» Posts Tagged ‘finalcut’

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final cut pro x fcp fcpx library manager media software nle non linear editing system app organization video 2Managing media requires attention and diligence — otherwise, it can become a headache. Fortunately for users of Apple Final Cut Pro X, app-makers Arctic Whiteness have just released Final Cut Library Manager 2. Expanding on the organizational capabilities of FCPX, Library Manager 2 gives editors a bird’s-eye view of all Final Cut Libraries, even if they exist on unconnected volumes. For those which are locally online, Library Manager offers a slew of features for both micro- and macromanagement of media. Check out some details below. More »

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NLE Survey Dave DugdaleThe NLE market has seen quite a few changes over the last decade, with Final Cut digging into Avid’s dominance, and now Premiere gunning for those who fled the changes in FCP X. So which non-linear editing programs are people actually using right now? Dave Dugdale of Learning DSLR Video conducted an online survey to try to answer that very question. Here are his results: More »

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Apple’s release of the Final Cut Pro X 10.1 update came with a number of new features. From more 4K software and hardware support to better project and media management, FCP X’s new capabilities are many, and here to share his first impressions of the update is a filmmaker who has had extensive experience with the powerful NLE.

This is a guest post by Austin Mace. More »

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Final Cut Pro X 04-Library-ModelA new Mac Pro wasn’t the only thing coming out of Apple yesterday. They also introduced a major new update for their NLE, Final Cut Pro X. This 10.1 update adds a number of features, including more 4K software and hardware support, optimized dual-GPU performance, native support for more camera files, and the ability to upload 4K videos directly to YouTube. Perhaps the biggest addition, however, is a change in the way FCPX organizes projects, which should make for much better project and media management. More »

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Video thumbnail for vimeo video Watch: Light Iron's Michael Cioni Tours Media Innovations (Including Final Cut Pro X) - nofilmschoolLight Iron is a post-production company that is no stranger to innovation. The company is known for its handling of Fincher’s The Girl with the Dragon Tattoo and its end-to-end 4K production — as well as its on-set hardware and software tools. Given LI’s progressive attitude, it isn’t too surprising that CEO Michael Cioni recently sat down to present a variety of non-Light Iron production tools (with one exception) that he sees as innovations. Cioni hits upon MōVI, the Canon C500, Ki Pro Quad, LI Live Play, and FCPX, all within the context of why and how they are future-ready. To see this innovator’s thoughts on production innovations, check below. More »

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Alisa LepselterWoody Allen’s films are known for many things, but editing isn’t necessarily one of them. Which isn’t to say that the cutting in a Woody Allen film isn’t excellent, it’s just not something that calls attention to itself, except for rare occasions like the beautiful black and white shots that open Manhattan. And it’s his unobtrusive cutting style that has helped subtly define his films, with simple switches from a single to an over the shoulder changing the emotional tone of a dialogue scene without the audience even noticing. Invisible editing is everywhere, of course, but Woody’s working methods are famously unique, and now Alisa Lepster, his editor for 15 years, talks about the process of this legendary writer/director and how to cut a Woody Allen movie. More »

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adobe premiere pro creative suite cs6Though there have been some seriously divided opinions on the new Adobe Creative Cloud-only strategy, there is no question the company has made a dent into what was once Final Cut Pro and Avid territory. The Coen Brothers, Academy Award winners for Fargo and No Country for Old Men, have been editing their own films since they began their careers (under the name Roderick Jaynes), and they’ve been using Apple’s software until now: their newest film, which has not begun shooting, will be edited on Adobe Premiere. More »

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Apple has been losing its grip on the professional editing market ever since Final Cut Pro X was launched in 2011 to much skepticism. With Avid and Adobe welcoming a lot of FCP7 refugees, Apple is now once again targeting those customers with its latest free update to FCPX. The major features include support for Sony’s new XAVC codec up to 4K resolution, and the option to display ProRes Log C files from the Arri Alexa in Rec. 709. Also included in the free update are various fixes to both Compressor and Motion. Get the full details after the jump. More »

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Canon’s 4K video capable DSLR, the EOS-1D C, has marked an upset for the DSLR industry — and in more ways than one. Many feel that the addition of Motion-JPEG alone is not worth the camera’s $12K price point. This is particularly the case when weighing in controversial speculation that internally it’s mostly identical to its $7K 1080p sibling, the 1D X — and the fact that Canon is likely anticipating with gritted teeth the possibility of firmware hacks 4K-ifying the 1D X. That said, it could be a near-perfect blend of features depending on your application. If this is the case for you, but you want the chance to check out or grade some full-res video footage before pulling the trigger, you’re in luck — planet5D has just posted some downloadable 1D C 4K footage for your viewing consideration (assuming of course your machine can handle it). More »

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If you’ve ever worked in linear tape-to-tape editing, there’s a good chance you’ve dealt with an edit controller device that has jog or shuttle wheels. With everything being software based now, many have simply reassigned to a keyboard the tasks that used to be associated with a console. Well, short of buying an expensive console to interface with your NLE or remembering dozens of keyboard shortcuts, what’s a video editor to do? That’s where Jeff Chow’s CTRL+Console iOS app comes in. Click through to check out the Kickstarter video. More »

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Apple’s Final Cut Pro X has slowly been getting up to speed after a somewhat underwhelming release last year. Each update has brought features users were expecting in the first version, but it’s still a good sign that they’re coming. With the recent 10.0.6 update, Apple has made a few key additions and changes that may just make you reconsider the editing application for future projects, including native RED support. Two of the major additions, dual viewer windows (Event and Timeline), and override connections, will certainly be helpful to those who like working in a more traditional manner. Click through for videos showing off both of these features. More »

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It’s no secret that Apple has neglected to update the Mac Pro line in any significant way since 2010. In fact, both the iMac and the Macbook Pro have gotten a few major revisions just in that time span, and many have turned to building Hackintoshes to satisfy the growing need for professional equipment (and to save a few bucks). We’re getting word from CEO Tim Cook that one should be coming in 2013, but the details have been vague. A Facebook page was started by Lou Borella, a freelance editor/animator, to bring together professionals looking for Apple to address this growing issue. Now that the new Apple philosophy is becoming more clear, Lou has addressed the state of Apple and the Mac Pro line, and what he thinks will be coming in the next version.

This is a guest post from Lou Borella. More »

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Really skinny hardware isn’t the only type of tech Apple’s been cooking up recently. They’ve also updated FCP X to 10.0.6 with a host of new features, including native, real-time (on most machines) support for R3D files thanks to a new plug-in and some nifty background rendering. This means big-savings on time for FCP X/RED users — especially with the assist of a RED ROCKET — plus an upgrade in quality if you’ve been using proxies. For the plug-in and update download links, plus a video demonstrating just how easy this could make things for you FCP X editors out there, read on! More »

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Do you see the laptop graphic to the left here? This is is a dramatization of what you’ll want to do should you ever mis-manage your file naming or folder structure on a project. Luckily, there are several tips from around the web to help with file management. Let’s pick ourselves up by the bootstraps, and dig in with some helpful (and ultra exciting!) tips for file management. More »

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It’s no secret that Apple has been moving into the consumer space for the past five years, with the introduction of the iPhone and iPad, and the long wait between versions of Final Cut Studio, with the most recent version, Final Cut Pro X, resembling their consumer editing application iMovie. Whether FCPX has professional features is another matter entirely, but there’s no denying that they’ve abandoned most of the professional suite and are sticking to lower-priced applications sold through the App Store. While it seems Apple is banking on higher resolutions to sell more iPads and iPhones, they’ve ignored many professionals that have made Apple the brand they are today. Rumor has it that the Mac Pro line may be finished, but a working professional has created a Facebook page seeking answers. More »

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Not everyone who reads NoFilmSchool is an expert – in fact most of us are still trying to learn something – and that’s really the reason why we hope people keep coming back each day. If you’re new to filmmaking, your editing experience is probably very limited – and it can be overwhelming starting from scratch. One of the most important things you can do if you aren’t very experienced is to learn good habits right from the start. This isn’t limited to editing, but also shooting and managing media. There’s always more than one way to do something – but there are certainly wrong ways to do many things that can lead to mistakes or slow you down. In terms of editing, organization is something every professional editor will stress above all else. Embedded below is a video describing that process. More »

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Apple today released an update to the controversial Final Cut Pro X, adding multicam support, advanced chroma keying, media relinking upgrades, and enhanced XML support. There’s also a third party app that — get this — actually allows you to import Final Cut Pro 7 projects. FCPX is now at 10.0.3, and while I’m not sure this will make anyone give up their copy of 7, it’s a step in the right direction (and a significant upgrade for current X users). Here are the details: More »

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After days of rumors, it’s official: according to Apple, “a limited quantity of Final Cut Studio [are] still available through Apple telesales to customers who need them for ongoing projects.” What’s the big deal? Apple had previously pulled all copies of FCS from the shelves, and this represents a capitulation to the ongoing demand for their two year-old NLE in the face of negative reactions to FCPX. I thought Walter Biscardi put it best: More »

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Denver Riddle from Color Grading Central has released a free 15-part tutorial on color correction in Final Cut Pro X. Apple’s controversial NLE reboot introduces a number of new features and interface elements, chief of which is the Color Board, seen in the following tutorial. Hit the full link below for all 15 parts, which in addition to streaming for free are available as downloads for $49. More »

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Video learning site Izzy Video has created a 2.5 hour Final Cut Pro X online training course — and released it for free. Many of the tutorials at Izzy’s site are normally part of a paid membership, but you can go watch this one in its 26-part entirety, without charge. I haven’t done a tutorial on nonlinear video editing since 1998, when I first learned how to edit on a Media 100. But when I booted up Final Cut Pro X this week, I was lost. I couldn’t even drag a clip onto the timeline because the behavior was completely new. So much thanks to Izzy for posting. More »