» Posts Tagged ‘panasonic’

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VaricamWe’ve seen plenty of impressive cameras be unveiled at NAB in the last week from Blackmagic, Sony, JVC, and even AJA. Although we’ve known about Panasonic’s first 4K VariCam for a while, we were able to chat with Steve Cooperman about the modular camera, as well as take a closer look at its features, which include a Super 35mm CMOS sensor, 14+ stops of dynamic range, PL mount, and internal 4K up to 120fps. We’re also told by Cooperman that, with all components included, the camera will be sold for under $60K. More »

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Panasonic-GH4-4K-Front-No-Lens-616x407There have been lots of new cameras at this year’s NAB, but one that a lot of us have been curious about is the next iteration from Panasonic’s GH line of mirrorless cameras. With internal 4K recording and an optional interface unit that adds SDI-Out for sending higher bit-rate 4K to an external recorder, the Panasonic GH4 is here. Hit the jump to watch our interview with Panasonic from the floor of NAB 2014: More »

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Screen Shot 2014-03-29 at 2.26.41 PMAbout a month ago, the future of Panasonic’s video production tools became clear when we got the first details of the brand new Varicam camera system, which consists of a 4K-capable s35 module, a 2/3 HD module, and an external recorder that is interchangeable between the two systems. While all of the official details will be released at NAB in just one week’s time, the director of Panasonic’s digital imaging division, Kunihiko Miyagi, has just divulged some new information and given us some new pictures at which to grovel. Check it all out below. More »

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ben knight DamNation red epic

Sure, we’re all a bunch of gear junkies, but in some ways we know, a camera is a camera is a camera. It’s just as important for every production to have a good (or at least decent) concept, and therefore, a good reason to use one camera over the other! From scrapping a 3D production to saving up for six years to buy a RED EPIC, the excerpts below from a handful of different, but very talented, SXSW filmmakers are centered around one question: what did you shoot on and why? More »

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Panasonic GH4 - ZacutoThe new 4K-shooting Panasonic GH4, which should arrive sometime next month, has gotten quite a bit of attention, not just because of its specs, but also because of its price. Unfortunately, there have been some confusing details about what the camera is actually capable of doing without the expensive add-on grip, the YAGH Interface Unit, which adds XLRs, 3G-SDIs, and a full HDMI port. Thanks to Zacuto, we’ve now got some better details from Panasonic about what the camera can really do. More »

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Panasonic-GH4-4K-Front-No-Lens-616x407Last month, Panasonic gave us the news that we had all been hoping for, a 4K successor to the widely loved GH3, a brand new camera that is appropriately named the GH4, as well as a nifty interface unit that provides many of the features that serious filmmakers need. At the time, we knew the basic specs of the camera and that the body would come in at less than $2,000. However, the final retail price of both the camera and the interface were still largely unknown. Until now, that is. So, without any further ado, I am pleased to announce that a brand new GH4 body will cost you — More »

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Panasonic VariCam 35Panasonic has been teasing a 4K VariCam for a few NAB shows in a row now, but the camera has, up until now, just been a prototype hidden under glass. Back in the fall it became clear that the real thing was coming at NAB 2014, and now the company has unveiled the first images of the final model, along with a number of specs, which include 4K RAW and 4K variable frame rates up to 120fps. They’ve also got a brand new 2/3″ VariCam high-speed camera, which can do 1080p up to 240fps. More »

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Panasonic GH4 4K Front No LensThe camera made its first appearance at CES in January, and now the 4K Panasonic GH4 is finally here. While we weren’t sure if Panasonic was going to create a whole new line with the camera, it seems like this is definitely some sort of successor based on Panasonic’s wording, and it is building off everything that was good about the GH3. We’ve got full specs and photos below, as well as the first video shot in 4K on the camera, so click through for more. More »

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Panasonic GH 4K Angle EngadgetThis month in Las Vegas at the annual Consumer Electronics Show, Panasonic gave us a taste of what will be its first 4K camera, the 4K GH (or GH4K as it has also been known). They didn’t publicly reveal too much about the camera except for the body — which looks very much like a GH3 with a brand new 4K sticker on it. We have learned, however, that the new camera from Panasonic could be announced as early as next week. Click through for more. More »

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Panasonic GH 4K Angle Engadget4K is the name of the game at CES this year, and that includes some new camera models capable of the format. Sony showed their hand with the $2,000 4K handycam, and now Panasonic has unveiled more about the GH 4K, which will fit into their mirrorless camera line. Engadget snapped a few photos of the new 4K cam at the Panasonic booth, and managed to get some new details from the representative there. More »

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Vp9-logo-for-mediawiki.svg2014K Continues! When we last posted about the VP9 codec it was just beginning to threaten H.265 for dominance, but recent hardware partnerships with nVidia, ARM, Sony and many other tech giants solidifies VP9 as the next go-to HD and 4K streaming codec. Google’s previous VP8 codec failed to win out over H.264, which was already massively adopted by the time VP8 showed up. However, with this announcement Google looks poised to win this round of the knock-down drag out codec war. Will VP9 succeed where VP8 failed? Hit the jump to learn more. More »

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Panasonic 4K VariCam 3Panasonic was one of the first companies to really bring cinematic images into the HD realm with the original Varicam, but their large sensor video camera releases over the last few years have not quite matched up with the competition. What has truly been missing from their lineup is a higher-end Super 35mm camera, which they have apparently been working on for some time now. Shown off at the last few NABs, the new 4K Varicam should make a working appearance at next year’s NAB. Dan Chung from Newsshooter got some time with Panasonic’s Neil (Noriaki) Ugo at Inter BEE 2013 to talk about their products: More »

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panasonic gh3 rumors higher bit rate wide dynamic rangePanasonic has done a tremendous job with the video quality on their mirrorless photography cameras (especially when hacked in the case of the GH2), but their video options in a dedicated camera have lagged behind both Sony and Canon, who chose to go with larger sensors for their dedicated video cameras. Now, it looks like Panasonic is trying to come back at the game at the lower end with a 4K-shooting camera, and give excellent capabilities in a small form factor. More »

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Video thumbnail for vimeo video Panasonic 4K Varicam - nofilmschoolEver since ‘digital’ became synonymous with ‘cinema,’ digital motion picture cameras have held a kind of dual citizenship. Now, any such camera can be considered either a video camera or a digital cinema camera. The only difference is how the camera’s used. Manufacturers such as JVC and Panasonic have mostly stuck to professional broadcast and prosumer video solutions — leaving the expressed digicine market in the hands of peers like Sony. Regardless, the push for 4K and UHD has leaked into broadcast and prosumer realms, leaving some folks (such as myself) wondering: when will Panasonic get to the party? And, in what way? Read some details on Panasonic’s upcoming 4K Varicam, and reasoning behind its 4K hesitancy, below. More »

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The Panasonic GH3, if you’ve been looking to buy one, has been out of stock many places pretty consistently. While it began shipping in November of last year, there have been quite a few shortages over the past few months — not too dissimilar from the launch of the GH2. That hasn’t stopped Panasonic from improving the product, however, as they’ve just released a new firmware update, version 1.1. Check out the details below. More »

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Panasonic announced back in April 2012 that they were coming out with the next breed of solid-state memory cards, the microP2 series. A reworking of their original P2 cards, the microP2 boasts a faster, cheaper, and more compact design. Comparable to an SD card, the microP2 is the world’s first UHS-II compliant memory card. Panasonic also plans to release the microP2 adapter simultaneously, ensuring that P2 card users — like myself — won’t have to go out and buy new hardware (I’m cradling my HVX-200 and telling her I’m not tossing her in the dumpster). Panasonic recently announced pricing information, and Mike Bergeron from Panasonic gives us a look at the microP2 in the video below. More »

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The most common way we get color images with digital cameras is with a Bayer pattern CMOS sensor, but there are plenty of variations on that design being used today. The upcoming Aaton Penelope Delta uses a Bayer pattern over a Dalsa CCD, for example, while the RED EPIC-M Monochrome uses the MX CMOS sensor foregoing color filtration entirely. By their very nature, though, color filters of any kind cut down the amount of light transmitted to the sensor. That’s why Panasonic is developing a brand new type of color filter that will employ diffraction to split up the color spectrum, instead of filtration, and thus will be capable of doubling the light sensitivity of the sensor. More »

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The Panasonic GH2 is something of an anomaly in the camera world. Out of the box it looked good enough, but it wasn’t until the hackers got to it that things really got interesting — which was a very similar situation to the previous camera, the GH1. The Panasonic line hasn’t quite taken the industry by storm the way the Canon DSLRs have, which could come down to familiarity and/or high-profile endorsements. Either way, that hasn’t stopped a couple of festival-worthy films — Shane Carruth’s Sundance film Upstream Color (which won an award for sound design at the festival and is being self-distributed in April), and Gami Orbegoso’s Slamdance film Musgo from shooting on the camera. Check out some footage and clips from both films below. More »

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Kevin Good and the Weapons of Mass Production team are on a sleepless mission to determine the best bang for your buck, and weed out all the rest. Each contender will get its due where it excels, but a clear winner will emerge from the settling dust just about every time — and WOMP will suffer no runners-up, all on behalf of the budget shooter. You know this from the show’s 24-70mm lens shootout — you also know how to shoot with an iPhone, or how others measure up to GoPro as action cameras. Now, WOMP sets out to answer the question of questions in today’s camera market: what’s the best you can do for under a thousand dollars? (Runners-up, beware). More »

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Just a few short months ago, it was announced that the Blackmagic Cinema Camera would be receiving a Micro 4/3 lens mount option alternative to its original Canon EF mount. Granted, for those of us still waiting on the BMCC to ship, a few short months is no stretch of time to merely shrug off — particularly when the mount announced was to be a “passive” or “dumb” one, meaning electronic control would not be supported for smart MFT lenses. There’s been speculation that this would change — and given Blackmagic’s recent addition to the consortium of companies aligned with the official Micro 4/3 standard, this speculation seems less outlandish than ever. More »