» Posts Tagged ‘magiclanternrawvideo’

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5D3 Magic Lantern RAW in Canon AdMagic Lantern RAW video has been out for over a year now, and the resulting footage is unquestionably a giant step up from the normal compressed H.264 files. While Canon representatives rarely say too much about the hack, I’m sure many of them are familiar with it by name if nothing else. At the very least, there has been a sort of symbiotic relationship between the two, with Canon being more or less hands-off about Magic Lantern and its use on their cameras. If it sells more cameras, I doubt they would complain, but they’ve never outright condoned its use, which is why its interesting that footage shot with the hack has appeared in a Canon ad. More »

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Dale McCready Atlantis Season 2 Camera TestCamera technology has come a long way in the last 5 years. Dale McCready, the DP on the TV show Atlantis, normally shoots on 35mm for the show, but wanted to see how newer solutions stack up and could be intercut with the film material for Season 2. Since he already knows the ALEXA well, he took the 6K DRAGON from RED and his Canon 5D Mark III shooting Magic Lantern RAW and tested all sorts of different combinations of filters on the cameras. More »

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Under $2K Panasonic GH4 is Sharper Than Over $20K RED EPIC? - No Film SchoolThe Panasonic GH4 is barely on the market yet, and while we’ve seen some comparisons, some have been with cameras that aren’t shooting 4K. But what about comparing the $1,700 4K GH4 to the 5K RED EPIC MX (non-DRAGON), which runs well over $20K for a working body? That’s what Luke Neumann did, and he threw in the Canon 5D Mark III shooting Magic Lantern RAW for good measure, upscaled to 4K to keep everything consistent. Can a cheap camera really look sharper than a pro cine camera? More »

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Magic_Lantern_logo-whiteThose part of Magic Lantern are always hard at work tinkering away to give us mere mortals better cameras at zero cost. They were able to pull a rabbit out of a hat and give us RAW video on Canon DSLRs, which is a huge step up on video quality from the standard H.264 files the cameras normally record to. Now they’ve got another trick up their sleeve that can actually improve dynamic range about half a stop — but there are some caveats at this early stage. More »

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magic lantern raw davinci resolve 006_DR09Not too long ago, I posted about my post process for Magic Lantern RAW video, which relies heavily on Blackmagic Design’s DaVinci Resolve. This is in contrast to some Ginger HDR processes that allow you to stay completely in the Adobe realm, no proxies needed. Many would still like to employ Resolve in their color correction, however, since it’s a very powerful industry standard tool. One significant problem with the Magic Lantern/Resolve proposition was a type of ‘pink fringing’ artifacting that occurred in areas of high contrast. Now Magic Lantern-shooting Resolve users may rejoice: from the looks of things, the newly released(-ish) Davinci Resolve 10 fixes these fringing problems outright. More »

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5d 5d3 magic lantern ml raw offline online workflow bmd blackmagic design davinci resolve adobe premiere tutorial card

When I started playing around with Magic Lantern RAW video, two things came to mind: First, a camera called the “5D” was once again the nucleus of a low-budget cinematographic revolution — this time thanks to the Magic Lantern team; Second, how was I ever going to be able to edit what I’d shot? I’ve learned a lot since then, and it turns out an offline/online, proxy-based workflow is not only possible, but powerful. Check out the process that I’ve been using to round-trip Magic Lantern RAW between Adobe Premiere CC and DaVinci Resolve Lite below. More »

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Video thumbnail for vimeo video Edit Blackmagic CinemaDNG & Magic Lantern RAW Natively in Premiere with GingerHDR Plugin - nofilmschoolI’ve been talking a lot about offline/online workflows lately — how they have, in principle, been used for ages, and still play today, tape or no tape. Such a post production process allows less fortunate folks (such as myself) to work with footage like Blackmagic Camera CinemaDNG and Magic Lantern RAW on hard-pressed machines. But what if your computer can handle the media, and you’re sick of waiting through long post processes for CDNG? Ginger HDR may be the solution for you. The plugin allows native editing of CinemaDNG, and now, even ML .RAW files directly, in Adobe Premiere Pro and After Effects. One user has also devised a work-around for developing CDNG with the powerful Adobe Camera RAW interface, after native Premiere editing. Check it all out below. More »

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Video thumbnail for vimeo video Canon 7D Now Recording 2.5K RAW with Magic Lantern - nofilmschoolMagic Lantern RAW video is still a work in progress on the Canon 7D, but a few videos are floating around now showing what the camera can do in silent picture mode, which was also the precursor to 24fps and higher RAW video on the 5D Mark III and other Canon cameras. While the camera is recording below 1080 at a max of 1728 x 1156, it’s possible to get all the way up to 2.5K when using one of the crop modes (though the exact resolution may vary slightly). Check out some of the incredible first samples of that mode below. More »

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Canon 7D HDSLR DSLR VDSLRFor all of you out there with a Canon 7D who have been salivating at the prospect of shooting RAW video on your camera with Magic Lantern, things just got a whole lot more interesting. A1ex, one of the lead developers on the whole ML project, has discovered the silent pictures function, which allows the camera to save the RAW files from Live View. That’s exactly how the RAW hack began on the Canon 5D Mark II and Mark III back in April. Click through for more on this announcement and what resolutions you can expect. More »

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Magic_Lantern_logo-whiteYou might think there is quite a bit of “magic” involved in the Magic Lantern firmware hack for Canon cameras, but have you ever wondered what’s really going on? Back in May, Georg Hofstetter and Michael Zöller spoke at the Open Source 2013 LinuxTag event, explaining exactly how Magic Lantern works and what it’s doing on your camera, some of the origins of the project, and how the team continues to innovate — like bringing RAW video to cameras that had never had it before. Check out the full presentation below. More »

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Video thumbnail for vimeo video First Magic Lantern Comparison: RAW vs. 14 Stop Dual ISO RAW - nofilmschoolYesterday we had the big news about Magic Lantern’s big breakthrough: the ability to actually shoot with two different ISOs on the sensor at once. This is quite a technological leap from the previous hacks, as it is actually modifying how the sensor operates at a very base level. We’ve got a brief comparison from Michael Anthony showing off what the new hack can do, and we’ve also got some RAW Dual ISO samples from Luke Neumann for you to play around with. More »

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Magic_Lantern_logo-whiteThe breakthroughs keep coming. Magic Lantern did the unthinkable and figured out how to get RAW video out of Canon cameras, and now they’ve managed to increase the native dynamic range of the image without using an HDR method of varying light and dark frames, which can cause serious motion artifacts. That’s all in the past for the Canon 5D Mark III and the Canon 7D, as a1ex has managed to get a major dynamic range increase right on the sensor itself in the neighborhood of 14 stops, which brings it into ARRI ALEXA and Sony F65/F55 territory. More »

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Blackmagic DaVinci Resolve 9.1.5 Magic Lantern SupportWhile there are some workflow solutions to get your Magic Lantern RAW files into the more video-friendly CinemaDNG format (like RAWMagic), Blackmagic has just released an update to DaVinci Resolve that gives support to the regular DNG files (both CinemaDNG and DNG use the .DNG file type). These files, created by applications like raw2dng, are slightly different than CinemaDNG, which is why they previously did not work in Resolve. With the newest 9.1.5 update, they will now drop right into the program after they’ve been converted from the .RAW format. Click through for a look at the rest of the changes in this update. More »

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RED SCARLET Canon 5D Mark III RAW ComparisonWhile you always want to choose the right camera for the job, sometimes you have to deal with what you have. There are times when you might have a RED SCARLET (or maybe even a RED EPIC), but maybe you need something that’s a little more light-sensitive as a B-cam for specific shots, or you might need dual-coverage and you’ve already got a second camera handy. What if that second camera is a Canon 5D Mark III, and you’ve enabled the Magic Lantern hack so that you can shoot RAW? How would the two cameras stack up against each other? More »

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Magic_Lantern_logo-whiteBut you’re going to need fast cards. The software hack that has seen many developments over the last few months, including the resurrection of the Canon 50D, a camera that didn’t even shoot video until recently, is pushing even further. Now it’s looking like 30fps continuous is definitely possible, which is great news for those looking to match broadcast footage, but it’s going to take some special cards to do it. Check out the proof below. More »

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Video thumbnail for vimeo video Meet the Hunter-LUT, a Beautiful Alexa-Like Look for 5D Mk III CinemaDNGs (Plus RAW Workflow Tutorial!) - nofilmschoolSuffice it to say some lucky, happy campers here at NFS have recently (finally) gotten their hands on a refurbished Canon 5D Mark III. Substances will surely flow in the not-too-distant future — and by substances I think I mean “footage.” We recently came across an overall-helpful 5D3 RAW DaVinci Resolve workflow tutorial from DP Hunter Hampton Richards, which we have found very helpful in our early experiences. Hunter has devised his own custom LUT to Alexa-ify your 5D CinemaDNG RAW footage, emulating that camera’s Rec. 709 output. Hunter also digs Purity Ring, so you’ll definitely want to check this out. More »

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Video thumbnail for vimeo video Canon 50D Couldn't Shoot Video in 2008. Now in 2013 It Has Reached 1080P RAW - nofilmschoolMagic Lantern progresses more every single day, and this one is particularly impressive considering the camera couldn’t even shoot video when it was released in 2008. A little less than a month ago, those working on ML managed to get the Canon 50D shooting not just video, but RAW video, and now it’s possible to get full 1080p, even on some slower cards. More »

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Magic_Lantern_logo-whiteThe recent developments with the Canon DSLR hack known as Magic Lantern have been downright astonishing. At one time these DSLRs were just decent H.264 video/still hybrid cameras, and now they’ve become RAW video monsters with an unbelievable increase in detail and clarity. While the Canon 5D Mark III is the only one capable of taking full 1080p advantage of these advancements, it’s likely every Canon DSLR will be able to shoot RAW video down the line. But how did we get to this point so fast? Was it some sort of Canon conspiracy? Check out the video below to get a better sense of the insane amount of work it’s taken to get to where we are now. More »

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rawmagic04There have been a few programs floating around to convert the .RAW files from Magic Lantern on the PC and Mac, but getting the files into a usable form takes a little bit of effort, as these programs were turning the files into DNG first, which aren’t compatible with programs like DaVinci Resolve (since DNG is a stills format). Now we have a better solution as Thomas Worth from Rarevision (who created 5DtoRGB) has created a program called RAWMagic to get After Effects and Resolve-supported CinemaDNG files straight from the .RAW camera originals. More »

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Magic_Lantern_logo-whiteIf you’ve been following the Magic Lantern RAW video news, you have probably seen quite a bit of material from the Canon 5D Mark II and the 5D Mark III. The hack, however, is working on many of Canon’s cameras, including the 50D (a camera that never shot video before), 60D, 6D, and more. Even if a camera is supported, that doesn’t mean you’re necessarily going to get full resolutions while recording continuously  so Roman over on the Magic Lantern forum has put together a list of the Canon cameras and max burst and continuous resolutions currently supported. Check out if your camera is currently supported below. More »