Telluride Mountainfilm Festival
How Two Filmmakers Risked Life & Limb to Tell the Forgotten Story of 'The Interpreters'

Oakley Anderson-Moore | May 25, 2018

Ahhhhh! Where in the Wilhelm Did the Wilhelm Scream Come From?

V Renée | May 24, 2018

Cuts 101: Here Are 9 of the Most Essential Transitions in Editing

V Renée | May 24, 2018

Nikon Shooters: Get Cash and Exposure for Your Short Films

Liz Nord | May 24, 2018

Planes, Helis, and Drones: How the View From Above Changed Cinema

Guest Author | May 24, 2018

in theaters
'Mary Shelley': The First Female Saudi Arabian Filmmaker Brings 'Frankenstein' Back to Life

Emily Buder | May 24, 2018

product demo
Watch: Fiilex Joins the RGB Party with the New Matrix II

Charles Haine | May 24, 2018

INDIE FILM WEEKLY
Netflix Nabs the Obamas & A Major Week for RED [PODCAST]

Liz Nord | May 24, 2018

6 Things Legendary DP Roger Deakins Wants You to Know About Cinematography

V Renée | May 23, 2018

3 Types of Cinematic Movement That Will Make Your Film More Dynamic

V Renée | May 23, 2018

If You Don't like Wet Cleaning Your Sensor, You Might Want to Try This Method

V Renée | May 23, 2018

coming to hbo
HBO's 'The Tale': Director Jennifer Fox on Why 'There is Nothing in Documentary Like Directing Fiction'

Justin Morrow | May 23, 2018

RED Teams with Lucid for a 3D Camera That Will Deliver in Its New H4V Format

Charles Haine | May 23, 2018

How You Can Influence the Future of Premiere Pro

Piotr Toczyński | May 23, 2018

feature focus
Tutorial: The Beginner's Guide to Shape Layers in Adobe After Effects

Jason Boone | May 23, 2018

The First Feature
How Do You Release Your Film? The First Feature: AMATEUR [Episode 9]

Ryan Koo | May 23, 2018

What's Tone? It's Basically the Difference Between 1978 Superman and 2013 Superman

V Renée | May 22, 2018

Lemonading the Sun: Because You Shouldn't Have to Stop Shooting Because It's Bright Outside

V Renée | May 22, 2018

4 Nifty Techniques for Hiding Lav Mics on Your Subjects

V Renée | May 22, 2018

'Cargo' Prosthetics Designer on How to Make Realistic Zombie Effects on a Budget

Max Winter | May 22, 2018

In Theaters
Why a Letter from the Vatican Led to Unprecedented Access for a Wim Wenders Doc on the Pope

Erik Luers | May 22, 2018

video essay
Watch: How Minimalistic Cinematography Brought 'The Godfather Part II' to Life

Emily Buder | May 22, 2018

RED's Big Price Cut and Simplified Product Line Make Your Camera Choices Easier

Charles Haine | May 22, 2018

Tutorial
5 Ways to Get Faster with Resolve Shared Workflow

Charles Haine | May 22, 2018

5 Weird Beginner Mistakes That You Will Probably Want to Avoid Making

V Renée | May 21, 2018

How 'Westworld' Colorist Shane Harris Developed the Look of Shogun World

Eric Baker | May 21, 2018

interview
How Cathy Yan's Eccentric First Feature Caught the Eye of the DC Universe

Oakley Anderson-Moore | May 21, 2018

Demo Test: Alpa PL Mount for Hasselblad Opens Possibilities for Medium Format

Charles Haine | May 21, 2018

Everything We Learned at the RED Hydrogen One Sneak Peek

Daron James | May 21, 2018

podcast
How Post-Production Makes or Breaks a Film, Part 2: Secret World of Colorists

Oakley Anderson-Moore | May 21, 2018

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