A Primer on Practical Lights: How Practicals Can Make Your Cinematography Come to Life

Skyfall Deakins Practical Light Example
If there's one simple thing that you can do today to make your cinematography look more professional and polished, it's incorporating practical lights into your scenes.

Practical lights are, of course, traditionally defined as any light where the source is in frame. More often than not, this means lights that are built into your locations (usually ceiling fixtures), desk and floor lamps, televisions, computers, and strings of Christmas lights. It can also refer to headlights from a car and street lamps. All sorts of things can be used as practical light.

Before we get into the specifics of why and how to light with practicals, here's a quick quote from Roger Deakins, taken from his fantastic online forum, about the importance of practical lighting, especially in the digital age where camera sensitivity and dynamic range are through the roof:

I find myself lighting more and more with practical light sources and very few 'film' lights. [...] Choice of and the placement of practical light sources is an increasingly important aspect of lighting. Digital capture and the increased dynamic range that it offers makes lighting this way even more exciting.

Now that we've got that out of the way, our friend Billy Campbell over at Blind Spot Gear, makers of the portable LED Scorpion Light, sent us a new piece of a conversation that he filmed with his father Douglas Campbell, a 40-year veteran of the film industry. You may remember an earlier excerpt from this conversation which was all about lighting and shooting interviews. This time, the pair talk practical lights, and share some thoughts about how to best use practicals in different situations. Check it out:

Video is no longer available: vimeo.com/122092493

There are two primary reasons that you might want to incorporate practical lights into your scene. First and foremost is that they're one of the few ways that cinematographers can motivate artificial light sources. In most instances, light motivation is incredibly important because it helps the audience suspend their disbelief. If the light doesn't make any sense -- maybe it's coming from the wrong direction or it's not a believable color -- it might very well draw attention to itself and distract the audience from the story. In that instance, the cinematographer has failed miserably at their job.

By smartly placing practicals throughout the scene (and making sure the audience is aware of them), you can motivate just about any kind of light you may need. If you need a way to motivate your key light for a night interior shot, a desk lamp will work wonders. For day interiors, windows are usually the best for motivation. And when there's a lamp behind a character, that can easily be used as motivation for a kicker. There are all sorts of ways that practicals can motivate artificial light.

Billy at Blind Spot was also kind enough to share a few examples of how practical lights, like bedside lamps, TVs, and candles can be used to motivate artificial sources. The lights he's using in these scenes are, of course, the Scorpion Lights which he manufactures:

Video is no longer available: vimeo.com/120387384

Video is no longer available: vimeo.com/120292177

Video is no longer available: vimeo.com/122095969

Skyfall Deakins Practical Light Example

The other reason that practicals are an incredibly powerful tool for cinematographers is that they're a simple and effective way to create depth in a scene. Of course, depth can be achieved any number of ways, but lighting is one of the best. Placing practical lights at various depths throughout a scene can not only help you motivate any artificial sources you may want to use, but they can drastically enhance the way the audience perceives spacial depth. Just look at the still from Skyfall on the right. The primary practical lanterns are helping to add shape and dimension to the character, and the additional practicals in the deep background are adding depth and creating some subtle specular highlights and bokeh.

The last thing to mention about using practical lights is that dimmers are wildly important. Having the practical source blown out in frame just looks bad and is distracting, so you should avoid it at all costs. While there are multiple ways to control the intensity, like traditional diffusion and the spray paint methods that Billy mentions in the conversation above, dimmers are usually the most effective because of the range of control they give you. Plus, dimmers for household fixtures are really inexpensive, and you can usually pick them up for less than $10.

What are some of your favorite tips and tricks for using practical lights? Share them down in the comments!     

Header photo taken from "Skyfall."

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Your Comment


The se7en cinematography is a great example of practical lighting and a great lesson on how to apply it; outstanding job by Darius Khondji!

July 2, 2015 at 3:24PM


Fincher in general always makes great use of practicals.

July 2, 2015 at 4:09PM

Álex Montoya

does Fincher get the credit or his cinematographer? Not sure if Fincher is running around adjusting available lights on set. I would figure at most he might say '' yeah, that looks cool. Quite on set!''

July 2, 2015 at 5:36PM

Vincent Gortho

In the Panic Room special features there is even a moment where he is telling the production design dept where to install practicals.

Keep your stupid comments in your pocket.

July 3, 2015 at 8:58AM

Brooks Reynolds

Is there anyone more famous for practical lighting then Kubrick? He lit whole scenes with nothing but candles and if you look at any BTS of his films he incorporated much of the lighting into the sets. His days as a stills photographer were the foundation to how lit his films

July 2, 2015 at 6:33PM, Edited July 2, 6:35PM


I started out my photo/cinema career in the late 60's doing mainly weddings, portraits and architectural assignments. In many cases I used available light ie; candle light, window light, lamp light etc. with a reflector for fill. Understand that before video we were using film with maybe/hopefully a 5 stop total latitude available to accomplish a balanced image. My understanding is that practical lighting is using existing light sources in and out of the frame. But the videos all mention using supplemental lighting. So my question is, is practical lighting.....available lighting? Or is it staged lighting that includes in frame light sources as well as some out of frame supplemental lighting to balance or create a light mood?
If so, then practical lighting is really staged lighting that includes an artificial or natural light source in the frame.
The videos seem to be more of an advertisement than a discussion of technique.

July 3, 2015 at 5:38AM, Edited July 3, 5:39AM

Jerry Roe
Indie filmmaker

Practical light(ing) is the light emitting objects that exist in a shot whether or not the practicals are used as motivational lighting for the talent. An example being a candle in the background, but the cinematographer/photographer chose to instead motivate the light from what the viewer assumes is the moon. Even though the talent is lit by the moon and not the candle, that candle is still a practical light. Practical lighting is used in the videos above as a term to motivate light through the use of practical lights in a scene.

July 3, 2015 at 2:50PM

Evan Harter
#1 Evan

These are exactly the kind of lights I've been looking for. Ordered one to try out. Anyone else have experience with them?

July 3, 2015 at 11:58AM


That first still looks great but the Blind Spot videos are very pink/cream and not very nice at all.

July 4, 2015 at 9:10AM

Jonathon Sendall