» Posts Tagged ‘davinci’

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Ever asked yourself, “What in the f#$% is a LUT?!” Or what a LUT’s relationship is with color space? Or what a color space is? If “yes,” not to worry — these concepts can be fairly confusing. Fortunately, engineering can and will work for you as an artist, so long as your understanding of it covers the fundamentals. And even if you answered “no” to all the above, you should still check out some of outstanding basic-breakdowns of these concepts below — including how to convert CinemaDNG footage into the Academy Color Encoding Spec color space (ACES) in Davinci Resolve, plus how to use that very program to generate dailies (like a boss). More »

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Blackmagic’s DaVinci Resolve 9 has seen a number of updates since its release over the summer, and even though many have been waiting for the full version that comes with their Blackmagic Cinema Camera, the free version, DaVinci Resolve Lite, is almost exactly the same , with just a few limitations in terms of nodes and resolutions. We’ve featured a few tutorials on the software so far, so if you’re unfamiliar with it, be sure to check them out. Click through for all of the additions in the new Resolve version 9.1. More »

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With the Blackmagic Cinema Camera just on the horizon (sooner rather than later, hopefully), one of the big hurdles for many people is trying to understand the new RAW workflow with Cinema DNG files. Since the camera includes Blackmagic’s color grading suite, DaVinci Resolve 9, the RAW files can be brought into that program and then converted into something with a more manageable bitrate and color space for editing purposes. Colorist Dan Moran over at Philip Bloom’s blog takes a look at DaVinci, and gives a nice and simple tutorial to get you started working with and color grading RAW files. More »

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This is a guest post by Cinematographer Ryan E. Walters.

As Moore’s Law continues to make technology more accessible to the masses, it is time to start exploring what it takes to build your own grading suite at home or in your office. Before reading the rest of this post, I recommend that you check out How To Get The Most Out Of CS6, DaVinci, & Your Mac Pro, as this article continues to build on what I’ve outlined. So let’s get started shall we? More »

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While the Blackmagic Cinema Camera is a great value for the hardware contained within, there is another huge benefit to buying the camera: it comes free with Blackmagic’s powerful color correction/grading program DaVinci Resolve. While the newest version, DaVinci Resolve 9, was set to be released in July, it has been slightly delayed (along with the camera). Blackmagic has, however, released a beta version of the program which is free to download from their site. Alexis Van Hurkman, a writer/director/colorist who we’ve covered here in the past with his post-NAB Resolve 9 demo, takes a look at some of his favorite features that are new to version 9. More »

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If you’ve been reading this site for the past few months, you know we’ve talked a tremendous amount about a little company called Blackmagic Design who happens to make a little camera called the Cinema Camera. There’s no question the specs are interesting, (and preorders are flying out the door) because there has never been a camera at the $3,000 price point that could give ProRes, DNxHD, and RAW all in one camera body. Not only that, but it happens to come free (that’s right, free) with a color correction/color grading program that used to cost about what you’d pay for a new car until Blackmagic took over the development. That program is called DaVinci Resolve 9, and if you’re curious about what the big deal is, and you’d like to get started with it before you get your Blackmagic Cinema Camera, check out the videos below. More »

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Just because the popular color correction software DaVinci Resolve uses a Mac monitor for its press image (at left) doesn’t mean it’s Mac only — any more. Resolve, which has a free version known fittingly as Resolve Lite, now comes in a Windows version for the first time thanks a newly-released Public Beta. If you have already purchased Resolve for Mac, the Windows version comes included, so you now have a Windows license too. More »

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In July DaVinci released a free version of their $1k color correction software, Resolve (also available with a $30k control panel). Now they’ve upgraded Resolve Lite, as the free version is known, to version 8.1, also removing the two node restriction and allowing for unlimited color correction nodes (nodes are similar to layers in After Effects, though they’re generally more flexible). There are a number of other updates as well (see the press release below), but to go along with the new release, there’s also a 15-minute video tutorial from Dan Kanes, who also did a recent free REDCINE-X Pro tutorial: More »

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Ever since DaVinci released a free version of their $29,995 high-end Resolve color grading suite — and, more importantly, premiered a $995 software-only version — the color grading application has seen a drastic increase in accessibility. If you’re interested in learning how to use the program, which conveniently comes at a time when Apple has discontinued Color (which was itself the $25k program FinalTouch before Apple bought and then axed it), there’s a free 90-minute live webinar this Thursday September 8, 2011 at 10AM PDT (1PM EDT). Here’s a preview: More »