» Posts Tagged ‘studios’
As many of you know, Rhythm & Hues, the company responsible for the incredible visual effects work in Life of Pi, filed for bankruptcy just weeks before the film took home multiple Academy Awards, including best visual effects. Outside of the theater, during the Oscars ceremony, hundreds of local VFX artists were protesting the dismal state of the industry. Matters only worsened when VFX Supervisor Bill Westenhofer’s acceptance speech, in which he attempted to shed light on the financial troubles of Rhythm & Hues, was cut prematurely. Clearly the VFX industry was in a state of turmoil. Life After Pi, a short documentary focused on the downfall of Rhythm & Hues, looks to examine the underlying issues that are causing the VFX industry to become less and less economically viable. More »
With Sundance ’14 being only four days away, independent filmmakers, studios, and buyers are gearing up for another festival year of screenings, bidding, passing, as well as contemplation over the current state of independent cinema. Cultural Weekly and Entertainment Media Partners CEO Adam Leipzig have released an in-depth infographic compiling key data from Sundance, namely on spending, which analyzes how these numbers stack up against those of the major studios. Their findings are a mixed bag of encouraging stats and disheartening truths. More »
The steady stream of tentpoles and mega-budget studio films has been going strong for the past few years, and many of us, including Steven Spielberg and George Lucas sensed a disturbance in the Force. However, there’s an upside to the saturation of a specific market, and that means the unsaturation of others. An article from Tribeca sheds light on a movie genre that has largely remained untouched by the studios: intelligent films geared towards middle-aged and older adults. More »
Just when you thought filmmaking was migrating to the seemingly greener grass of independent film studios, a peculiar thing occurs: 3 major Hollywood studios, Disney, NBCUniversal, and Paramount are reported to have massive, long-term studio expansions in the works. In light of lower film counts and production going elsewhere, why are these studios initiating the “most aggressive growth spurt in recent Hollywood memory” and what, if anything, does this mean for independent film? More »
This is a guest post by Cinematographer Ryan E. Walters.
I’ll be the first to admit nothing replaces a professionally built sound stage or studio. I’ve had the opportunity to shoot on a wide variety of stages and I appreciate what they bring to a production. However, I have also needed a space where I could shoot some of my stock footage, as well as record my training videos. And I need that space to be affordable and accessible to me at any time. So I converted my garage into a mini “studio.” To learn how I got this done for under $500, continue reading … More »
There’s an interesting story in the NYTimes about sneaker brand Converse opening a music recording studio here in Williamsburg, Brooklyn. By itself, it’s interesting for a brand to invest in a 5,200 square-foot state-of-the-art recording space, but check out Converse’s business model: the space will be free for musicians to use. In an era where content is becoming increasingly more and more branded, I can see how a lifestyle brand like Converse (no one is buying Converse shoes because of their superior performance) would find such a pursuit worthwhile. Music is “cool,” and giving independent musicians a space to record is also cool. But what about independent film? Is it cool enough that any brand would sponsor a film studio that was free to use? More »