How does one's inability to see certain colors affect the way they make films? Just ask Nicolas Winding Refn.
Yes, the director of Only God Forgives, Drive, and Bronson is unable to see midtones, and this video essay shows how his color blindness shows up in not only the look of his movies, but their content as well.
For Refn, it's all about contrast. His quote at the beginning of the video states that because of his color blindness, his images have to have a lot of contrast, otherwise he wouldn't be able to see them. This is absolutely true for his overall body of work.
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8 Comments
Nice! All my stuff is pretty contrasty as well. But my reasoning for it is just because I'm obsessed with comic books. :-)
June 12, 2015 at 8:53PM, Edited June 12, 8:53PM
I guess better shoot with a high dynamic range camera if the goal is to crush the details like this.
June 12, 2015 at 11:28PM
Not so much 'crushing the details' as much as 'I want to be able to SEE my own movie'.
June 15, 2015 at 2:26AM
He shoots on Alexa, ain't nothing more hdr than that. Also, he's not crushing it. He achieves high contrast through lighting...
November 5, 2016 at 2:20PM, Edited November 5, 2:20PM
Pretty interesting. It reminds me a little of Christopher Nolan's somewhat muted, distilled color choices, which I always felt probably reflect his color blindness on some level.
June 17, 2015 at 1:45AM
I didn't know he was color blind.
June 1, 2016 at 5:06PM
Colour blind is one thing, but the spelling?
November 5, 2016 at 11:54AM
Color blind or not, I made a video specifically about the color in Bronson: https://www.youtube.com/watch?v=xQunOFr7kGM - I think Refn harnesses color better than most working directors today!
January 19, 2017 at 11:34AM