Writer-Director-Producer, sometimes DP. Often editor. Knows a lot about post and VFX. But above all? Lover of stories.
3.2K uprez, right?
I would not mind getting some time to play with the BMD Pocket 4K. I loved the original BMPCC, and used it on a few projects. Including one starring Danny Trejo. It's good to have several tools to play with.
Thanks Dana, Eric's really good at his craft. Playing with the image in post, I was quite impressed with the raw materials this camera brings as well.
Thanks, Guido. That's a really good question on the EF to X-mount. I don't know the answer. I do know it was a breeze connecting my Nikon F-mount Zeiss CF.2 lenses to it (that's what we're using on the agency project), but of course those are all manual aperture lenses (I've been using those things for almost a decade! Cine-modded by Duclos).
RED's been around for almost 20 years? That's... not possible. Maybe 12 years.
Outstanding. I've been a Fuji fan since the X100. For me, being able to record F-Log external (Shogun!) while recording Film Simulation inside the T3 is huge. HLG is kind of cool, too, but I'd need to test the hell out of that before using on a paid job.