» Posts Tagged ‘premierepro’

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ADR Adobe AuditionIn theory, ADR is a relatively simple process. You bring your actors into a vocal booth, show them their original performance, then record a clean take of them mimicking that original performance. Easy right? Well once you start replacing the production sound with the newly-recorded audio, things can start to get tricky. Oftentimes minuscule variations in performance can lead to ADR that just doesn’t work because of barely-perceptible sync issues. This can be fixed in most audio post production programs by subtly warping the audio file to match the original clip, but that process is tedious and time-consuming, and often the results still aren’t up to par. Luckily, there’s a feature in Adobe Audition that will do all of that work for you with a few clicks. It’s called “Automated Speech Alignment” and the good folks at PeachpitTV have a tutorial to show you how it’s done. More »

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SpeedGrade CCLast week, Adobe released the much-anticipated update to their Creative Cloud video applications. We’ve already taken a look at one of the most exciting new features inside of Premiere/After Effects, Live Text Templates, which allows multi-faceted After Effects text compositions to be manipulated directly inside of Premiere, eliminating the need for excessive round-tripping. However, Live Text Templates are just the tip of the iceberg when it comes to new features in this update. SpeedGrade CC, Adobe’s color grading application, also received a few welcome new features, features that one of our readers, Dave Andrade, shows off in a new video. More »

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Premiere Pro Live Text TemplatesA few days ago, Adobe released the Creative Cloud 2014 video applications, an update that included a few extremely welcomed new features throughout the entire range of video tools. Most notably, Premiere Pro and After Effects are becoming even more tightly integrated than they were previously, with new features in Premiere like masking and tracking of effects and Live Text Templates. These templates allow editors to manipulate text assets in multi-layer After Effects compositions without ever leaving Premiere Pro, something which should end the practice of incessant round-tripping between the two programs in order to make small adjustments. In a brand new Lynda tutorial, Chris Meyer shows us how exactly Live Text Templates work, and how to incorporate this exciting new feature into your editing workflow. More »

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CropperCapture[32]In the days leading up to NAB 2014, Adobe announced the features that would be included in the latest iteration on their popular Creative Cloud video applications. The new features are numerous, and some of them — like After Effects features inside of Premiere Pro and the ability to transcode industry-standard DCPs in Media Encoder — are incredibly welcome. Yesterday, after a few months of waiting, Adobe finally released the new versions of these programs to their subscribers, and they can all be downloaded now via the Creative Cloud desktop application. More »

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Adobe AuditionFew things in filmmaking are as difficult or headache-inducing as getting clean production audio while you’re on set. Hence the reason that ADR is such a widespread practice throughout the narrative filmmaking industry. In almost all cases, even with the most talented boom operators and on-set mixers, there will be imperfections in the production sound. However, before scrapping the original sound for ADR (which is an incredibly time-consuming process), there are some nifty post production tricks in Adobe’s lineup of programs that could save you hours upon hours of time with just a few clicks. More »

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Adam Epstein

Frequent readers of our site are likely familiar with the work of the Film Unit over at Saturday Night Live. On multiple occasions, we’ve covered the work of the Film Unit DP Alex Buono, most recently as he talked us through his work on the Wes Anderson parody, The Midnight Coterie of Sinister Intruders. As we know from Buono’s posts, the pre-production and production of these pieces are done on extremely tight deadlines due to the fact that SNL is a weekly show with multiple “shorts” per episode. However, for those of you who thought that those processes were as stressful and hectic as it gets, wait until you hear about (and watch) the post production of a few recent SNL shorts.

I recently talked with Saturday Night Live Film Unit editor Adam Epstein about some of his recent work for the storied television show. We chat about everything from how he landed at SNL to the technical aspects of his work as an editor for the show. More »

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Lumetri Looks SpeedGradeOf the countless post-production blogs on the web, Oliver Peters’ blog Digital Films is one of the absolute best. Not only does Peters cover a vast array of digital post-production tools and softwares in great detail, but on occasion, he also shares some of his custom-made color presets for various platforms. Because of the popularity of his FCPX Color Board presets, Peters also made a set of Lumetri Looks that can be used directly inside of both Adobe SpeedGrade and Premiere Pro. In a recent blog post, Peters not only shared these free looks, but also everything you need to know in order to use them in your projects. Check it out! More »

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Adobe Creative CloudDespite the controversy surrounding Adobe’s switch to a subscription-based model, its Creative Cloud line of products has seen several useful updates for users. For instance, Adobe has added native RED DRAGON & CinemaDNG RAW support via GPU acceleration, plus improved round-tripping with its color correction software SpeedGrade. This year at NAB, Adobe pushed forward with the addition of some newly native abilities, in addition to the dynamic linking its suite is already known for (i.e., no switch from PP to AE needed for certain effects, and vice-versa). Check below for our NAB 2014 interview with Adobe and a video recap of the newest iteration of CC features. More »

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Gone GirlEarlier this week, Adobe unveiled the features that will be rolling out in the next version of their Creative Cloud video apps, and the response thus far has been an incredibly positive one, especially for features such as DCP creation in Media Encoder and masking/tracking directly in Premiere. However, Adobe released quite a bit of other new information about their video products on Wednesday, most notably the fact that David Fincher’s upcoming film, an adaptation of the Gillian Flynn novel Gone Girl, is being cut exclusively on Premiere Pro by Kirk Baxter ACE. Will this be a major turning point for Adobe’s filmmaking software in regards to its use in Hollywood? Let’s take a look. More »

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Creative CloudIn 2012, Adobe unveiled the future of their software distribution strategy. Despite some initial hiccups in public perception, Creative Cloud has since taken the video post production world by storm. In addition to the monthly fee structure, Creative Cloud offered another major benefit over the Creative Suite — the ability for Adobe to push out major software updates and new features with a previously unheard of regularity. Now that NAB (filmmaker Christmas) is finally rolling around for another year, Adobe is releasing their next round of major features for their video-centric software, and let’s just say that the future is bright. More »

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Green Screen Premiere ProWe all know how important lighting is in the process of shooting a subject against a green screen. However, having the ability to pull a solid key from any footage (whether it’s well lit or not) is perhaps one of the most important skills for somebody to have in the world of post-production. This is especially important considering that many low-budget editors are now becoming the one man bands of the post-production process. Luckily, programs like Premiere Pro include a plethora of effects that can be used to pull a fantastic key every single time, and without the need to leave your NLE. More »

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Screen Shot 2014-02-14 at 12.44.28 PMDigital post-production has come a long way since the Avid machines of the early 90′s. Among the myriad post production tools that have surfaced in the past few years, none is more of a potential life-saver than Adobe’s Warp Stabilizer. However, despite the fact that it is fairly easy to get decent results with the plugin, it takes a little bit of know-how and practice to make Warp Stabilizer do its best work. Luckily, Jeremy Bircher over at the soon-to-launch story-driven stock footage hub, Story & Heart, has offered up the most comprehensive breakdown of Warp Stabilizer yet. Check it out. More »

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NLE Survey Dave DugdaleThe NLE market has seen quite a few changes over the last decade, with Final Cut digging into Avid’s dominance, and now Premiere gunning for those who fled the changes in FCP X. So which non-linear editing programs are people actually using right now? Dave Dugdale of Learning DSLR Video conducted an online survey to try to answer that very question. Here are his results: More »

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Premiere TutorialSo, you’ve finished cutting together and coloring your most recent project, and you’re ready to export it for the web or whatever form of distribution that you’ve chosen. You go to the export settings in your NLE, then you nearly have a panic attack because of the sheer volume of options. There are codecs and bitrates and field options and key frames,  and equally as many audio options, and before you know it, you’re curled up in the fetal position next to your desk. Luckily, one of my fellow Denver filmmakers put together a tutorial that shows you everything that you need to know when it comes to exporting for the web and beyond. Check it out. More »

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Preventing App Nap OS X MavericksApple has been moving more and more mobile over the last half decade or so, but they threw a bone to those of us still using Mac desktops or laptops by giving away their new operating system, OS X Mavericks, completely free. While Mavericks includes a couple of key changes from the previous version, one in particular might be giving you some serious trouble, even if it was designed as a feature, not a bug. That feature is something called App Nap, and it may be causing your background renderings to fail with programs like Adobe Premiere, Final Cut Pro X, and DaVinci Resolve if you’ve upgraded your OS to 10.9 Mavericks. More »

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Premiere Pro CC 7.1 UpdateAlthough many people still aren’t thrilled with the subscription model of Adobe’s Creative Cloud, it’s difficult not to be happy with the regularity with which they are now able to roll out major updates to the software. Last month, Adobe released a comprehensive list of new features that would be added in the 7.1 update of Premiere Pro CC, new features like native support for CinemaDNG and RED DRAGON footage, and a legitimate roundtrip process between Premiere and SpeedGrade. This evening, Adobe released the update, and it is available and ready for download. Before you start playing with the upgraded software, however, check out reTooled.net’s awesome video overview of these new features: More »

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5d 5d3 magic lantern ml raw offline online workflow bmd blackmagic design davinci resolve adobe premiere tutorial card

When I started playing around with Magic Lantern RAW video, two things came to mind: First, a camera called the “5D” was once again the nucleus of a low-budget cinematographic revolution — this time thanks to the Magic Lantern team; Second, how was I ever going to be able to edit what I’d shot? I’ve learned a lot since then, and it turns out an offline/online, proxy-based workflow is not only possible, but powerful. Check out the process that I’ve been using to round-trip Magic Lantern RAW between Adobe Premiere CC and DaVinci Resolve Lite below. More »

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Video thumbnail for youtube video Editing 'Minority Report' Style: Editors Keys' Gesture-Based Interface for Final Cut Pro - nofilmschoolWe’ve seen a few early attempts at touch-based editing interfaces, using devices like the iPad. It may take some time for touch-based tools to mature into something better/faster than good ol’ fashioned keyboard input, if ever, but the developments are interesting to say the least. Now, Editors Keys are working on a totally gesture-based system for the Leap Motion Controller, for ‘lift of a finger’ interfacing with Apple Final Cut Pro X, Adobe Premiere & Photoshop, Avid & Pro Tools, and beyond. As always, editors will have to judge whether Minority Report-style control over their NLEs is viable. That said, it will be quite fascinating to see where technology like this goes. Read on for a demonstration by Editors Keys. More »

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Video thumbnail for vimeo video Edit Blackmagic CinemaDNG & Magic Lantern RAW Natively in Premiere with GingerHDR Plugin - nofilmschoolI’ve been talking a lot about offline/online workflows lately — how they have, in principle, been used for ages, and still play today, tape or no tape. Such a post production process allows less fortunate folks (such as myself) to work with footage like Blackmagic Camera CinemaDNG and Magic Lantern RAW on hard-pressed machines. But what if your computer can handle the media, and you’re sick of waiting through long post processes for CDNG? Ginger HDR may be the solution for you. The plugin allows native editing of CinemaDNG, and now, even ML .RAW files directly, in Adobe Premiere Pro and After Effects. One user has also devised a work-around for developing CDNG with the powerful Adobe Camera RAW interface, after native Premiere editing. Check it all out below. More »

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If you were on the fence about switching over to Adobe’s subscription-based service through Creative Cloud, maybe their hefty 40% discount for upgraders will seal the deal for you. With the discount, the regular $50/month subscription fee for the entire suite goes down to $30/month for existing CS customers, but since this special offer only lasts until August 31st, you’d better act fast. Check out what Adobe CC has to offer after the jump. More »