» Posts Tagged ‘red’

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1396867330What would the NAB show be without some sort of announcement from RED? This year we’ve got a slew of news from the company, including Scarlet Dragon shipping info, a 4K broadcast module to send out up to 4K 60fps over 4 3G-SDI ports, Epic-M Monochrome details, new color science and even a handy RED-specific multi-tool. Hit the jump for the details. More »

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ARRI Logo LargeWhile the 6K market may start to get crowded over the next few years, what’s so special about that resolution? As an acquisition format, 6K gives you all sorts of options for better-looking 4K with the ability to reframe and stabilize. That’s why it comes as no surprise that ARRI looks to be developing their own 6K camera, but instead of squeezing those pixels onto a Super 35mm sensor like the RED DRAGON or the new Kinefinity 6K cameras are, the company is letting them breathe on a gigantic 65mm sensor. More »

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Wild Combination - Dreamin' - MoVI RED EPIC 2Shooting in the freezing cold is never an easy task, especially when your gear wants to stop working at all the wrong moments. The team over at Wild Combination braved the elements — including New York City streets — armed with a MōVI and RED EPIC, to shoot the new music video for the Pillar Points song “Dreamin’.” Check out the video below, and read about their experience making the project. More »

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ben knight DamNation red epic

Sure, we’re all a bunch of gear junkies, but in some ways we know, a camera is a camera is a camera. It’s just as important for every production to have a good (or at least decent) concept, and therefore, a good reason to use one camera over the other! From scrapping a 3D production to saving up for six years to buy a RED EPIC, the excerpts below from a handful of different, but very talented, SXSW filmmakers are centered around one question: what did you shoot on and why? More »

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davinci-resolveRED has held back for quite some time letting other manufacturers use 3rd-party hardware acceleration in their software with RED’s proprietary .R3D codec, but that time has now passed. In the new 10.1.3 update for Blackmagic’s DaVinci Resolve, GPU acceleration is now supported with RED files, which will mean faster workflows for anyone not already using a ROCKET or ROCKET-X card from RED. More »

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RED DRAGON Hero ImageDxOMark, a “comprehensive RAW-based image quality measurement database and a set of scores to evaluate and compare digital cameras and lenses,” recently evaluated RED’s new 6K DRAGON sensor since it has the ability to pull extremely high-quality still images from video. The result, which probably comes as no surprise to RED themselves, measured the DRAGON as the best overall sensor they’ve ever tested, breaking 100 points on their scale. Considering that DxOMark has tested all sorts of cameras (some even more expensive than DRAGON like the medium format Phase One IQ180), the results are indeed impressive. More »

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Godfrey Reggio VisitorsGodfrey Reggio, who created the Qatsi Trilogy, is back again with another hypnotic film called Visitors. The film, which is composed of just 74 total shots (but is 87 minutes long) and showed at the Toronto International Film Festival, is currently screening around the country. The Creators Project recently went in-depth with Reggio and others involved in the project, and put together a fantastic BTS video. We’ve also got another great video that takes you behind the scenes of the film, which is presented by Steven Soderbergh. More »

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RED Dragon with New Top PlateNo, it’s not the A.D.D. you’re thinking of. RED has developed something new for RED CINE-X called Advanced DRAGON Debayer to squeeze even more quality out of the image in post, which is in addition to the new Optical Low Pass Filter on the DRAGON that gets rid of an ugly flare and in the process helps increase dynamic range. There is word more improvements are coming, but if you’re wondering about actual cameras, the general upgrades for all EPIC users is almost here, which will mean DRAGONs for every EPIC owner that wants them. More »

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kendricken_celluloid_film_fuji_fujifilm_production_manufacture_cancelWith modern digital cinema cameras, it is often preferable to achieve a look that is more “cinematic” than “digital.” No one factor creates a filmic feel, but the precedent is simple enough — film itself. The emulation of emulsion may depend on anything from lens choice and lighting to grading and grain plug-ins, but there is one sure-fire way to get a true film look: using film. Celluloid acquisition may be beyond the budget of your shoot, but using a “film intermediate” process — that is, transferring color corrected digital footage out to film, then scanning back to digital — could be one technique for splitting the difference. A webinar with VFX artist & colorist Jerome Thelia details just such a process, regarding the Oscar-winning short film Curfew. Read on for details. More »

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U2 Invisible - Shot on RED EPIC MonochromeBesides the wonderfully confusing fact that this is a U2 video shot on RED EPIC Monochrome for the unrelated (RED) foundation (which is raising money for the fight against HIV/AIDS), it’s pretty fantastic to look at. I will admit to being a digital black and white junky at this point, but there is a pureness to the image that color can’t quite replicate yet,mostly due to the fact that light has to go through an additional layer. So if you’re not with me on the black and white bandwagon, it’s also a worthy test of YouTube’s compression. More »

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NEW DRAGON OLPFThere is little doubt that RED’s DRAGON sensor is a major step forward for digital cinema, at least in the resolution and dynamic range departments. However, like all new digital sensors, there are some kinks that need to be worked out before the cameras are 100% ready for action. In the case of DRAGON, the optical low pass filter originally designed for the sensor was causing some issues, chiefly some strange magenta flaring when the camera was pointed at bright sources. A brand new OLPF, and a bit of sensor calibration, has not only fixed this issue, but it has improved upon the sensor’s colorimetry and dynamic range even more. Check out the details below: More »

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Freefly CineStar 6K RED EPIC DRAGON AerialFreefly, who makes all sorts of stabilized aerial copters for cameras (and who is now better known as the creator of the MōVI), just got their hands on a 6K RED EPIC DRAGON, and the first thing they did was take the little guy into the sky. The team put the camera on one of their 8 rotor CineStar copters, and the resulting footage is about the smoothest you’re going to see with an unmanned vehicle. Check out the gorgeous video below, which was filmed with the Tokina 11-16mm lens: More »

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sundance logo 2014Sundance is over – the winners have been announced and filmmakers of all types are leaving the small town of Park City in droves — however, for many, things are just beginning. This festival has a way of inspiring young filmmakers to jump out of their seats and grab their cameras, but probably the biggest question that’s asked in the very beginning is, “What camera should I buy?” One way to answer that is to find out what pros are using on projects that closely resemble yours, which is why this list, compiled by Indiewire, of the cameras used by this year’s Sundance Film Festival filmmakers is an excellent resource in learning our (future) peers and colleagues’ approach to filmmaking. Continue on for the full list of cameras. More »

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Old Super8 cam

When many of us first picked up a camera, it was whatever we had lying around. Maybe it was dad’s old Super 8 at home or the Handycam in your high school yearbook class. It was available, affordable, and convenient, so the choice was already made whether you knew it or not. Today, however, there are a lot of cameras out there so naturally beginning filmmakers will ask themselves, “How do I choose a camera?”

This is a guest post by Joyce Tsang of Stillmotion. More »

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RED DRAGON Aerial Axiom ImagesWe’ve already seen some terrific aerials from RED’s EPIC DRAGON camera, and a new aerial video of Los Angeles from Axiom Images — not to be confused with the Apertus Axiom camera — really shows off the strengths of the new sensor. With its small size, 6K resolution, excellent dynamic range, and better low-light performance than the MX sensor, it may just be the perfect camera to take up into the sky. Check out the video below: More »

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Sony Commercial REDSony is no stranger when it comes to making magnificent advertisements. Their new commercial for the recently released A7 and A7R full frame mirrorless cameras, which features some magnificently choreographed skydiving action, is no exception. What’s even more impressive is the fact that none of this was shot on a green screen. In fact, the entirety of the spot was shot practically at an altitude of 15,000 feet, with an overcranked RED EPIC. Read on to watch this glorious commercial and the excellent behind-the-scenes video. More »

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RED DRAGON Carbon FiberThese days our cameras are like fine wines — they just keep getting better with time and, well, firmware downloads. Today RED is kicking off the new year by dropping firmware 5.1.34, a significant release build over the their current 4.0.18 release build (Beta releases have given us some of these features, but release builds are theoretically far more stable). Notable on the feature list is the addition of HDRx (which was announced late last year) and Speed Ramp for the DRAGON sensor, as well as major UI enhancements and additional lens support. Read on for the full feature list and download links. More »

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RED 512GB MINI-MAG-Side-SSD-ReaderRED teased newer mags for their cameras back in November, and now they have finally arrived, starting with a 512GB MINI-MAG. The biggest change from the old cards is that these are much cheaper and faster, so you can get better compression ratios than the older cards. How much better you ask? A chart has been posted showing exactly what kind of compression improvements you’ll be looking at, and we’ve embedded it below. More »

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RED 3 Axis Wireless Lens ControlWhatever your opinion of the company might be, RED makes some absolutely fantastic products. From their line of ever-improving camera systems (which have become fairly ubiquitous in the industry), to the plethora of unique accessories that have been made specifically to augment and enhance their cameras, the folks at RED are never satisfied with the status quo. On Friday, RED introduced a new piece of equipment that is sure to find its way into the hands of many professional filmmakers. Introducing the RED 3-Axis Lens Control System, perhaps one of the most versatile wireless lens controllers ever created. Check out the details below: More »

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trost durable field camera slider shooting platform movement steel 01The DSLR revolution ushered in an explosion of one-person-crew gear options, and the slider has been no exception. Many manufacturers offer variations on the basic yet effective sliding camera platform, including Redrock, edelkrone, DitoGear, and Rhino. Now, a manufacturer called Trost is introducing a very sleek-looking slider aiming for extreme dependability and durability. Trost sliders feature hand-machined steel components, a quickly adjustable design, and the strength to support (some of) the weight of a 1983 Toyota Tercel. If you had any sliders on your holiday wishlist, you might want to check below for more details. More »