The Rumors are Confirmed: Leica, Sigma, & Panasonic Form Alliance For L-Mount Collaboration

Daron James | September 25, 2018

Great for Wildlife Video and Still Shooters: Sony to Add 12 New E-Mount Lenses & Animal Eye AF to Alpha Universe

Daron James | September 25, 2018

4 Tips on Directing from Eli Roth to Help You on Your Filmmaking Journey

Eric Baker | September 24, 2018

In Theaters
'There Were So Many Times When It Didn't Seem Possible': 'Love, Gilda' Director on Seeing Your Documentary Through

Raafi Rivero | September 24, 2018

In Theaters
'The Old Man & The Gun' Editor Lisa Zeno Churgin on the Keys to a Successful Director/Editor Relationship

Erik Luers | September 24, 2018

This Quiz Will Predict the Best Camera For Your Next Documentary

Oakley Anderson-Moore | September 24, 2018

podcast
From Film School Failure to Godard's Cinematographer: Fabrice Aragno on Working with Jean-Luc

Jon Fusco | September 24, 2018

7 Key Lighting Concepts You Should Learn Before Shooting Your Next Film

V Renée | September 23, 2018

This Is Why You Should Always Carry Something Reflective With You on a Shoot

V Renée | September 22, 2018

Tutorial: Shoot Underwater with This $10 DIY Periscope

V Renée | September 22, 2018

5 Common Mistakes of New Filmmakers (and How to Avoid Making Them)

V Renée | September 21, 2018

TIFF 2018
No Film School Reader Wins TIFF Audience Award 2018 and Shares 5 Tips for Film Fundraising

Dylan Dempsey | September 21, 2018

The Pros and Cons of Vertical Video and Working with Constraints

Piotr Toczyński | September 21, 2018

In Theaters
‘Keep Shooting and Be Humble’: ‘BLAZE’ DP Steve Cosens on Advice for Young Cinematographers

Oakley Anderson-Moore | September 21, 2018

GoPro Rolls Out HERO7 Cameras with Its Best Image Stabilization Yet

Daron James | September 21, 2018

Watch: Go BTS on Eli Roth's Spooky 'The House with a Clock in Its Walls'

Erik Luers | September 21, 2018

8 Camera Moves That Will Help You Tell Better Visual Stories

V Renée | September 20, 2018

Are You a Sony User? The Company Adds Full-Frame 24mm F1.4 G Master Lens To Lineup

Daron James | September 20, 2018

TIFF 2018
How Sales Agents and Film Reps Are Viewing the Booming World of 'Non-Fiction' Film

Justin Morrow | September 20, 2018

How to Upgrade Premiere Pro the Right Way and How CC 2019 Could Be Better

Piotr Toczyński | September 20, 2018

Watch: The Early Work of 'Crazy Rich Asians' Director Jon M. Chu

Erik Luers | September 20, 2018

INDIE FILM WEEKLY
Two of the Year's Biggest Cameras & How to Advertise Your Short Film [PODCAST]

Jon Fusco | September 20, 2018

Get 365 Days of Screenwriting Master Classes for Only $25, Thanks to Scriptnotes

Christopher Boone | September 19, 2018

Watch: Martin Scorsese on Why You Shouldn't Use the Word 'Content' to Describe Cinema

Erik Luers | September 19, 2018

In Theaters
'We the Animals' DP Zak Mulligan's Incredible Advice For Natural Lighting

Emily Buder | September 19, 2018

Get Full-Size SDI Support: SmallHD Offering New FOCUS OLED SDI & Teradek Support for FOCUS Bolt RX

Daron James | September 19, 2018

Tutorial
Reduce Reverb and Noise Sliders for Fast Sound Repair in Premiere Pro

Piotr Toczyński | September 18, 2018

Attention Full Frame Fanatics: Cooke Adds New Anamorphic /i Full Frame Plus Series

Daron James | September 18, 2018

TIFF 2018
How the New 'Atari' Movie Could Revolutionize Film Finance by Tokenization on the Blockchain

Oakley Anderson-Moore | September 18, 2018

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