Charles Haine
Filmmaker, Tech Nerd
Charles Haine is currently a professor at the Feirstein Graduate School of Cinema.
Since completing his MFA at USC in 2005, he has worked as a freelance director, cinematographer and colorist. Haine founded the Academy Award nominated production company Dirty Robber in 2008.
Among Haine's directing highlights are: a music video for Fitz and the Tantrums "Don't Gotta Work It Out," which featured on Pop Up Video); fashion advertisements for Fais Do Do and Emory K Holiday; and countless book trailers for Simon & Schuster, Penguin, Quirk and many others—including the trailer for Chuck Klosterman’s novel The Visible Man.
As a cinematographer, he shot the opening title sequence to the TNT hit RIZZOLI & ISLES, and his color work includes clients like Nissan, Ford, TBWA Chiat Day, ESPN, and many, many more.
Websites
Directing
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Boards Comment
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Cameras that record Proress Internally??
2 years ago
The new Blackmagic Pocket is probably a good fit for your needs.
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Shogun Inferno or Ninja Inferno ?
2 years ago
With the Shogun, you get SDI, which you won't need with the GH5. The shogun might be more flexible as your career goes and you work with different platforms. However, the Ninja is great and if you will mostly work with the Gh5 for the next few years, go for the Ninja. They just came out with a new 5" Ninja which is worth considering.
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Finding full time work - never hearing back?
2 years ago
That is, indeed, SUPER normal in this industry. There are very very few full time jobs available and they get MASSIVE applicant pools. Try to apply as early as you can (when I've posted full time gigs before we've gotten 50-100 resumes on the first day), and a lot of media companies don't have a full time HR person to respond to all the people not getting interviews.
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Books about Lighting
2 years ago
The technology has changed but painting with light is still great.
I'd also take a look Blain Browns book on cinematography, lots of good info on lighting in there.
Bummed to see EVA1 isn't on your list of options!
https://nofilmschool.com/2018/01/filmmaker-review-panasonic-eva1
Panasonic must not be marketing heavily enough: love that camera, and you can keep using your Canon EF lenses from your C100.
Pair that with an Atomos Shogun Inferno (was shooting with it yesterday) you get ProRes RAW.
Big fan.
Ch:H