» Posts Tagged ‘slowmotion’
This is part of our behind-the-scenes series on a slow-motion, live-burn fire shoot shot on a Phantom Flex4K.
Nothing in the room above is actually on fire. Nor is there any CGI. Nor was there a big budget or a huge team — just a few filmmakers with a prototype Phantom Flex 4K camera and a goal of filming a tracking shot through a room on fire… without actually setting it on fire. Here’s how director Brendan Bellomo and DP Greg Wilson set a room ablaze virtually using The Foundry Nuke in the Flex4K promo Let Me Know When You See Fire. More »
This is part of our behind-the-scenes series on a slow-motion, live-burn fire shoot shot on a Phantom Flex4K.
If there’s one indelible image from 1991′s firefighting actioner Backdraft, it’s the sight of flames licking out menacingly from underneath a door. It may be that the folks on Backdraft staged and filmed the effect as it happened for real, but on the short Phantom Flex4K promo Let Me Know When You See Fire, director Brendan Bellomo and DP Greg Wilson came up with a creative way of achieving the same effect without actually setting a room on fire — or being in a room at all. Check out this ingenious way of achieving the effect: More »
When you’re recording 16GB a second — yes, I said sixteen gigabytes — you’re only going to be able to capture a few sections of action at a time. This is the price we pay for having amazing cameras like the Phantom Flex4K, which shoots 1,000 FPS at full 4K resolution. You’d better get your staging, choreography, and framing right at these data rates! More »
When the iPhone 5s came out, one of the first questions, at least I had, was, “How’s the video?” Smartphones have been providing filmmakers a quick and easy outlet for making videos on the fly, but the tools at their disposal were pretty limited. But the iPhone 5s, with its new features, including the impressive 120fps setting, it’s quickly becoming a great asset for filmmakers. Check out the slow motion short Streets of Milano to get an idea of what you can produce with the iPhone 5s. More »
No that’s not a typo. A new camera called the ‘edgertronic’ is not only claiming to be the first affordable high-speed camera, but it’s also capable of a whopping 17,791 frames per second. MIT engineers Mike Matter and Juan Pineda have joined forces and have been prototyping the slow motion camera for two years now, and it’s finally reached a mature stage where everything is complete — all that’s left is mass production. The team is now turning to Kickstarter to secure funding to get the camera into production in the U.S. and into people’s hands by the end of the year. Check out the launch video below: More »
Back in April, Vision Research’s Phantom Flex4K prototype previewed at NAB, boasting specs like 4K at up to 1000fps, uncompressed RAW recording, high dynamic range thanks to its Super 35 CMOS sensor size, and high-definition image quality through a wide range of frame rates. Now, with the Phantom’s award-winning technology, the production version of the high-speed digital cinema camera has been unveiled at the IBC trade show in Amsterdam, and with it, some great videos demonstrating what it is capable of. More »
Apple released new versions of their cellular device today: the flagship iPhone 5S, and a lower-cost plastic phone they are calling the 5C (the C stands for color, as the device will have a few different colored backs). While most of the features for the 5S have been known for some time now, the camera has received a modest upgrade. The spec that video people will probably find most interesting is the fact that you’ll be able to record 120fps in 720p, putting it squarely in GoPro territory. Check out the sample videos below to see the slow motion in action. More »
Filmmaker Paul Trillo (full disclosure: a fellow Brooklyn Filmmakers Collective member, and also my former roommate) used chromakey suits to novel effect in his music video Lonely, and now he’s back with a new experimental short that finds clever uses for chromakey suits — as well as a high-speed Phantom Miro camera. Check out SALIENCE, an experimental short: More »
Okay, Sony probably took the needed precaution to keep the Phantom Flex paint-free, but this high-speed camera lives up to its name by demonstrating how a filmmaker can take a 3 second shot of paint cans exploding and turn it into a minute and a half long kaleidoscopic opus. For a behind the scenes look to find out how they did it, check out the video after the jump. More »
Great aerial footage seems simple enough to capture in theory, but there is often a team of people or years of experience backing up the terrific shots. In the post below, we have Andrew Wonder to take us through his process of capturing aerial footage of a female rugby team on the Sony F55.
This is a guest post by Director/Cinematographer Andrew Wonder.
If you were at NAB, then you already know that 2013 was the year of the drone. You could barely walk around the convention floor without the risk of getting a haircut by someone’s spin on the aerial rig. Though they look like toys, it’s easy to forget that operating a drone is an art that should be carried out by professionals. Like a Steadicam, you can’t just pick one up and expect cinematic results. Understanding how to balance and control these crafts is the difference between that perfect shot and ending up in the river. More »
Skateboard videos became more popular as digital cameras got smaller and cheaper, and it was practically free to go shoot your friends for a few hours or tape over anything you didn’t like. High-end skate videos are in their own world entirely, and you don’t have to be a fan of skateboarding to appreciate the beauty and talent exhibited by the skaters and the filmmakers. In Red Bull Perspective — A Skateboard Video, DP Marc Ritzema shows off some gorgeous anamorphic photography with the RED EPIC and time-stopping slow motion with the Phantom Flex, and Director Nicholas Schrunk crafts a story that takes you into the lives of some of today’s premiere skaters. Check out the film below. More »
All the way back in July, we told you about a contest that AbelCine was running in partnership with Vision Research. That contest, the Miro High-Speed Inspiration Challenge, focused on contestants coming up with new and creative uses for high-speed photography, and they’ve now selected five finalists from a group of a few hundred applicants. The winner will be announced on March 1st, but you can watch all five of the short films right now embedded below. More »
The FOR-A 4K high-speed camera from FT-ONE didn’t get all that much attention when it was first announced, due in part to the fact that it’s probably going to be a rental only, but also because the name of both the company and the camera are easily confused and/or forgettable. No worries though, the camera does exist, and it’s capable of some pretty astounding frame rates at extremely high-resolution. It’s a specialty device for sure, but that doesn’t mean we can’t fantasize about using one, right? A Swiss company, Kamerawerk GmbH, put one to use in their recent No Sleep 4K music video (which they will be releasing as a 4K download), and they’ve posted a behind-the-scenes video showing the camera recording 4K at an astounding 860 frames per second, as well as another video showing off the rest of the production which is utilizing the Sony F65 as well. More »
JVC has been rather quiet lately. The company has mostly remained out of the spotlight when it comes to filmmaking equipment over the last few years, but they’ve stayed somewhat on the cutting edge, especially with the first consumer 4K camera, the GY-HMQ10. Now they are coming out with a consumer oriented camera that might just find some use in your next film, the JVC GC-PX100. It’s a 1920 x 1080 camera capable of 60fps up to 600fps, and shoots internally at 36Mbps. Click through for more on the announcement. More »
While some of you may still be in the holiday spirit and enjoying time with family, we’ve got a music video from Sufjan Stevens that may or may not make you feel just a little different about the holiday classic “I’ll Be Home for Christmas.” Filmed in 120fps on the RED EPIC, the video took 1 month of preparation, 3 days of set building, and 35 cast and crew members — all for a total filming time of less than 1 minute. Click through to check it out, plus a nifty behind the scenes video of the entire thing in real-time. More »
They hinted at it when they introduced their new short Tempo, but Red Giant (thanks RED for always making me want to capitalize anytime I see the word red) is now offering a giant sale (couldn’t help myself) on all of their products. Each and every piece of software in the store is now 40% off for the next day or so (less than 24 hours as of this writing). Click through to check out the details and some of the major deals. More »
No one’s doubting the impact that time-play can have in motion pictures. This, you’d think, would generally refer to things like time-lapse or slow-motion — but what if some scientific breakthrough could invoke slow-motion upon real life objects, like some kind of time-warp weapon? Post-plugin powerhouse Red Giant has just released an original sci-fi/action short called Tempo that explores this possibility, and then some. It’s exciting whenever a hard-concept type of film sets its premise, proceeds to meet each and every hopeful expectation you might have given that premise, and then goes even further than you could hope for. This is the case with Tempo — check it out below. (Also, a Secret Sale soon-to-be… Shh, secret!) More »
Slow motion is one of the many beauteous benefits gleaned from the advancement and proliferation of digital technology — not only has it been made less of a headache to achieve, it’s also effectively cheaper now, too. Like any of the benefits of digital proliferation, it has the potential to be overused, but more importantly, the potential to be gorgeous when executed tastefully. The music video for CocoRosie’s “We Are On Fire,” shot by Filip Piskorzynski with some additional work by John Brawley, is an example of the latter — in this case, shot on the P+S Technik Weisscam HS-2 Mk II — plus, Mr. Brawley has just posted some impressive looking behind-the-scenes material for the video, shot on the Blackmagic Cinema Camera. More »
Cheetahs are the world’s fastest (land) animal, and as part of a cover story about Cheetahs in the November issue of National Geographic, cinematographer Greg Wilson paired them with a Phantom Flex camera running on the world’s fastest dolly. During the shoot, one of the cheetahs actually broke the animal land speed record, running the 100-meter dash in 5.95 seconds (take that Usain Bolt!) with a peak speed of 61 miles per hour. My first car could barely go that fast. The result is a beautifully rendered tracking shot demonstrating the cheetah’s fluidity like never before: More »
You thought your uncompressed HD or 2.5K was taking up a lot of space? That doesn’t hold a candle to the kinds of data rates being produced by the new expertly named FOR-A FT-ONE. If you thought RED EPIC’s 4K at 150fps or the Phantom 65 4K model at 144 fps, they are both way behind this behemoth. At 900fps, this is one ridiculously fast camera, and at that speed and resolution, the price tag is steep. Check out the videos below for more info. More »