A robust line of extremely bright HDR production monitors aims to compete with the rugged Panasonics we're used to seeing on set.
There's two 10-bit models for the production monitors, a 32" and a 24", as well as an 8-bit 17". Each monitor vectors towards P3, Rec 709 but you will be able to plug in a colorimeter into the USB 3.0 port and install into the monitor. For on-camera monitors they've added super bright 702, but for filmmakers on a budget they offer the 701 Lite, a less bright 720p monitor with all the same functionality for $699.
More of No Film School's coverage from the NAB showroom floor: