» Posts Tagged ‘blackmagic’

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Blackmagic 4K Firmware 1.9 Addresses Fixed Pattern NoiseIt’s been a huge issue for many users, and while the severity has been inconsistent camera to camera, the new 1.9 firmware update released today for the Blackmagic Production Camera 4K should address fixed pattern noise on all cameras. Though it may not be completely removed in all situations, this was a much-needed fix for those who’ve gotten some models that have suffered from excessive noise. They’ve also added some really essential features, like a histogram, audio meters, and a time remaining indicator so you can see how much recording time you’ve got left depending on your shooting format. More »

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DaVinci Resolve 11 Beta 2Blackmagic has pushed the DaVinci Resolve 11 color grading suite even closer to being a full-fledged editor, but the company, at the least for the moment, does not have any interest taking editing jobs away from the big names like Final Cut, Premiere, and Avid. While the program is still in Beta form, it’s far closer to a finished product than lots of other Beta software, and they are releasing new updates all the time. The newest Beta 2 includes support for Apple’s new ProRes 4444 XQ codec, Final Cut Pro X XML 10.1.2, and a number of other new features. More »

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Blackmagic Camera Firmware Update 1_8_2 with ProResThere was just an incredible price drop on the Blackmagic Pocket Cinema Camera, and now the company is increasing the value of the entire line. Blackmagic said updates would come faster thanks to the significant 1.7 firmware, and three weeks later we’ve got another major addition. While the Cinema Camera, Pocket Cinema Camera, and Production Camera 4K are all capable of recording to the high-quality ProRes HQ codec, for plenty of shooting situations, HQ can be overkill. In the 1.8.2 firmware update, Blackmagic has added the more highly-compressed ProRes 422, ProRes LT, and ProRes Proxy codecs, which will mean longer recording times for projects that don’t necessarily need the highest fidelity possible, and less data storage for normal recordings. More »

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Blackmagic Pocket Cinema CameraOf the myriad cinema-style cameras that have hit the market over the past year, none are as inexpensive or have as tiny of a form-factor as the Blackmagic Pocket Cinema Camera. Add to that the camera’s 13 stops of dynamic range and internal ProRes/CinemaDNG recording, and it seems like one hell of a bargain at $995. As most of you know, Blackmagic has a distinct history of reducing prices on their cinema cameras, and they’ve done it once again — at least for the time being — with the BMPCC. For the next month and a half, you’ll be able to snag one of these little cameras for only $495. More »

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GH4 BMCC Green Screen ComparisonCommon knowledge tells us that codec and compression are two of the most important factors (after lighting, of course) when it comes to green screen work and being able to pull a quality key from your source footage. Anybody who has ever had the opportunity to shoot green screens both with DSLRs and higher quality cameras with more robust codecs can attest to the fact that it’s significantly easier to pull a key from the latter. However, seeing as the GH4 keeps blowing past people’s expectations, it was only a matter of time before we started to see green screen comparisons to cameras with better internal codecs. The fine folks at Video Alchemy performed one such test recently, and ran the GH4 up against the BMCC’s ProRes and CinemaDNG. The results are surprising, to say the least. More »

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Blackmagic URSA 4K with PL MountA little over two years ago, Blackmagic Design completely disrupted the cinema camera market, and changed expectations about how much we should be paying for excellent image quality. Their goal with the first 2.5K Cinema Camera was to make something with as much flexibility in post as possible, and would be a companion to cameras like the Canon 5D Mark II — which is why they chose the Canon EF mount. They haven’t stopped with just one camera model, as they have since introduced the Pocket Cinema Camera, Production Camera 4K, and the URSA 4K Digital Cinema Camera, which features interchangeable sensors. At the recent NAB show, I interviewed Blackmagic CEO Grant Petty and asked him all sorts of questions about their camera line, firmware updates, and what he thought about the image issues some people have experienced with the Production Camera 4K. More »

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blackmagic-ursa small[UPDATE: You can hear the full interview here.] I had the chance to talk with Blackmagic CEO Grant Petty back at NAB 2014, and while it’s taken a while to get the interview together, it will finally be going live on Monday. Grant offered up tons of fascinating details about his mindset with hardware, his take on the rest of the industry, and what’s going on with the Production Camera 4K, and he also gave some interesting tidbits about the new URSA 4K Digital Cinema Camera, which was first announced back at NAB. I’ve put together a teaser in which Grant mentions that the URSA is not only capable of frame rates higher than 60fps, but that they should be coming this year. More »

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Grant Petty - Blackmagic Firmware Update 1.8There was quite a bit of confusion yesterday when a private download link for the newest firmware 1.8 was made live before an official release. That situation was corrected soon after it was made available, and users were told that this was not an official release. Now the company has announced the official firmware 1.8 update, and they are showing off a video with their CEO that goes through all of the new features and also hints at many more firmware updates coming very soon. More »

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Blackmagic Firmware 1.8 on BMPC4KEarlier today there was a bit of a surprise when the Blackmagic website showed a brand new firmware update download without any press releases or fanfare. We’ve been told for a while that this 1.8 update was coming, with the promise of unifying firmware across all of their cameras so that only one download would be needed. The 1.8 firmware update was available for a little while, but was then quickly removed. Downloads are floating around online, but apparently this update isn’t ready for primetime, and could have bugs that won’t be in the release version. More »

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Metabones Canon EF to MFT Speed BoosterLast year Metabones came out of nowhere with the Speed Booster, a product that seems too good to be true until you look at the results. While it does have its faults, your lenses do really become faster and wider, giving you a lot more options for mirrorless cameras that have smaller than full-frame sensors. We’ve heard rumors about a Metabones Canon EF to Micro 4/3 Speed Booster that would give full iris control on MFT cameras (we’ve already got the Nikon version which is all-manual), but nothing was concrete until now. The first product out of the gate is for the Blackmagic Pocket, which is going to make the camera that much more usable with full-frame lenses. More »

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LockPortOne of the greatest benefits of a DSLR is its low price tag (compared to larger cinema cameras), but repair and maintenance costs can render the unprepared filmmaker powerless and unable to start or finish a project. Namely, HDMI ports tend to be a little fussy and vulnerable, and LockCircle’s solution to protect against HDMI/USB port damages, the LockPort, has added to its growing family: the LockPort 800 DUAL, designed specifically for the NikonD800/800E. Continue on to find out more about how this tool can help safeguard your relatively-inexpensive-but-still-pretty-expensive camera. More »

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blackmagic cinema camera production 4k kinefinity upgrade interchangeable battery hdmi outputAmong the slew of surprising NAB announcements this year comes one from Kinefinity that draws a whole different kind of “wow, I didn’t see that coming.” It seems the camera company isn’t satisfied merely offering 4K RAW (and soon enough, 6K RAW) capture at extremely aggressive prices. Kinefinity also wants to upgrade your Blackmagic Cinema Camera or Production Camera 4K into a bigger, more functional workhorse. The Kine+ program is a third-party modification on a different level, adding interchangeable batteries, HDMI, additional power ports, and even a bit more heftiness to the external dimensions. Check below for our NAB 2014 interview with Kinefinity. More »

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RedRockRedrock Micro is probably best known for their award-winning One Man Crew, a motorized parabolic motion system, as well as their remote focus system microRemote. We stopped off at their booth at NAB, where Redrock’s Brian Valente not only gave us a demonstration of the new features of these two products, but of their new 3-piece, vintage style rig for the Blackmagic Pocket Cinema Camera, the Retroflex, which allows for handheld operation. More »

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bmd_logoBlackmagic’s revealing of their new cameras at NAB has been met with great excitement from many filmmakers. However, there has been some concern among the Blackmagic community that the company is “no longer supporting the Blackmagic Cinema Camera or Pocket Cinema Camera.” Kristian Lam of the Blackmagic Design technical support team has addressed this in a post on the BM forums, in which he describes the background information about the development and why firmware updates are taking longer than expected. More »

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Ryan Connolly and Olivia Speranza talk to No Film School about the My Rode Reel ContestRøde’s latest promotional effort brings together top companies from every corner of the film industry to offer $70,000 in prizes to encourage filmmakers to get creative. By submitting a short film of up to 5 minutes in length with a supplemental behind-the-scenes video showing the use of a Røde microphone you can win cameras, gear and software from Adobe, Blackmagic, Miller, Kessler, and many others. No Film School’s Joe Marine caught up with Ryan Connolly and Olivia Speranza at NAB to talk about how it works, why they are excited to be involved and important deadlines for the contest. Watch the video after the jump and learn everything you need to know. More »

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No Film School at the Wooden Camera Booth NAB 2014Wooden Camera makes quality accessories that are designed to supplement and improve every type of rig imaginable. This year at NAB they are showing a new C-box, new lens supports for both studio lenses and still lenses, and a new lens mount system for the Blackmagic 4K production camera. Hit the jump to watch our interview with Wooden Camera on the NAB floor: More »

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No Film School with Blackmagic Design at NAB 2014Blackmagic is making a habit out of causing a ruckus at NAB, and this year they’re stirring up the world of live production with two new cameras designed specifically for broadcast. Hit the jump to get on the floor with Joe Marine and Blackmagic Design president Dan May: More »

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Dan May with No Film School at NAB 2014Blackmagic are stirring things up again with new developments and over a dozen new products at this year’s NAB. Perhaps the biggest announcement from yesterday was the Blackmagic URSA, and our team on the floor in Vegas caught up with BMD president Dan May to talk about the new camera. Hit the jump to watch our video. More »

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Blackmagic Studio CameraWe’ve already seen one major announcement from Blackmagic today, and boy was it a doozy. Blackmagic was far from finished, however, as they had another brand-spanking new camera ready to reveal to the world. Now that it looks like the low-budget cinema market is clearly in their grasp, Blackmagic is headed for the broadcast industry with a uniquely-designed studio production camera with a 10″ display and built-in fiber-optic connectivity. Check below for all of the details! More »

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blackmagic-ursa smallBlackmagic has done it again, introducing a product the industry has yet to see. The new Blackmagic 4K URSA camera is something else entirely, featuring a 4K Super 35mm global shutter sensor, real camera form factor, a built-in 10.1″ 1920 x 1200 fold out display, and two 5” 800 x 480 displays. Not only that, but it has both interchangeable lenses and sensors, meaning you’ll be able to upgrade to a better sensor at home removing a few screws when a better one is available. More »