» Posts Tagged ‘5dmarkiii’

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OnePlus One vs Canon 5D Mark IIIThe Canon 5D Mark III was never the sharpest camera in DSLR land, but it did improve on many of the image issues of the previous Mark II. Now over two years old, it’s to be expected that newer cameras like the Panasonic GH4 and the Sony a7S would be steps up in image quality, but what about a smartphone camera? The Chinese OnePlus One smartphone, which uses a Sony sensor to shoot 4K video, is sharper than the Canon 5D Mark III when both are shown at 1080p. More »

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5D3 Magic Lantern RAW in Canon AdMagic Lantern RAW video has been out for over a year now, and the resulting footage is unquestionably a giant step up from the normal compressed H.264 files. While Canon representatives rarely say too much about the hack, I’m sure many of them are familiar with it by name if nothing else. At the very least, there has been a sort of symbiotic relationship between the two, with Canon being more or less hands-off about Magic Lantern and its use on their cameras. If it sells more cameras, I doubt they would complain, but they’ve never outright condoned its use, which is why its interesting that footage shot with the hack has appeared in a Canon ad. More »

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VICE News C300Canon cameras might not get a whole lot of love these days (especially in the comments on our site), but the truth is that the C300 (which is now cheaper than ever) might just be one of the best documentary-style cameras around because of its tremendous versatility and low-light ability. Nowhere is this versatility more apparent than in the hands of the cinematographers of VICE News, one of the more engaging journalistic outfits around today. Their travels, and dare I say adventures, have taken them twice the world over as they’ve captured footage from every major international conflict in recent memory. In a recent collaboration with Canon, VICE DPs Jake Burghart and Jerry Ricciotti shared the standard VICE camera package, as well as their unique camera rigs that allow them to be ready to shoot at a moment’s notice. More »

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Dale McCready Atlantis Season 2 Camera TestCamera technology has come a long way in the last 5 years. Dale McCready, the DP on the TV show Atlantis, normally shoots on 35mm for the show, but wanted to see how newer solutions stack up and could be intercut with the film material for Season 2. Since he already knows the ALEXA well, he took the 6K DRAGON from RED and his Canon 5D Mark III shooting Magic Lantern RAW and tested all sorts of different combinations of filters on the cameras. More »

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Under $2K Panasonic GH4 is Sharper Than Over $20K RED EPIC? - No Film SchoolThe Panasonic GH4 is barely on the market yet, and while we’ve seen some comparisons, some have been with cameras that aren’t shooting 4K. But what about comparing the $1,700 4K GH4 to the 5K RED EPIC MX (non-DRAGON), which runs well over $20K for a working body? That’s what Luke Neumann did, and he threw in the Canon 5D Mark III shooting Magic Lantern RAW for good measure, upscaled to 4K to keep everything consistent. Can a cheap camera really look sharper than a pro cine camera? More »

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movi combo

Having a two-camera set-up can have many great benefits. It can cut down on your production time/cost, streamline your work and make it more efficient, as well as provide much-needed continuity to the final product, which will ultimately raise your film’s production value. If you’re working with a skeleton crew, a multi-camera rig might be a good solution to having to hire more people, but be forewarned — there can be pitfalls to that set-up (e.g. Tommy Wiseau’s multi-camera/multi-format frankenrig that he used in The Room). Filmmaker Rubidium Wu puts this set-up to the test, mounting a Blackmagic Cinema Camera and a Canon 5D Mark III to a MōVI 10 gimbal stabilizer to see if he can cut down on costs, time, and even permit applications!

This is a guest post by Rubidium Wu. More »

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Magic_Lantern_logo-whiteThose part of Magic Lantern are always hard at work tinkering away to give us mere mortals better cameras at zero cost. They were able to pull a rabbit out of a hat and give us RAW video on Canon DSLRs, which is a huge step up on video quality from the standard H.264 files the cameras normally record to. Now they’ve got another trick up their sleeve that can actually improve dynamic range about half a stop — but there are some caveats at this early stage. More »

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Sleepwalkers

Director Ryan Lightbourn dropped out of film school and decided to strike out on his own, making films and music videos with gear he bought himself. Having just recently finished his first feature film Sleepwalkers, Ryan decided to let us behind the scenes, explaining his process as he made his film using an array of different types of gear, including the RED SCARLET, the Blackmagic Pocket Cinema Camera, and the 5D Mark III.

This is a guest post by Ryan Lightbourn. More »

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5d 5d3 magic lantern ml raw offline online workflow bmd blackmagic design davinci resolve adobe premiere tutorial card

When I started playing around with Magic Lantern RAW video, two things came to mind: First, a camera called the “5D” was once again the nucleus of a low-budget cinematographic revolution — this time thanks to the Magic Lantern team; Second, how was I ever going to be able to edit what I’d shot? I’ve learned a lot since then, and it turns out an offline/online, proxy-based workflow is not only possible, but powerful. Check out the process that I’ve been using to round-trip Magic Lantern RAW between Adobe Premiere CC and DaVinci Resolve Lite below. More »

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Video thumbnail for vimeo video First Magic Lantern Comparison: RAW vs. 14 Stop Dual ISO RAW - nofilmschoolYesterday we had the big news about Magic Lantern’s big breakthrough: the ability to actually shoot with two different ISOs on the sensor at once. This is quite a technological leap from the previous hacks, as it is actually modifying how the sensor operates at a very base level. We’ve got a brief comparison from Michael Anthony showing off what the new hack can do, and we’ve also got some RAW Dual ISO samples from Luke Neumann for you to play around with. More »

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Magic_Lantern_logo-whiteThe breakthroughs keep coming. Magic Lantern did the unthinkable and figured out how to get RAW video out of Canon cameras, and now they’ve managed to increase the native dynamic range of the image without using an HDR method of varying light and dark frames, which can cause serious motion artifacts. That’s all in the past for the Canon 5D Mark III and the Canon 7D, as a1ex has managed to get a major dynamic range increase right on the sensor itself in the neighborhood of 14 stops, which brings it into ARRI ALEXA and Sony F65/F55 territory. More »

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Best Buy Leak - Canon EOS-bIf you’ve been waiting to pick up a camera for some good deals, now might just be the time. With Magic Lantern RAW, the Canon 5D Mark III might be the best DSLR out there, and now you can get one for even cheaper, along with some great extras. We’ve also got a pretty crazy deal on the Canon 6D with the 24-105mm, half off the mirrorless Canon EOS M (which now has much-improved AF with the newest firmware), and $200 off the Panasonic GH3. Check below for all of the crazy deals. More »

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Magic_Lantern_logo-whiteBut you’re going to need fast cards. The software hack that has seen many developments over the last few months, including the resurrection of the Canon 50D, a camera that didn’t even shoot video until recently, is pushing even further. Now it’s looking like 30fps continuous is definitely possible, which is great news for those looking to match broadcast footage, but it’s going to take some special cards to do it. Check out the proof below. More »

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Video thumbnail for vimeo video Meet the Hunter-LUT, a Beautiful Alexa-Like Look for 5D Mk III CinemaDNGs (Plus RAW Workflow Tutorial!) - nofilmschoolSuffice it to say some lucky, happy campers here at NFS have recently (finally) gotten their hands on a refurbished Canon 5D Mark III. Substances will surely flow in the not-too-distant future — and by substances I think I mean “footage.” We recently came across an overall-helpful 5D3 RAW DaVinci Resolve workflow tutorial from DP Hunter Hampton Richards, which we have found very helpful in our early experiences. Hunter has devised his own custom LUT to Alexa-ify your 5D CinemaDNG RAW footage, emulating that camera’s Rec. 709 output. Hunter also digs Purity Ring, so you’ll definitely want to check this out. More »

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rawmagic04There have been a few programs floating around to convert the .RAW files from Magic Lantern on the PC and Mac, but getting the files into a usable form takes a little bit of effort, as these programs were turning the files into DNG first, which aren’t compatible with programs like DaVinci Resolve (since DNG is a stills format). Now we have a better solution as Thomas Worth from Rarevision (who created 5DtoRGB) has created a program called RAWMagic to get After Effects and Resolve-supported CinemaDNG files straight from the .RAW camera originals. More »

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Magic_Lantern_logo-whiteIf you’ve been following the Magic Lantern RAW video news, you have probably seen quite a bit of material from the Canon 5D Mark II and the 5D Mark III. The hack, however, is working on many of Canon’s cameras, including the 50D (a camera that never shot video before), 60D, 6D, and more. Even if a camera is supported, that doesn’t mean you’re necessarily going to get full resolutions while recording continuously  so Roman over on the Magic Lantern forum has put together a list of the Canon cameras and max burst and continuous resolutions currently supported. Check out if your camera is currently supported below. More »

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Canon 5D Mark III at Big SurStrides are being made to get more and more resolution and frames out of the lower-end Canons using the Magic Lantern RAW video hack. Right now the only way to get continuous recording is by shooting at about 960 x 540 at 24fps, but other resolutions are working for a specific number of frames. Nick Driftwood, who has done a considerable amount of work with the Panasonic GH2, has been shooting some tests with the Canon 60D, and he’s posted his first video online. We’ve also got a metered dynamic range test comparing H.264 and RAW on the 5D Mark II, as well as a fantastic example of what the Canon 5D Mark III using Magic Lantern is capable of. More »

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Canon 50D vs 5D Mark II Magic Lantern RAWIt is absolutely incredible how far the Magic Lantern RAW video hack has come in such a short amount of time. Not only is it getting more stable every day, but they’ve managed to get a camera that never shot video at all — the Canon 50D — giving us beautiful RAW video. If you’ve been looking for a cheaper used camera to play around with RAW video (or you happen to have one of these sitting around), the Canon 50D and the full-frame Canon 5D Mark II are both great options (and both are from 2008), but how do they compare against each other? More »

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Julian Canon 50D RAW VideoThis is something you don’t see everyday: a camera that couldn’t even shoot video back in August 2008, is now shooting RAW video with the newer Magic Lantern hack! It seems the APS-C Canon 50D, which contains a CF card slot, is a much more capable video DSLR that it would have appeared at first glance. The tech inside the 50D looks like it borrows a lot more from its higher-end siblings, like the 5D Mark II, and it’s possible we may actually get better RAW video quality out of the 50D than we do out of any of the non-CF Canon cameras. Check out some samples below. More »

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Panasonic GH2 vs Mark III RAWI don’t recall in recent memory any sort of software with this many updates in such a short period of time, but the folks over at Magic Lantern have been working around the clock, and we’re getting almost consistent updates thanks to the incredible people working on the RAW video hack. Basic capabilities from regular H.264 video are being ported over, and it looks like both playback and audio are working in at least a basic form with RAW video mode — so we should see those at some point. We’ve also got a great little comparison from Luke Neumann showing the RAW Canon 5D Mark III against the hacked Panasonic GH2. More »