» Posts Tagged ‘editing’

This past week Google integrated video editing functionality into YouTube. While basic, the toolset brings much needed capabilities like trimming and clip combining to the world’s most popular video sharing site. It also allows users to swap out background music using AudioSwap. More »

As part of today’s free Adobe workshop on HDSLR feature film workflows (I’ll update that post with a link to the archived presentation), one of the commenters brought to my attention a promising DSLR post-production plugin called 5DtoRGB.1 I’ve called DSLR color-correction on a Mac a clustercuss, not just because of the 4:2:0 color space, but because of Quicktime gamma inconsistencies (often related to YUV to RGB conversion). Rarevision’s 5DtoRGB plugin, currently in beta, just might be the solution to these problems. More »
- Sorry, whoever it was who commented about 5DtoRGB — I lost the chat thread when my Flash plugin crashed for the dozenth time. [↩]

Most of us use both Adobe and Apple products — most commonly Adobe Photoshop and Apple Final Cut, I’m guessing. With the ongoing feud between the two companies reaching a joke T-shirt-spawning level, however, it’s nice to know that their respective NLE programs still talk to each other (thanks to standards-based XML files). Since CS4, Premiere Pro has been able to open and export Final Cut XML files (which is handy for getting FCP sequences into After Effects, an action that used to require a $500 plugin). CS5 tutorial after the jump: More »

And the exodus I spoke of begins. In Final Cut there is no (updated: good) way to edit DSLR footage without transcoding. In Premiere Pro CS5, now shipping, there is. I’m also hearing anecdotally that Adobe finally took the “Pro” moniker seriously and the latest version is significantly more stable than previous versions. Here’s Jason Levine with an 8-minute demo of DSLR editing in CS5. More »

This isn’t for anyone who works at a huge corporation or has a lot of money, but for the rest of us, I think the best guerilla solution for filmmaking in 2010 will be a PC. I’ve been a Mac guy for the past four years but I suspect things are about to change; here’s why. More »







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