» Posts Tagged ‘nab’

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Blackmagic 4K Firmware 1.9 Addresses Fixed Pattern NoiseIt’s been a huge issue for many users, and while the severity has been inconsistent camera to camera, the new 1.9 firmware update released today for the Blackmagic Production Camera 4K should address fixed pattern noise on all cameras. Though it may not be completely removed in all situations, this was a much-needed fix for those who’ve gotten some models that have suffered from excessive noise. They’ve also added some really essential features, like a histogram, audio meters, and a time remaining indicator so you can see how much recording time you’ve got left depending on your shooting format. More »

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Blackmagic URSA 4K with PL MountA little over two years ago, Blackmagic Design completely disrupted the cinema camera market, and changed expectations about how much we should be paying for excellent image quality. Their goal with the first 2.5K Cinema Camera was to make something with as much flexibility in post as possible, and would be a companion to cameras like the Canon 5D Mark II — which is why they chose the Canon EF mount. They haven’t stopped with just one camera model, as they have since introduced the Pocket Cinema Camera, Production Camera 4K, and the URSA 4K Digital Cinema Camera, which features interchangeable sensors. At the recent NAB show, I interviewed Blackmagic CEO Grant Petty and asked him all sorts of questions about their camera line, firmware updates, and what he thought about the image issues some people have experienced with the Production Camera 4K. More »

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blackmagic-ursa small[UPDATE: You can hear the full interview here.] I had the chance to talk with Blackmagic CEO Grant Petty back at NAB 2014, and while it’s taken a while to get the interview together, it will finally be going live on Monday. Grant offered up tons of fascinating details about his mindset with hardware, his take on the rest of the industry, and what’s going on with the Production Camera 4K, and he also gave some interesting tidbits about the new URSA 4K Digital Cinema Camera, which was first announced back at NAB. I’ve put together a teaser in which Grant mentions that the URSA is not only capable of frame rates higher than 60fps, but that they should be coming this year. More »

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ikan 2k 444 3g-hd-sdi hdmi component composite high definition monitorAt NAB this year, ikan showcased a few upcoming monitors with some strong features. The VX9i-2K takes up to 4:4:4 2K resolution via 2x 3G-SDI, HDMI, component, or composite inputs with active cross-conversion available for HD-SDI/HDMI output. It’s also sports pretty much all the scopes you’d ever need with 5″ of screen real estate still available for live monitoring out of its 1920×1200 display. Meanwhile, the DX5 is an impressive little guy featuring full 1080 resolution on its 5″ screen, the likes of which we don’t see very often. Check below for more details and our NAB 2014 interview with ikan. More »

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cinema5D On The Couch - Rodney Charters, Bruce LoganAt NAB 2014, cinema5D introduced a video series called “On the Couch,” which featured both representatives of manufacturers and filmmakers from all walks of life. Cinematographers Rodney Charters and Bruce Logan, as well as Steven and Jens from Zacuto were all featured in a terrific video near the end of the show. The conversation ranges from gear, to how DPs are being left out of the color suite, to how realistic 4K will be as a display resolution in the coming years, and how 4K is allowing for even more butchering of the cinematographer’s original intent in post-production. More »

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Photos Printed from 6K RED DRAGON FootageSince RED is still trying to deliver a few of the products they’ve had in development for some time — including the new 6K RED DRAGON sensor upgrades — there weren’t any earth-shattering announcements at NAB 2014. The newest products are about adding functionality to the cameras as they exist today, including the new Switchblade-M side panel and the 4K broadcast module which sends out an uncompressed 4K signal over four 3G-SDI outputs. They did however, have some interesting news for those looking at getting a SCARLET DRAGON, and for those who like to shoot native black and white. Check out our video below with RED for more. More »

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Adobe Creative CloudDespite the controversy surrounding Adobe’s switch to a subscription-based model, its Creative Cloud line of products has seen several useful updates for users. For instance, Adobe has added native RED DRAGON & CinemaDNG RAW support via GPU acceleration, plus improved round-tripping with its color correction software SpeedGrade. This year at NAB, Adobe pushed forward with the addition of some newly native abilities, in addition to the dynamic linking its suite is already known for (i.e., no switch from PP to AE needed for certain effects, and vice-versa). Check below for our NAB 2014 interview with Adobe and a video recap of the newest iteration of CC features. More »

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digital bolex raw recording 2k hd high definition camera hdmi pl mount interchangeable lenses video film filmmakingDigital Bolex values community input to a pretty rare degree, and as a result of that, NAB 2014 saw several major announcements for D16 shooters. First, DB announced the D16 Monochrome, followed shortly thereafter by the unveiling of a PL mount adapter for either model by Hot Rod Cameras. The D16 is also getting the royal rig treatment by both Zacuto and Wooden Camera. Last but not least, Digital Bolex is providing a firmware update featuring the most viewing modes the camera has seen so far as well as dead pixel correction. Check below for all the details in our interview with Joe and Elle of DB. More »

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andra remote wireless automatic focus control follow system ipad app device cameraGiven the ubiquity of today’s touch-based apps, it seems fairly logical a forward-thinking manufacturer would devise a way to augment — but not automate — the role of First Assistant Camera. Meet Cinema Control Labs’ Andra Motion Focus system. Andra puts the heavy lifting and guesswork into the hands of today’s technology without taking away the crucial dimension of creative camera control. Check our interview below for more details. More »

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FV SpectraHD 4 1280-720 EVFF&V has been steadily cranking out quality lighting products, and at NAB 2014 they introduced their first EVF. Containing features that you’ll find in higher-end EVFs/monitors, the new 4.3″ SpectraHD 4 is going to come in at a bit lower price than some other options. They’ve also got a larger 7″ monitor with slightly less resolution, which should work well as an inexpensive additional monitor on the camera. Finally, they are introducing new lights with far higher CRI ratings — which means better color reproduction. Check out the interview below: More »

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blackmagic cinema camera production 4k kinefinity upgrade interchangeable battery hdmi outputAmong the slew of surprising NAB announcements this year comes one from Kinefinity that draws a whole different kind of “wow, I didn’t see that coming.” It seems the camera company isn’t satisfied merely offering 4K RAW (and soon enough, 6K RAW) capture at extremely aggressive prices. Kinefinity also wants to upgrade your Blackmagic Cinema Camera or Production Camera 4K into a bigger, more functional workhorse. The Kine+ program is a third-party modification on a different level, adding interchangeable batteries, HDMI, additional power ports, and even a bit more heftiness to the external dimensions. Check below for our NAB 2014 interview with Kinefinity. More »

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LibecA few days before the kickoff of NAB, Libec announced their new integrated tripod system, ALLEX, which allows users to use pan, tilt and slide camera movements with a 3-part setup made up of a tripod, ball head, and slider. We were able to stop by their booth to talk a little bit about the ALLEX system, so check out our latest NAB video to see it in action, as well as get more information about their video contest that will award 5 winners with ALLEX gear. More »

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RigWheels PortaRail SystemWe’ve talked about some nifty gear from RigWheels before, but the thing that separates their gear from some other solutions is modularity. You can put together a dolly or camera mount with as little or as much of their gear as you’d like, and most of it can be adapted to other rigs you might already own. This year at NAB, we talked to Lance about the new PortaRail collapsible dolly/slider rail system. This system can fit inside one case and features 40″ long high-grade aluminum pipes that connect together seamlessly with threaded connectors. Check out the interview below: More »

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VaricamWe’ve seen plenty of impressive cameras be unveiled at NAB in the last week from Blackmagic, Sony, JVC, and even AJA. Although we’ve known about Panasonic’s first 4K VariCam for a while, we were able to chat with Steve Cooperman about the modular camera, as well as take a closer look at its features, which include a Super 35mm CMOS sensor, 14+ stops of dynamic range, PL mount, and internal 4K up to 120fps. We’re also told by Cooperman that, with all components included, the camera will be sold for under $60K. More »

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Full SailYes, we’re called No Film School, and yes, we get the irony of sharing information about a film school, but we caught up with Jacob Abercrombie and Alex Boyum at Full Sail University’s “mobile experience” truck at NAB, which travels around giving hands-on demos to potential film school students. Check out what they have to say about the kind of education you can expect to receive at FSU, which offers Bachelor’s and Master’s degrees both online and on their campus in Winter Park, Florida. More »

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SmallHDSmallHD has made a pretty significant upgrade to their already visually superb 7″ DP7 field monitor, and David Bredbury gives us a quick demo at the SmallHD booth at NAB. The new features in the DP7 include the ability to load and export custom 3D LUTs, as well as editing and grading footage in real-time. Continue on to see the DP7 in action, as well as all pricing and availability information. More »

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RedRockRedrock Micro is probably best known for their award-winning One Man Crew, a motorized parabolic motion system, as well as their remote focus system microRemote. We stopped off at their booth at NAB, where Redrock’s Brian Valente not only gave us a demonstration of the new features of these two products, but of their new 3-piece, vintage style rig for the Blackmagic Pocket Cinema Camera, the Retroflex, which allows for handheld operation. More »

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Panasonic-GH4-4K-Front-No-Lens-616x407There have been lots of new cameras at this year’s NAB, but one that a lot of us have been curious about is the next iteration from Panasonic’s GH line of mirrorless cameras. With internal 4K recording and an optional interface unit that adds SDI-Out for sending higher bit-rate 4K to an external recorder, the Panasonic GH4 is here. Hit the jump to watch our interview with Panasonic from the floor of NAB 2014: More »

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wing-300x174After a crazy week at NAB, the dust is finally starting to settle. We’ve seen some pretty nifty announcements thus far, and you can read about all of them on our NAB News page. There’s one announcement, however, that we have yet to cover though. Edelkrone, the company responsible for the most compact rigs and sliders known to man, has announced several new professional camera movement products, some of which will literally fit in your pocket, and one of which might be an even more revolutionary slider design than the SliderPlus. Read on to learn more. More »

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Letus StabilizerLetus has shown prototypes of their gimbal stabilizer, Helix, at NAB before, but, if you remember, the prototype’s design was quite different. This year, however, Letus has worked out the kinks and finalized the design, and now Helix is one remarkable piece of gear. Because of its modular design, users have the option to utilize one, two, or all three axises of the optically centered stabilizer, each setup serving a range of shooting scenarios. We unfortunately weren’t able to stop at their booth, but cinema5D was, and Letus’ Aaron Pinto gives a demonstration the Helix while they were there. More »