As editor, you are a god. These cuts are your disciples.
"A lot of these cuts are so common and feel so natural that you don't even think about it," says the narrator of the latest video essay from Rocket Jump Film School, which outlines some basic tools in the editor's arsenal.
Indeed, the editor's job is to be invisible—or, rather, subconscious. She wants to get inside your head and make you feel something without realizing why. Of all the below-the-line talent that goes into the making of a film, the editor is arguably the most important and under-appreciated.
You've seen all of the cuts in this video before, but unless you're an editor, you may not have recognized just how crucial cuts and transitions are to the life of the narrative.
Glossary of Cuts
- Cutting on action (cutting while there is movement on-screen)
- Cutaway (cutting to an insert shot and then back)
- Cross-cutting (back and forth between locations, ex: phone call)
- Jump cuts (disjointed edits in the same shot or action)
- Match cut (cut from one shot to a similar shot by either matching the action or composition)
Glossary of Transitions
- Fade in/out (to/from black)
- Dissolve (blend shots)
- Smash cut (abrupt transition)
- Iris (old-fashioned; circle that opens and closes in camera)
- Wipes (screen wipes from one side to the other)
- Invisible cuts (impression of a single take)
- L-cut (audio transition)
- J-cut (audio of the next scene starts before you get to it)
Via:
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10 Comments
The movie "Breathless" by Jean-Luc Godard:
https://www.youtube.com/watch?v=1ov4mQJIHhc
March 3, 2016 at 11:30PM, Edited March 3, 11:30PM
Hey man I was just editing my short film UNEVENLY EVEN just now. I used a J and L cut but did not even know they were called that! But thanks for sharing! I also learned other types of cuts and transition that'll I use! Thanks!
March 4, 2016 at 12:29AM
Thanks for this link, so succintly explained for such complex editing structures that are hard to understand without visual aid.
March 4, 2016 at 1:48AM
Thanks, nice group of examples.
I'd love to know what people thought of the cutting we used at the beginning of our film Compulsive ( http://www.sketchin.co.uk/projects/compulsive/ ) trying to show the trapped nature of the character, and then his release and uncertainty in the world.
March 4, 2016 at 4:48AM
Spoiler alert :) I loved the sequence when he leaves and a lot of what follows, including your match cut of the two dudes, all of this was effectively disorienting and intriguing; I want to follow him. I also loved the very first shot of the fumbling at the lock - the other shots of the opening sequence were a bit odd for me - turning the light on and off was a huh? moment, and the envelope sequence which I imagine must have been the inciting incident, was a bit too calm for me - perhaps because from the angle you showed him from - above and off to the side, we couldn't see the concern in his eyes - well, we couldn't see his eyes. But for something done in 48 hours, BRAVO! And thanks for showing us your city!
March 11, 2016 at 7:39AM
"L-cut = audio transition"? Not really...
March 5, 2016 at 12:31AM
I didn't know it had a name but naming it the "L-cut" didn't make much sense to me. What is it actually called?
March 15, 2016 at 1:13PM
Cross-cut match dissolves. Cutting on action (the water on the lens). Amazing technique.
https://www.youtube.com/watch?v=eBG7P-K-r1Y&feature=youtu.be&t=58s
March 5, 2016 at 4:10PM, Edited March 5, 4:10PM
More great crosscutting / match cutting https://vimeo.com/39900383
March 5, 2016 at 5:18PM
This information was extremely useful. I only knew what a few of these were until now, I've used almost all of them but never knew what they were called. --Thanks for this!
March 7, 2016 at 10:56PM
This is the second video I've come across that gets "cutaway" wrong. A cutaway cuts *away* from the main action (CUT TO: SEAGULLS); an "insert" is a detail (CUT TO: FINGER ON THE TRIGGER) contained within the main action. This is also the second tube tutorial I've seen that has used a shot of someone looking at something out of frame and calling the cut to what they are looking at a "cutaway": it's not -- if it's from the character's real or imagined perspective (point-of-view) it's a POV shot. Also, a flash-back or flash-forward is not a cutaway. Both inserts and cutaways exist within the "now" of the scene.
November 7, 2017 at 8:42AM, Edited November 7, 8:42AM