» Posts Tagged ‘adobe’

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So you bought a copy of Adobe Creative Suite 6 or downloaded it via Creative Cloud. Where do you start? Well, Adobe has a slew of videos on their website to introduce you to the changes in the Premiere Pro and After Effects interfaces, and to show you how the new features in CS6 work. Here are some of my favorites: More »

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After the software-only version was made available earlier in the week, Adobe Creative Cloud CS6 is live starting today. If the cost of owning this software has been prohibitive for you in the past, Adobe is finally allowing you to “rent” on a month-to-month or yearly basis. If you’ve never purchased the software in the past, the best deal is their plan that charges $50 per month for a year contract. If you just want to try it out on a month-to-month basis, it will be a little more expensive at $75 per month. If you are upgrading, they are doing a special promotion for $30 per month for the first year. More »

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Adobe has been wooing screenwriters with its free Story online screenwriting software, and now it’s pushing to make Story the first step in its pre-production to post-production solution.  With the Creative Cloud scheduled to launch May 11th for Adobe Creative Suite 6, Adobe has added new features and functionality to Story, now splitting the product between Story Free and Story Plus.  Story Free remains the in-the-cloud version of the screenwriting app that Adobe previously released, while for a subscription of $15/month or as part of a Creative Cloud subscription, CS6 users get access to Story Plus.  Advantages of Story Plus over Story Free include: More »

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Adobe Creative Suite 6 is now available. For filmmakers, the bundle of interest is Production Premium CS6, which includes: a redesigned Premiere Pro, Speed Grade for color grading, the new log and ingest application Prelude, new versions of After Effects and Audition, and Creative Cloud integration. Creative Cloud is scheduled to launch May 11th, and will give you access to all CS6 apps for $50/month — or $30/month for the first year if you’re a registered user of any Adobe product since CS3 and use this link by August 31 (that’s 40% off). The new Premiere Pro integrates some speed-focused features borrowed from Apple’s much-maligned Final Cut Pro X, including “hoverscrub,” which was one of my favorite FCPX features; here’s a look at the new version of Adobe’s NLE. More »

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Adobe has launched Creative Suite 6 and is now taking pre-orders (no word on a release date yet). This latest version of Adobe’s Creative Suite includes more Mercury acceleration, adjustment layers in Premiere Pro, Speed Grade for color grading, ray-traced extruded 3D objects and reflections and 3D camera tracking in After Effects, Creative Cloud, and more. You can also check out an overview of the new features in Joe’s post on day 2 at NAB 2012, as well as the official Adobe Production Premium video with Jason Levine: More »

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While Adobe CS6 is coming down the pike, maybe you’re like me and are still getting to know CS 5.5, or maybe you’ve been using CS 5.5 for awhile and want to brush up on your editing workflow. In either case, you should check out this Premiere Pro CS 5.5 tutorial by Jarle Leirpoll. He goes over all sorts of useful primary and secondary color correction techniques, including methods for fixing moire, blown-out highlights, iris adjustments, and more. Check out the tutorial video below:

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No video updates at the moment, as my entire night was spent at the Eleventh Annual Las Vegas Supermeet, a meeting of the Creative Pro User Group Network, which is a gathering of editors and like-minded post people. Unfortunately the event was plagued by projection and sound problems (the in-house staff are the only people who can touch that stuff). It’s ironic that this happened to a room full of nerds who understand the issues and could have fixed it pretty easily! Regardless we got to see a bit of Adobe CS6, the new Smoke, the Blackmagic Cinema Camera, Shane Hurlbut talked about the Canon 1DC, and we got a wonderfully hilarious talk from Morgan Spurlock, who went into detail about his career. More »

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On the left is a brand new shot of Adobe Premiere Pro CS6 running on…Mac OS 6? Conan’s editors are back again after their Final Cut Pro X video, which fairly or unfairly poked fun at the fact that Apple abandoned years of development and started over from scratch, forcing many people to relearn the new software or abandon ship. It looks like the editors over at Conan have done the latter. More »

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Here’s an excellent panel from this year’s Sundance Film Festival, sponsored by Adobe and featuring Vincent Laforet, Rob Legato, Jacob Rosenberg, and Sharlto Copley. The 77-minute panel follows, in full, with some pulled quotes and highlights: More »

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Are you ready to add Adobe software to your stack of monthly power, cable, and water bills? Announced in October, Adobe is offering an alternative to their typical software upgrade cycle — instead of buying their forthcoming CS6 suite, you can sign up for Creative Cloud, launching “first half of 2012,” for $49.99 a month. This will get you access to the forthcoming CS6 apps, their new Touch apps, and 20GB of cloud storage. They’re also killing their old upgrade policy — partially. More »

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With Story and OnLocation, Adobe has been adding to their better-known video applications (Premiere Pro, After Effects) and transforming their suite into an end-to-end production solution. The latest addition is an application called Prelude, and in San Francisco they recently demoed the new software, which looks to be an on-set ingest and logging program.
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One thing I’ve been wondering about since getting a RED was what I was going to do about workflow. REDCINE-X Pro is a really nice (and free) color grading application. But you’re not going to do secondary color correction or really complicated masking/keying in it (yet). So how does one use it in conjunction with a NLE? Do you render out files, take them and edit them in Premiere Pro, and then color correct files that you’ve already rendered? Don’t you sort of lose the whole idea of a RAW workflow by doing that? Turns out there’s a better way. More »

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Did you know Final Cut wasn’t actually an Apple product but a Windows program written by Macromedia that Apple purchased? Did you know Apple purchasing Final Cut was a result of Adobe rebuffing Apple over a Mac version of Premiere? Did you know Apple was in danger of going under when it purchased Final Cut? Even if you already knew all of these things, the particulars of how Final Cut ended up in Apple’s hands is a fascinating story for anyone interested in video editing. John Buck’s $4.99 book Timeline: A History of Editing (also available on iBooks) tells the full tale. There’s also a Volume 1 book, which covers editing up until the digital age. Let’s take it back to 1998: More »

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I’m not usually big on the blitz of consumerism that is Black Friday here in the United States, but as someone who just upgraded to Adobe CS5.5, I went palm-to-forehead as soon as I saw Adobe’s just-announced Black Friday deals, good until November 29. I should’ve waited! The biggest discounts as far as video folk are concerned is 30% off upgrades to CS5.5 (10% off full versions), 30% off Photoshop, $50 off Lightroom 3, and $50 off any Student/Teacher edition. If you were looking at any Adobe software and you had more patience than I did, check out the sale.

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In case you missed it, 2011 is not only the year that the predominant acquisition medium for motion pictures, celluloid, died — it is also the year that Flash video, the predominant distribution medium for internet video, bit the dust. Yes, film and flash will be around for years, but active development on both are dead, and instead of a bright future their outlook is none more black. In the case of Flash the death knell sounded when Adobe announced they were killing off the mobile version of Flash and then adding Flash on TVs to the dead pool as well. HTML5 FTW. More »

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I just took advantage of Adobe’s 20% off upgrade for Creative Suite 5.5, and it’s a good thing, because apparently Adobe is killing upgrade pricing entirely for the Creative Suite — and its individual components — unless you’re running the latest version. This means when CS6 is released next year, if you’re not on CS5.5, you’ll have to pay full price. Here’s what they had to say: More »

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Catching up all the latest video software and hardware news (here’s part one): More »

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In addition to 20% off upgrades to CS5.5 for everyone through the end of 2011, Adobe’s offer of 50% off Adobe CS5.5 Production Premium or Premiere Pro for Apple Final Cut Pro or Avid Media Composer customers expires October 31st. As I mentioned when the deal went live, here’s the coupon code, and some more details as well as a video about the discount: More »

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At the same MAX conference where they announced Creative Cloud, Adobe also demonstrated not one but six new touch apps for tablet interfaces. These $9.99 programs, along with a $60/year Carousel photo storage/sharing service, include “anytime, anywhere” apps that allow for image editing, sketching, “ideation,” mood boards, website/mobile prototyping, and presenting finished work. The apps — which do not include a video editing solution (yet), will be available on Android starting in November. As for iOS and their sometimes bristly relationship with Apple, Adobe “expects to make an announcement regarding iOS availability in early 2012.” Here are video demos of each touch app in action: More »

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In addition to six new touch applications, Adobe this week also announced Creative Cloud, their new online storage/collaboration service. Think of it as an Adobe-centric Dropbox, which will be available starting next month with apps on Android and iOS “at an attractive monthly price,” according to the FAQ. Here’s the presentation of the services and community available in Creative Cloud (beyond simple file storage) from Adobe’s MAX conference: More »