, and workflow solutions for this unique camera. More »

Description image

Sony a7sThe Sony a7s is an exciting camera for so many reasons: it shoots in 4K, is inexpensive, and compact, and has ISO settings ranging from 50 to 409,600, meaning that this little devil can essentially see in the dark, while still producing a relatively clean image. We’ve seen a few videos demonstrating just how sensitive the a7s is, and here’s another one that shoes you that not only can you shoot in pitch black darkness, but you can actually overexpose it!
More »

Description image

Imax cameraIMAX announced today that they have developed the first fully integrated dual 65mm 4K digital large-format 3D camera, designed to give moviegoers a “truly immersive IMAX 3D experience” with the camera’s exceptional crispness and clarity, as well as its 1.9:1 aspect ratio that offers a reported “26% more of the image than standard cinemas.” Oh, and guess what — it has already been used and vetted by none other than explosion maestro Michael Bay and cinematographer Amir Mokri on Transformers: Age of Extinction. More »

Description image

Lumix dmc fz1000Something pretty exciting was just announced by Panasonic a few hours ago. The new Panasonic Lumix DMC-FZ1000 camera is a bridge-style point-and-shoot camera that shoots in 4K at 30 fps, making it the world’s first compact camera to shoot at that level of resolution. Other than its large 20.MP 1″ MOS sensor, it also features an ISO of up to 25600, continuous 50 fps shooting, and built-in wi-fi — which sounds pretty good, especially for a hybrid photo/video camera. More »

Description image

Sony a7sThe Sony A7s may be small, but it is mighty! Since making its big debut at this year’s NAB, we’ve seen some incredible test videos revealing exactly why this new full frame 4K camera deserves that little “s” at the end of its name – picking up clean 4K in candlelight thanks to its unprecedented ISO range of 50 to 409,600. Sony has finally announced the pricing and availability for the A7s, so continue on for pricing information as well as when it’ll be available. More »

Description image

GH4At NAB we were finally able to get up close and personal with the highly anticipated Panasonic Lumix GH4, the sub-$2000 camera which offers internal 4K recording, as well as an optional YAGH interface unit. For months we’ve been wondering how well the GH4 performs in the field — not just in tests, but in actual narrative filmmaking. Nick Driftwood has produced the very first non-commissioned short film using the GH4 — a comedy, which is a little bit Euro Crime Caper, a little bit Spaghetti Western, and has a whole lot of camera geek goodness. Plus, it was written and filmed in just 2 days! More »

Description image

Video thumbnail for vimeo video This Is How You 6K (or Even 8K): Light Iron's Future-Proof Digital Intermediate Mainframe - No Film SchoolMichael Cioni, CEO of post firm Light Iron, has been quite proactive in sharing the ins and outs of his company’s workflows, techniques, and philosophies. Previously, Cioni has highlighted the hurdles of The Girl with the Dragon Tattoo‘s 4K post production process, and gone in-depth about maintaining the color pipeline of Ender’s Game amidst extensive visual effects work. Now, in a video journal released in time for NAB 2014, Cioni breaks down Light Iron’s upgraded 4K, 6K and even 8K-ready post infrastructure — while also explaining the importance of choosing tools today that will serve the future’s needs. More »

Description image

cinema5D On The Couch - Rodney Charters, Bruce LoganAt NAB 2014, cinema5D introduced a video series called “On the Couch,” which featured both representatives of manufacturers and filmmakers from all walks of life. Cinematographers Rodney Charters and Bruce Logan, as well as Steven and Jens from Zacuto were all featured in a terrific video near the end of the show. The conversation ranges from gear, to how DPs are being left out of the color suite, to how realistic 4K will be as a display resolution in the coming years, and how 4K is allowing for even more butchering of the cinematographer’s original intent in post-production. More »

Description image

Photos Printed from 6K RED DRAGON FootageSince RED is still trying to deliver a few of the products they’ve had in development for some time — including the new 6K RED DRAGON sensor upgrades — there weren’t any earth-shattering announcements at NAB 2014. The newest products are about adding functionality to the cameras as they exist today, including the new Switchblade-M side panel and the 4K broadcast module which sends out an uncompressed 4K signal over four 3G-SDI outputs. They did however, have some interesting news for those looking at getting a SCARLET DRAGON, and for those who like to shoot native black and white. Check out our video below with RED for more. More »

Description image

Kinefinity_KINEMAX_6K1Kinefinity, the Chinese company that has been making scientific cameras for years, is now making some waves in the cinema camera market. Their first two models received a bit of attention for the features offered in such affordable packages, but now we are getting the next generation of those models, the KineMINI and KineMAX, which give 4K and 6K resolutions, respectively. We talked with Kinefinity at NAB, and while we already knew the 4K camera was going to come in around $3-$6,000 depending on the package, we now have some official pricing for the 6K camera (which is also capable of 14 stops of dynamic range, and an incredible 16 stops in a special 3K mode), and it’s being offered for a limited time under $10,000. More »

Description image

VaricamWe’ve seen plenty of impressive cameras be unveiled at NAB in the last week from Blackmagic, Sony, JVC, and even AJA. Although we’ve known about Panasonic’s first 4K VariCam for a while, we were able to chat with Steve Cooperman about the modular camera, as well as take a closer look at its features, which include a Super 35mm CMOS sensor, 14+ stops of dynamic range, PL mount, and internal 4K up to 120fps. We’re also told by Cooperman that, with all components included, the camera will be sold for under $60K. More »

Description image

Panasonic-GH4-4K-Front-No-Lens-616x407There have been lots of new cameras at this year’s NAB, but one that a lot of us have been curious about is the next iteration from Panasonic’s GH line of mirrorless cameras. With internal 4K recording and an optional interface unit that adds SDI-Out for sending higher bit-rate 4K to an external recorder, the Panasonic GH4 is here. Hit the jump to watch our interview with Panasonic from the floor of NAB 2014: More »

Description image

Screen Shot 2014-04-10 at 3.26.34 PMThis week has been a crazy one for camera announcements. Not only did Blackmagic blow the lid off of NAB once again with the announcement of the URSA camera, but Digital Bolex brought their A-game to the world of black and white cinematography, and Apertus (despite the fact that they couldn’t make it to NAB) announced that the Axiom Beta is well on its way. Perhaps the most interesting camera announcement, however, came from hardware-manufacturer AJA, as they announced the arrival of a brand new 4K cinema camera simply called CION. We just got wind of the full specs on this camera, and even caught a glimpse of some early footage. Check it all out down below. More »

Description image

kinefinity kineraw mini 6k 4k 2k raw high definition video cameraThere’s been a lot of buzz regarding affordable 4K acquisition recently, and for good reason. How about affordable 6K? You may know Chinese manufacturer Kinefinity for its strangely familiar-looking family of cameras, but with features like simultaneous compressed and uncompressed RAW recording and very competitive pricing, it’s a family with merits all its own. Our crew on the floor of NAB 2014 talked to Michel Juknat, a Kinefinity european distributor, discussing the ~$5K KineMINI 4K camera in depth and hitting upon the upcoming KineMAX 6K camera. Check out the video below — plus some KineMINI footage from Michel himself. More »