News
Watch: The Case for Hiring Robots as Film Colorists​

Charles Haine | February 23, 2018

Exclusive
Watch: Everything You Need to Know About Horror Films at the Oscars in Five Minutes

Erik Luers | February 23, 2018

Berlinale 2018
How the ‘MATANGI/MAYA/M.I.A.’ Editor Crafted 700 Hours of Footage into a Fest Favorite Doc

Stephen Robert Morse | February 23, 2018

News
KitSplit Raises Two Million Dollars to Expand to Los Angeles

Charles Haine | February 23, 2018

4 Vital Producing Tips from Ridley Scott, Judd Apatow, Amy Pascal and More

Jacob Bittens | February 23, 2018

Watch: What You Need to Achieve That Sweet, Sweet Bokeh

V Renée | February 22, 2018

5 Ways to Utilize a Monopod in Your Cinematography

V Renée | February 22, 2018

Tamron Unveils Two New Full Frame Zoom Lenses

Daron James | February 22, 2018

berlinale 2018
‘Madeline’s Madeline’: How Josephine Decker’s ‘Bad Process’ Led to a Great Film

Liz Nord | February 22, 2018

EVA1 Firmware Update Unleashes Full RAW Potential

Charles Haine | February 22, 2018

News
College Students: Get One Million Dollars to Produce Your Screenplay

Erik Luers | February 22, 2018

Rokinon Adds Full Frame 50mm Lens to 'SP' Line

Daron James | February 22, 2018

INDIE FILM WEEKLY
When to Use a Cine Lens & Has BitCoin Officially Hit the Film Industry? [PODCAST]

Liz Nord | February 22, 2018

Create Some Creative Effects with These 6 Household Items

V Renée | February 21, 2018

Mekajiki's new RenderGarden Rethinks the Render Farm Experience

Charles Haine | February 21, 2018

Watch: 10 Ways You Can Use Gaff Tape on a Film Set

V Renée | February 21, 2018

Berlinale 2018
'The Happy Prince': Why Rupert Everett Thought He Would 'Die If I Didn't Make This Movie'

Emily Buder | February 21, 2018

now on demand
With 'Tell Them We Are Rising', Stanley Nelson Finds the Middle of his Black History Trilogy

Scout Tafoya | February 21, 2018

video essay
Watch: How Christopher Nolan's 'Dark Knight' Trilogy Emphasizes Strong Characterization Through its Villains

Justin Morrow | February 21, 2018

Harness the Power of Keyboard Shortcuts in Davinci Resolve 14

Jason Boone | February 21, 2018

A Massive List of Spring 2018 Grants All Filmmakers Should Know About

Oakley Anderson-Moore | February 21, 2018

Blocking a Scene: What You Need to Know Before You Shoot

V Renée | February 20, 2018

On Demand
How 'Like Me' Used Psychedelic Imagery (and the words of Guillermo del Toro) to Explore Loneliness

Max Winter | February 20, 2018

Samsung Unveils World's Largest Capacity SSD with Over 30 TB of Storage

Jon Fusco | February 20, 2018

Berlinale 2018
Why the Blockchain Could Fundamentally Change How Business is Done in the Film Industry

Stephen Robert Morse | February 20, 2018

How to Transition with Track Mattes in Adobe Premiere Pro

Jason Boone | February 20, 2018

'Benji,' 'Uncle Drew,' Pfeiffer, & More Trailers You May Have Missed

Erik Luers | February 19, 2018

Watch: How Wes Anderson Uses Symmetry in 'Isle of Dogs'

V Renée | February 19, 2018

What Are Lens Hoods and Why Should You Use One?

V Renée | February 19, 2018

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