Liz Nord
Documentary Filmmaker/Multi-platform Producer
Storyteller, Globetrotter, Champion of D.I.Y., Film Fatale, Friend.
Co-host of 'Indie Film Weekly,' our new podcast that catches you up on everything you missed while you were busy making films.
Director of "Jericho's Echo: Punk Rock in the Holy Land"; former MTV producer; speaker at SXSW, TEDx, Sheffield Doc Fest and more; and maker of many media projects. Currently directing the feature documentary "Battle for Jerusalem" and its transmedia companion "Jerusalem Unfiltered," and developing a children's TV show.
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(Junior)
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7 Reasons To Listen to JJ Abrams, Quit Your Boring Job and Make Your Passion Project
7 years ago
Nice! How was the "Empathy in VR" talk?
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Which Cameras Did the SXSW 2016 Filmmakers Use?
7 years ago
Hey John, These camera nuggets were pulled out of much more in-depth coverage of the SXSW films. Please do check out more of the interviews and posts from the festival, which go more deeply into several aspects of the films' productions: http://nofilmschool.com/2016/03/everything-youre-missing-sxsw-2016
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How Not to Pitch a Movie: Production Execs Tell All
7 years ago
Great points. You should have been on that panel!
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How Not to Pitch a Movie: Production Execs Tell All
7 years ago
Great point, Eric.
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How Not to Pitch a Movie: Production Execs Tell All
7 years ago
Genuinely curious about why you would say that. Would love to hear what has and hasn't worked for you when pitching projects.
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ARTICLE POST
4 years ago
I totally hear where you are coming from, but many of the people making VR are coming from traditional filmmaking, and the ones who are doing it well are those who are embracing what's best in both forms of media. A lot of the VR films now are stories, with points of view and dramatic arcs, but they allow for more exploration and points of view to be shared at once.