» Posts Tagged ‘red’

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CropperCapture[77]There are many jobs in the filmmaking process. It all starts with a script, a story waiting to be told. Then there’s the director, the visionary, the person with the plan. But we all know that filmmaking is highly collaborative, so a team begins to emerge, with a group of like-minded artists all striving towards the same goal. You’ve got your art directors and production designers, and new worlds are created. You’ve got your editors, who lovingly craft the footage into the final piece of art. You’ve got your makeup artists and VFX artists and loads of other craftspeople who ultimately shape the film in some unique way. And then there’s the cinematographer, the person behind the lens. But what exactly does a cinematographer do, and what does it mean to be a cinematographer? The following short video from the EFTI School of Cinematography in Spain has the answer. More »

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Sharp AOALast October, Sharp ran a filmmaking contest called the Art of Amazing 4K Film Competition, and now they’re back for another round of ultra high definition goodness. and once again asking filmmakers to submit their best 4K short films. Once again partnering with THX and RED, Sharp will be taking 4K short film entries for the chance to win a host of cool prizes, like a screening of your film at the Mill Valley Film Festival, a private tour of Skywalker Ranch, and more than $65,000 in prizes for filmmakers and fans. More »

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CropperCapture[70]The App Store and Google Play Store are rife with apps aimed at providing helpful tools for filmmakers. Some of these apps are truly useful — apps like Shot Designer and pCAM and Cine Meter II – while others really aren’t. For users of RED cameras, there has never really been an app specifically designed to aid with the operating of these cameras. Until now, that is. Last week, RED released their REDTools App for the iOS platform, and it includes a number of tools for RED cinematographers, including depth of field calculation, recording time calculation, crop factor calculation, and more. More »

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red youtube 4k open source vp9 codec channelRED is well-known as a proponent of 4K, and as a manufacturer of cameras capable of shooting at that resolution (and higher). It’s also no stranger to the consumer 4K-viewing realm, a growing market in which the company’s REDRAY streaming player competes. Now, RED has announced it has been working with YouTube to employ and improve the open-source VP9 codec for encoding of 4K media to select channels, as opposed to the comparably-efficient but legally-entangled H.265 (aka HEVC) codec. And, to kick off the party, RED has also opened up the new “Shot on RED” channel to host and aggregate RED-shot footage and films. More »

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HistogramCameras these days come with a veritable plethora of tools to help you expose your images properly, everything from built-in exposure meters to zebras and false color displays. However, there’s one tool that is often overlooked, despite the fact that it’s available on nearly every digital camera today. The histogram. It’s an extremely simple tool, but when used properly, it can help you make sure that you never blow out your highlights again. More »

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Dale McCready Atlantis Season 2 Camera TestCamera technology has come a long way in the last 5 years. Dale McCready, the DP on the TV show Atlantis, normally shoots on 35mm for the show, but wanted to see how newer solutions stack up and could be intercut with the film material for Season 2. Since he already knows the ALEXA well, he took the 6K DRAGON from RED and his Canon 5D Mark III shooting Magic Lantern RAW and tested all sorts of different combinations of filters on the cameras. More »

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thunderWith studios closing their independent film divisions over the last few years and Miramax no longer the cultural powerhouse it was in the 90s, new models are being tried in the indie film world: while some venture capitalists are promoting the idea of an accelerator model, borrowed from the tech-startup world, others, such as the program recently announced by Thunder Studios, which is offering $12 million to twelve indie features each year, are planning to do away with cash altogether, though not in the way you’d expect. Click through to learn about this new way to get your movie made, and how you can submit your film. More »

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Under $2K Panasonic GH4 is Sharper Than Over $20K RED EPIC? - No Film SchoolThe Panasonic GH4 is barely on the market yet, and while we’ve seen some comparisons, some have been with cameras that aren’t shooting 4K. But what about comparing the $1,700 4K GH4 to the 5K RED EPIC MX (non-DRAGON), which runs well over $20K for a working body? That’s what Luke Neumann did, and he threw in the Canon 5D Mark III shooting Magic Lantern RAW for good measure, upscaled to 4K to keep everything consistent. Can a cheap camera really look sharper than a pro cine camera? More »

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Video thumbnail for vimeo video This Is How You 6K (or Even 8K): Light Iron's Future-Proof Digital Intermediate Mainframe - No Film SchoolMichael Cioni, CEO of post firm Light Iron, has been quite proactive in sharing the ins and outs of his company’s workflows, techniques, and philosophies. Previously, Cioni has highlighted the hurdles of The Girl with the Dragon Tattoo‘s 4K post production process, and gone in-depth about maintaining the color pipeline of Ender’s Game amidst extensive visual effects work. Now, in a video journal released in time for NAB 2014, Cioni breaks down Light Iron’s upgraded 4K, 6K and even 8K-ready post infrastructure — while also explaining the importance of choosing tools today that will serve the future’s needs. More »

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Photos Printed from 6K RED DRAGON FootageSince RED is still trying to deliver a few of the products they’ve had in development for some time — including the new 6K RED DRAGON sensor upgrades — there weren’t any earth-shattering announcements at NAB 2014. The newest products are about adding functionality to the cameras as they exist today, including the new Switchblade-M side panel and the 4K broadcast module which sends out an uncompressed 4K signal over four 3G-SDI outputs. They did however, have some interesting news for those looking at getting a SCARLET DRAGON, and for those who like to shoot native black and white. Check out our video below with RED for more. More »

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1396867330What would the NAB show be without some sort of announcement from RED? This year we’ve got a slew of news from the company, including Scarlet Dragon shipping info, a 4K broadcast module to send out up to 4K 60fps over 4 3G-SDI ports, Epic-M Monochrome details, new color science and even a handy RED-specific multi-tool. Hit the jump for the details. More »

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ARRI Logo LargeWhile the 6K market may start to get crowded over the next few years, what’s so special about that resolution? As an acquisition format, 6K gives you all sorts of options for better-looking 4K with the ability to reframe and stabilize. That’s why it comes as no surprise that ARRI looks to be developing their own 6K camera, but instead of squeezing those pixels onto a Super 35mm sensor like the RED DRAGON or the new Kinefinity 6K cameras are, the company is letting them breathe on a gigantic 65mm sensor. More »

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Wild Combination - Dreamin' - MoVI RED EPIC 2Shooting in the freezing cold is never an easy task, especially when your gear wants to stop working at all the wrong moments. The team over at Wild Combination braved the elements — including New York City streets — armed with a MōVI and RED EPIC, to shoot the new music video for the Pillar Points song “Dreamin’.” Check out the video below, and read about their experience making the project. More »

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ben knight DamNation red epic

Sure, we’re all a bunch of gear junkies, but in some ways we know, a camera is a camera is a camera. It’s just as important for every production to have a good (or at least decent) concept, and therefore, a good reason to use one camera over the other! From scrapping a 3D production to saving up for six years to buy a RED EPIC, the excerpts below from a handful of different, but very talented, SXSW filmmakers are centered around one question: what did you shoot on and why? More »

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davinci-resolveRED has held back for quite some time letting other manufacturers use 3rd-party hardware acceleration in their software with RED’s proprietary .R3D codec, but that time has now passed. In the new 10.1.3 update for Blackmagic’s DaVinci Resolve, GPU acceleration is now supported with RED files, which will mean faster workflows for anyone not already using a ROCKET or ROCKET-X card from RED. More »

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RED DRAGON Hero ImageDxOMark, a “comprehensive RAW-based image quality measurement database and a set of scores to evaluate and compare digital cameras and lenses,” recently evaluated RED’s new 6K DRAGON sensor since it has the ability to pull extremely high-quality still images from video. The result, which probably comes as no surprise to RED themselves, measured the DRAGON as the best overall sensor they’ve ever tested, breaking 100 points on their scale. Considering that DxOMark has tested all sorts of cameras (some even more expensive than DRAGON like the medium format Phase One IQ180), the results are indeed impressive. More »

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Godfrey Reggio VisitorsGodfrey Reggio, who created the Qatsi Trilogy, is back again with another hypnotic film called Visitors. The film, which is composed of just 74 total shots (but is 87 minutes long) and showed at the Toronto International Film Festival, is currently screening around the country. The Creators Project recently went in-depth with Reggio and others involved in the project, and put together a fantastic BTS video. We’ve also got another great video that takes you behind the scenes of the film, which is presented by Steven Soderbergh. More »

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RED Dragon with New Top PlateNo, it’s not the A.D.D. you’re thinking of. RED has developed something new for RED CINE-X called Advanced DRAGON Debayer to squeeze even more quality out of the image in post, which is in addition to the new Optical Low Pass Filter on the DRAGON that gets rid of an ugly flare and in the process helps increase dynamic range. There is word more improvements are coming, but if you’re wondering about actual cameras, the general upgrades for all EPIC users is almost here, which will mean DRAGONs for every EPIC owner that wants them. More »

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kendricken_celluloid_film_fuji_fujifilm_production_manufacture_cancelWith modern digital cinema cameras, it is often preferable to achieve a look that is more “cinematic” than “digital.” No one factor creates a filmic feel, but the precedent is simple enough — film itself. The emulation of emulsion may depend on anything from lens choice and lighting to grading and grain plug-ins, but there is one sure-fire way to get a true film look: using film. Celluloid acquisition may be beyond the budget of your shoot, but using a “film intermediate” process — that is, transferring color corrected digital footage out to film, then scanning back to digital — could be one technique for splitting the difference. A webinar with VFX artist & colorist Jerome Thelia details just such a process, regarding the Oscar-winning short film Curfew. Read on for details. More »

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U2 Invisible - Shot on RED EPIC MonochromeBesides the wonderfully confusing fact that this is a U2 video shot on RED EPIC Monochrome for the unrelated (RED) foundation (which is raising money for the fight against HIV/AIDS), it’s pretty fantastic to look at. I will admit to being a digital black and white junky at this point, but there is a pureness to the image that color can’t quite replicate yet,mostly due to the fact that light has to go through an additional layer. So if you’re not with me on the black and white bandwagon, it’s also a worthy test of YouTube’s compression. More »