» Posts Tagged ‘cooke’

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Cooke AnamorphicsMany cinematographers love the look of anamorphic lenses. Many others are quite fond of Cooke Optics because of their distinctively warm and creamy aesthetic, lovingly known as the “Cooke Look.” Imagine the delight of cinematographers all over the world when Cooke announced during last year’s NAB that a brand new line of high-end anamorphic cinema lenses was in the works. Pure elation. Now we’ve got some of the first test shots to surface from these world-class anamorphic lenses, and the results are just what you’d expect, optical excellence and pure cinematic beauty. More »

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sundance logo 2014Sundance is over – the winners have been announced and filmmakers of all types are leaving the small town of Park City in droves — however, for many, things are just beginning. This festival has a way of inspiring young filmmakers to jump out of their seats and grab their cameras, but probably the biggest question that’s asked in the very beginning is, “What camera should I buy?” One way to answer that is to find out what pros are using on projects that closely resemble yours, which is why this list, compiled by Indiewire, of the cameras used by this year’s Sundance Film Festival filmmakers is an excellent resource in learning our (future) peers and colleagues’ approach to filmmaking. Continue on for the full list of cameras. More »

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OscarsWe all know that being a filmmaker means a lot more than having an awesome camera. However — it doesn’t hurt. But, how exactly do we gauge the awesomeness of cameras on the market? Well, that depends on your personal definition, but one way would be to look at what the Oscar-nominated filmmakers of 2014 used on their films. Setlife Magazine has shared a trove of technical specifications for the nominated films, including which cameras, lenses, film/digital negatives and prints were used, but let’s just say — one camera maker swept up nice and clean. Find out which one after the jump. More »

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A057C003_120515_R2C5.0137578.tifIt seems as though people can’t stop talking about Spike Jonze’s newest movie Her — and rightfully so. The film’s story overflows with a certain humanity and honesty that may be expected from Jonze, but not as much from a contemporary love story. With such a great narrative, the visual storytelling should certainly echo its sentiments — a task given to cinematographer Hoyte Van Hoytema, who has worked on films such as Let the Right One InThe Fighterand Tinker Tailer Soldier Spy. In an in-depth piece, the International Cinematographers Guild plunges head first into the beautifully lonely world of Her and asks Van Hoytema how he built it. More »

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Cooke LensLenses are often one of the more subtle choices that the cinematographer makes when determining the look of a film. Usually things like camera (or film stock) and lighting take precedence over lenses. However, what many people don’t realize is just how powerful an effect certain lenses can have on the final image of a film, no matter how subtle or subconsciously appealing the look may be. Cooke lenses, for example, are known worldwide for their distinctive look. But what exactly is the “Cooke look”? Where does it come from, and why would you want it on your next project? Stick with us to find out: More »

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It’s been an exciting week so far, with announcements to please and shock just about everyone. With camera technology changing every time we turn our backs, it’s hard to keep up — but quality glass is built to stay. Read on for the latest lens tech and a concise round-up of the new lenses that showed their faces at NAB 2013. More »

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Inspiration Studios, the same guys who brought us this humorous comparison of the ARRI ALEXA and RED EPIC, are back at it with a look at the high-end Cooke 5/i prime lenses. These aren’t lenses for DSLR or DIY filmmaking, but it’s an entertaining video (with a foray into NSFW territory): More »