Sections
    PodcastNewsletterGear guides
    About
    Contact
    Advertise
    Community Guidelines
    Terms
    Privacy
    DMCA Takedown Notice
    Privacy
    No Film School
    • AI
    • Screenwriting
      \e607
    • Directing
      \e606
    • Cinematography & Cameras
      \e605
    • Editing & Post-Production
      \e602
    • Documentary
      \e603
    • Movies & TV
      \e60a
    • Producing
      \e608
    • Distribution & Marketing
      \e604
    • Festivals & Events
      \e611
    • Fundraising & Crowdfunding
      \e60f
    • Sound & Music
      \e601
    • Games & Transmedia
      \e60e
    • Grants, Contests, & Awards
      \e60d
    • Film School
      \e610
    • Jobs
      \e60c
    • Marketplace & Deals
      \e60b
    • Off Topic
      \e609
    • This Site
      \e600

    Simon Rowling

    Simon Rowling originally started his freelance work as a model maker and special effects technician, but eventually decided to move into the filmmaking process. He worked as head of production and the in-house cameraman for a London based Production Company, which built up his confidence and love for being behind the camera. Simon has since gone on to work for commercials, fashion runways and feature films. For these projects his clientele have included BBC Films, Leo Burnett, Tesco's F&F, Playstation, Dorothy Perkins, Mini, and Nars make-up. His Cinematography work varies from project to project, but he will always interpret the director’s vision into producing lighting and camera angles that truly represent the essence of the film. The project he is most proud of is ‘PREDATOR: Dark Ages,’ a short fan film made in 2014. The film has reached almost 1 million views online, and was produced by Simon and James Bushe.
      Zz3340101d
      Cinematography & Cameras

      From 'Alien' to 'Blade Runner': 3 Sci-Fi Aesthetics and How to Create Them

      Mar 30, 2016