» Posts Tagged ‘blackmagic’

Description image

blackmagic cinema camera production 4k kinefinity upgrade interchangeable battery hdmi outputAmong the slew of surprising NAB announcements this year comes one from Kinefinity that draws a whole different kind of “wow, I didn’t see that coming.” It seems the camera company isn’t satisfied merely offering 4K RAW (and soon enough, 6K RAW) capture at extremely aggressive prices. Kinefinity also wants to upgrade your Blackmagic Cinema Camera or Production Camera 4K into a bigger, more functional workhorse. The Kine+ program is a third-party modification on a different level, adding interchangeable batteries, HDMI, additional power ports, and even a bit more heftiness to the external dimensions. Check below for our NAB 2014 interview with Kinefinity. More »

Description image

RedRockRedrock Micro is probably best known for their award-winning One Man Crew, a motorized parabolic motion system, as well as their remote focus system microRemote. We stopped off at their booth at NAB, where Redrock’s Brian Valente not only gave us a demonstration of the new features of these two products, but of their new 3-piece, vintage style rig for the Blackmagic Pocket Cinema Camera, the Retroflex, which allows for handheld operation. More »

Description image

bmd_logoBlackmagic’s revealing of their new cameras at NAB has been met with great excitement from many filmmakers. However, there has been some concern among the Blackmagic community that the company is “no longer supporting the Blackmagic Cinema Camera or Pocket Cinema Camera.” Kristian Lam of the Blackmagic Design technical support team has addressed this in a post on the BM forums, in which he describes the background information about the development and why firmware updates are taking longer than expected. More »

Description image

Ryan Connolly and Olivia Speranza talk to No Film School about the My Rode Reel ContestRøde’s latest promotional effort brings together top companies from every corner of the film industry to offer $70,000 in prizes to encourage filmmakers to get creative. By submitting a short film of up to 5 minutes in length with a supplemental behind-the-scenes video showing the use of a Røde microphone you can win cameras, gear and software from Adobe, Blackmagic, Miller, Kessler, and many others. No Film School’s Joe Marine caught up with Ryan Connolly and Olivia Speranza at NAB to talk about how it works, why they are excited to be involved and important deadlines for the contest. Watch the video after the jump and learn everything you need to know. More »

Description image

No Film School at the Wooden Camera Booth NAB 2014Wooden Camera makes quality accessories that are designed to supplement and improve every type of rig imaginable. This year at NAB they are showing a new C-box, new lens supports for both studio lenses and still lenses, and a new lens mount system for the Blackmagic 4K production camera. Hit the jump to watch our interview with Wooden Camera on the NAB floor: More »

Description image

No Film School with Blackmagic Design at NAB 2014Blackmagic is making a habit out of causing a ruckus at NAB, and this year they’re stirring up the world of live production with two new cameras designed specifically for broadcast. Hit the jump to get on the floor with Joe Marine and Blackmagic Design president Dan May: More »

Description image

Dan May with No Film School at NAB 2014Blackmagic are stirring things up again with new developments and over a dozen new products at this year’s NAB. Perhaps the biggest announcement from yesterday was the Blackmagic URSA, and our team on the floor in Vegas caught up with BMD president Dan May to talk about the new camera. Hit the jump to watch our video. More »

Description image

Blackmagic Studio CameraWe’ve already seen one major announcement from Blackmagic today, and boy was it a doozy. Blackmagic was far from finished, however, as they had another brand-spanking new camera ready to reveal to the world. Now that it looks like the low-budget cinema market is clearly in their grasp, Blackmagic is headed for the broadcast industry with a uniquely-designed studio production camera with a 10″ display and built-in fiber-optic connectivity. Check below for all of the details! More »

Description image

blackmagic-ursa smallBlackmagic has done it again, introducing a product the industry has yet to see. The new Blackmagic 4K URSA camera is something else entirely, featuring a 4K Super 35mm global shutter sensor, real camera form factor, a built-in 10.1″ 1920 x 1200 fold out display, and two 5” 800 x 480 displays. Not only that, but it has both interchangeable lenses and sensors, meaning you’ll be able to upgrade to a better sensor at home removing a few screws when a better one is available. More »

Description image

davinci-resolveRED has held back for quite some time letting other manufacturers use 3rd-party hardware acceleration in their software with RED’s proprietary .R3D codec, but that time has now passed. In the new 10.1.3 update for Blackmagic’s DaVinci Resolve, GPU acceleration is now supported with RED files, which will mean faster workflows for anyone not already using a ROCKET or ROCKET-X card from RED. More »

Description image

movi combo

Having a two-camera set-up can have many great benefits. It can cut down on your production time/cost, streamline your work and make it more efficient, as well as provide much-needed continuity to the final product, which will ultimately raise your film’s production value. If you’re working with a skeleton crew, a multi-camera rig might be a good solution to having to hire more people, but be forewarned — there can be pitfalls to that set-up (e.g. Tommy Wiseau’s multi-camera/multi-format frankenrig that he used in The Room). Filmmaker Rubidium Wu puts this set-up to the test, mounting a Blackmagic Cinema Camera and a Canon 5D Mark III to a MōVI 10 gimbal stabilizer to see if he can cut down on costs, time, and even permit applications!

This is a guest post by Rubidium Wu. More »

Description image

Screen Shot 2014-02-18 at 3.21.50 PMLast week, Blackmagic Design once again shook up the cinema camera market with their announcement that the BMPC 4K would begin shipping immediately at $1000 cheaper than expected. Cut to one week later, and the first of many forthcoming camera comparison videos have hit the web. If you’re wondering how the BMPC 4K stacks up against the Canon 1D-C and the RED EPIC, cameras which are significantly more expensive than Blackmagic’s offering, here are a few videos that should clarify things. More »

Description image

Blackmagic Production 4KAmidst several delays, many of us have been eagerly anticipating the release of the Blackmagic Production Camera 4K, but the time has finally come, and rest assured — your patience was well worth it. The Production Camera 4K is now shipping, but not at the initial $4,000 price. In hopes that it would become accessible to more filmmakers, Blackmagic is now offering the camera at $2,995. Continue on to find out more about Blackmagic’s announcement. More »

Description image

DaVinci resolveWe got our first look at DaVinci Resolve 10 at NAB 2013, and at that moment it was clear that Resolve was taking aim at NLEs with the new “Edit” tab in the application. However, until version 10 was officially released, it was unclear just how the editing features of the program would function, and more importantly, whether or not they would allow Resolve to become a one-stop post production solution. In that first iteration, the editing features were solid, but not enough to unseat any NLEs. However, in version 10.1, Blackmagic has added a few new sophisticated editing features, as well as other enhancements. Read on to see what’s new. More »

Description image

Nauticam BMPCCThough most indie filmmakers spend the majority of their time out of the water, chances are they’re going to end up submerged one way or another, whether in a pool or in the briny deep. Nauticam has just announced an underwater housing that may be of interest to fans and users of either the Blackmagic 4K, 2.5K, or Pocket Cinema Cameras — the NA-BMCC and NA-BMPCC. Designed with tactile record trigger, handles for stabilization, as well as several mounting possibilities, these underwater housings aim at giving more control and visibility to underwater filmmakers. Continue on for more info. More »

Description image

Blackmagic Production Camera 4K No LensWe got our 1st taste of Blackmagic Production Camera 4K footage yesterday, and now we’ve got even more — this time some of the most gorgeous stuff that has been shot on any of the pre-production cameras. Hook, who previously shot with prototype Blackmagic cameras, has delivered some spectacular-looking images with his new video. If you’ve been waiting for some real samples to see what the Blackmagic 4K can do, you should really take a look at the video below:

More »

Description image

Screen Shot 2013-12-18 at 3.06.34 PMAt NAB earlier this year, Blackmagic Design announced two new cinema cameras, the Pocket Cinema Camera, which has already made its way to market, and the Production Camera 4K, which features an s35 global shutter sensor and is not yet shipping. Like the original BMCC, the Production Camera has been temporarily delayed due to sensor calibration issues. With that said, the prospects for seeing the BMPC very soon are bright as it is now nearing its final testing stage, and at long last, we finally have our very first test footage. More »

Description image

Sleepwalkers

Director Ryan Lightbourn dropped out of film school and decided to strike out on his own, making films and music videos with gear he bought himself. Having just recently finished his first feature film Sleepwalkers, Ryan decided to let us behind the scenes, explaining his process as he made his film using an array of different types of gear, including the RED SCARLET, the Blackmagic Pocket Cinema Camera, and the 5D Mark III.

This is a guest post by Ryan Lightbourn. More »

Description image

Metabones_spnfg-bmpcc-bm1_03sThis year a company called Metabones released the Speed Booster, an adapter which makes lenses faster, wider, and sharper as long as they were designed for a larger format than the format you’re currently working with. They already introduced adapters for Micro 4/3 cameras like the GH3, but now they’ve created new Nikon mount Speed Boosters designed specifically for the Blackmagic Cinema Camera and Blackmagic Pocket Cinema Camera that make lenses on those bodies even faster and wider, and give the Super 16mm Pocket essentially a Super 35mm sensor. More »

Description image

CMV-12000 4K SensorIt’s been a few months since we got official word on the shipping status of the Blackmagic Production Camera 4K, with the last update mentioning that it might be 3-4 weeks before they would be shipping. I wrote then that I didn’t really expect them to be in anyone’s hands in that amount of time, and while that has been the case, we may not see anything until 2014. There has been some speculation that they may be using the CMOSIS 4K sensor, and if that’s true, the company is introducing an upgraded version with significant frame rate improvements that would make for a truly powerful camera. More »