March 19, 2016

How Cinematography Blurs the Lines Between Power & Morality in 'The Dark Knight'

The lines between morality and corruption, order and chaos, power and disenfranchisement have never been so difficult to identify as they were in Christopher Nolan's The Dark Knight — and the film's cinematography does a lot to keep it that way.

Nolan and DP Wally Pfister managed to utilize camera placement, camera movement, and other cinematographic techniques to contribute to the complex and, at times, abstract concepts in The Dark Knight, something Nicholas Dobbie explores in the video essay below:

Some of the major themes explored in The Dark Knight center on several dichotomies, like (as I listed earlier) morality and corruption, order and chaos, and power and disenfranchisement, and Batman and The Joker are the visual representations of these dichotomies. And because the lines between these dichotomies are blurred in the film, Nolan and Pfister had to find ways to also blur the lines between the two title characters cinematically.

The framing in the interrogation scene between Batman and The Joker works to constantly destabilize the balance between good and evil, as well as obscure who is dominant and who is submissive. Dobbie also mentions how Nolan and Pfister play with the conventions of screen direction to muddy the differences between the two, alluding to the possibility that the icon of law and order isn't all that different than the son of complete anarchy. Furthermore, the camera movement, which starts out slow and controlled, becomes frenetic and wild as the conflict and struggle for power between the two characters becomes more intense. 

The Dark Knight has so many dimensions to explore — I mean, you could study the cinematography in the interrogation scene alone for weeks and still not even scratch the surface of all the moving parts that make that scene so dynamic. But Dobbie offers a great place to start!      

Your Comment

4 Comments

Usually some of these essay guys overthink stuff to death and try at all costs to find meanings that actually aren't there, but in this particular occasion I believe his interpretation is pretty close to the real intentions of the director. Nice video.

March 19, 2016 at 12:37PM, Edited March 19, 12:37PM

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David R. Falzarano
Director / Writer / Editor
1456

A fitting reminder that I truly do not know shit about filmmaking or storytelling. Back to the drawing board, hi-ho!

March 19, 2016 at 12:46PM, Edited March 19, 12:46PM

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Samu Amunét
Director
241

They need to remaster this for UHD Blu-Ray. The current Blu-Ray looks like ****!

March 19, 2016 at 1:11PM

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Henry Barnill
Director of Photography
618

I get pumped out of mind when I hear that score. Great video, but I did notice a lot of similarities to Michael Mann crime dramas such as Heat. For instance the scene between Pacino and De Niro. More credit should be given to Wally Pfister, the very talented DP of almost all Nolan's films.

March 22, 2016 at 2:29PM, Edited March 22, 2:29PM

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B.D. Sharples
Cinematographer and Director
247