No Film School

Telluride Mountainfilm Festival

How Two Filmmakers Risked Life & Limb to Tell the Forgotten Story of 'The Interpreters'

Oakley Anderson-Moore | May 25, 2018

Ahhhhh! Where in the Wilhelm Did the Wilhelm Scream Come From?

V Renée | May 24, 2018

Cuts 101: Here Are 9 of the Most Essential Transitions in Editing

V Renée | May 24, 2018

Nikon Shooters: Get Cash and Exposure for Your Short Films

Liz Nord | May 24, 2018

Planes, Helis, and Drones: How the View From Above Changed Cinema

Guest Author | May 24, 2018

'Mary Shelley': The First Female Saudi Arabian Filmmaker Brings 'Frankenstein' Back to Life

Emily Buder | May 24, 2018

Watch: Fiilex Joins the RGB Party with the New Matrix II

Charles Haine | May 24, 2018

INDIE FILM WEEKLY

Netflix Nabs the Obamas & A Major Week for RED [PODCAST]

Liz Nord | May 24, 2018

6 Things Legendary DP Roger Deakins Wants You to Know About Cinematography

V Renée | May 23, 2018

3 Types of Cinematic Movement That Will Make Your Film More Dynamic

V Renée | May 23, 2018

If You Don't like Wet Cleaning Your Sensor, You Might Want to Try This Method

V Renée | May 23, 2018

HBO's 'The Tale': Director Jennifer Fox on Why 'There is Nothing in Documentary Like Directing Fiction'

Justin Morrow | May 23, 2018

RED Teams with Lucid for a 3D Camera That Will Deliver in Its New H4V Format

Charles Haine | May 23, 2018

How You Can Influence the Future of Premiere Pro

Piotr Toczyński | May 23, 2018

Tutorial: The Beginner's Guide to Shape Layers in Adobe After Effects

Jason Boone | May 23, 2018

The First Feature

How Do You Release Your Film? The First Feature: AMATEUR [Episode 9]

Ryan Koo | May 23, 2018

What's Tone? It's Basically the Difference Between 1978 Superman and 2013 Superman

V Renée | May 22, 2018

Lemonading the Sun: Because You Shouldn't Have to Stop Shooting Because It's Bright Outside

V Renée | May 22, 2018

4 Nifty Techniques for Hiding Lav Mics on Your Subjects

V Renée | May 22, 2018

'Cargo' Prosthetics Designer on How to Make Realistic Zombie Effects on a Budget

Max Winter | May 22, 2018

Why a Letter from the Vatican Led to Unprecedented Access for a Wim Wenders Doc on the Pope

Erik Luers | May 22, 2018

Watch: How Minimalistic Cinematography Brought 'The Godfather Part II' to Life

Emily Buder | May 22, 2018

RED's Big Price Cut and Simplified Product Line Make Your Camera Choices Easier

Charles Haine | May 22, 2018

5 Ways to Get Faster with Resolve Shared Workflow

Charles Haine | May 22, 2018

5 Weird Beginner Mistakes That You Will Probably Want to Avoid Making

V Renée | May 21, 2018

How 'Westworld' Colorist Shane Harris Developed the Look of Shogun World

Eric Baker | May 21, 2018

How Cathy Yan's Eccentric First Feature Caught the Eye of the DC Universe

Oakley Anderson-Moore | May 21, 2018

Demo Test: Alpa PL Mount for Hasselblad Opens Possibilities for Medium Format

Charles Haine | May 21, 2018

Everything We Learned at the RED Hydrogen One Sneak Peek

Daron James | May 21, 2018

How Post-Production Makes or Breaks a Film, Part 2: Secret World of Colorists

Oakley Anderson-Moore | May 21, 2018

Pages

In Case You Missed It

Is it Yanny or Laurel? Discover the Real Reason for this Instant Viral Debate

RED's Big Price Cut and Simplified Product Line Make Your Camera Choices Easier

From Microscopic to Cosmic: The Fittingly Organic VFX of 'The Fountain' & 'The Tree of Life'

4 Nifty Techniques for Hiding Lav Mics on Your Subjects