Unlike many other filmmakers that infuse intense colors into the important moments and objects in their films, the Coen Brothers make ample use of green in their highly violent—yet totally hilarious—brand of cinema. This interesting choice is explored in this video by video essayist Jacob T. Swinney. In it, Swinney has desaturated all the non-green hues in order to make their use of it easier to catch:
If you never picked up on the Coen's affinity for the hue, don't blame yourself. Green isn't as easy to detect as other colors that filmmakers use to catch the eyes of their audiences, like the most obvious choice, red. Swinney explains:
This pattern most likely goes unnoticed because, unlike an in-your-face color, such as red, green is much more subdued and doesn't alarm our eyes. Green is natural and a part of everyday life, but the Coens make use of the color in places other than nature. In fact, they seem to utilize the color during key moments of their films.
So, the Coens love using green in their work. In fact, almost every single film they've ever created makes heavy use of the color. But why? What does it represent? Well, the video itself doesn't give an answer and the Coens haven't explained their use of it, so really any conclusion we draw will only be conjecture. But let's give it a shot anyway, huh?
Tommy Lee Jones as Ed Tom Bell in 'No Country for Old Men' (2007)
What do we know about the color green?
According to theories of color, green can represent positive things, like "calm", "relaxation", "luck", and "nature", as well as negative traits, like "possessive", "selfish", "envy", and "devious". Its meanings become even more specific depending on the shade:
So, if you examine the green objects in Swinney's video, you'll notice that a lot of them fall into the "leaf" and "sea" green categories, which is interesting, because there are plenty of connections to make. Take the green decals on the outside of Jerry Lundegaard's office window in Fargofor example; the green could represent the security and dependability of his career, despite the fact that he himself is a hot mess that hires goons to kidnap his wife so he can dip into his rich father-in-law's coffer. It's also intriguing that the Coens used neon or "lime" green for Bunny Lebowski's nail polish and bikini, because she is "young", "fresh", and "lively"—not so much clean and naive, but you get the picture.
Tara Reid as Bunny Lebowski in 'The Big Lebowski' (1998)
What do we know about the Coens' filmmaking?
The Coen Brothers utilize great scripts, great acting, and great editing to ensure that their stories are as masterfully made as they can be, but since colors kind of go hand in hand with cinematography, let's focus on how the Coens use their images (and their colors) to tell their stories.
Their films manage to balance between being both violent and dark, and weird and funny at the same time. The green gel case that holds the "secret government documents" in Burn After Reading is a perfect example of this. On one hand, the whole premise that a couple of gym workers would go as far as to go to the Russian embassy to offer the Russian government these documents (which are actually personal financial records to be used in a divorce) for compensation is absolutely ludicrous and hilarious. On the other hand, this green gel case holds the very thing that destroyed the lives of everyone who came in contact with it (or knew someone who did)—which is dark as hell. (My boyfriend Brad Pitt gets shot in his beautiful face, for Pete's sake.)
'Burn After Reading' (2008)
What do we know about the Coen's use of green in their films?
Not much. Still.
After all of that waxing poetic, we're no closer to truly understanding why the Coens like to use green, or what the color signifies in their films. However, that doesn't mean that it's not worth exploring. If Swinney's video taught us anything, it's that even unanswered questions about our favorite filmmakers' techniques will help us become more informed about the medium we work in.
As indie filmmakers—especially in the genre space—sometimes we have to find creative ways to cinematically portray some crazy stuff. Heads exploding? Body transformations to bugs? Extraterrestrial predators disrespecting your boundaries and popping out of chest cavities?
You name it, we conceive it.
One of the great joys of movie making is figuring out exactly how to pull off all these crazy, often visceral moments in creative and visually exciting ways. Some of the greatest horror directors in history have made a name for themself by mastering the craft of the greatest intricate, believable practical effects moments of all time (eh-hmmm, David Cronenburg).
Well made practical effects aren't just cool to watch, they're also an art unto themself, with professional special effects artists dedicating their entire careers to designing crazy set pieces for our viewing pleasure.
Practical effects (SFX) also typically hold up much better than digital effects (VFX) allowing us to revisit and still immerse us into the a world created decades ago. That's pretty cool.
Below, we've compiled a top 10 list of some of the most impactful special effects in horror history. While this list is certainly not definitive, it was carefully thought out by which movies have been the most influential or impactful in our current moviegoing zeitgeist. Some are 80s classics you'd expect, others are modern special effects masterpieces that have instantly found themself in the cannon. We try to keep it interesting!
Please enjoy, as well as check out some accompanying education on how some of these moments were conceived and translated to the big screen, as well as some complimentary double feature pairings for your viewing pleasure.
Editor's note: These are in no particular order. Sue me.
'Videodrome'
Oh man. Videodrome.
It wouldn't be a SFX "best of" list without nodding to the grandfather body of horror himself David Cronenburg. In most cases when you watch one of his films you can expect to see some sort of body deformation or head explode in some of the most gnarly, creative set pieces put to screen.
It was a tough choice which of his babies to elect for the list, but I chose Videodrome simply because I think out of everything I've seen it got under my skin the most. I mean, between a TV becoming flesh and James Woods literally inserting a VHS tape into his torso, Videodrome has it all, baby!
Special make up effects artist Rick Baker says it best when he states "we have to do some pretty disgusting things in this movie".
See also: The Fly (one of my all time faves and a masterclass in SFX in its own right)
'Terrifier' (Franchise)
Jumping from classics to modern, the Terrifier franchise has made a name for itself for its shameless gonzo-slapstick splattercore ethos. With Terrifier 3 opening this weekend and tracking to blow out tentpole Joker: Folie a Deux, it's safe to say that Art the Clown has earned his keep amongst the big leagues of slasher fam.
Considering Terrifier originally made a name for itself precisely for its over-the-top practical effects, I feel like it's earned its keep amongst the big wigs of culturally relevant SFX icons.
See also: In a Violent Nature (another modern slasher with a shameless love of practical kills)
'Evil Dead II'
Sam Raimi made waves in the independent horror space with his certified classic, Evil Dead. If that wasn't enough, he did it again with the sort of remake, sort of reimagining of Evil Dead, Evil Dead II.
Writers Raimi and Scott Spiegel have famously said their approach to their sequel was essentially "what if we did the first one but bigger and funnier", and they certainly achieved that in spades. And what comes with bigger and funnier? More practical effects, baby. Between Ash fighting his hand and and claymation deadites, the in-camera master work still inspires filmmakers to this day.
It's groovy.
See also: Evil Dead (2013) (Fede Alverez went full-blown practical for his brutal remake and it elevates it to arguably the scariest Evil Dead ever made)
'The Substance'
The Substance
Mubi
Need I say more than "Monstro Elisasue"?
I will, because Coralie Fargeat certainly doesn't hold back leading up to her tortured creation. Between the procedural body horror of Margaret Qualley crawling out of Demi Moore's back to an unfortunate dream sequence with a chicken leg, The Substance is a no-holds-bared practical body horror masterpiece.
For more on the making of Monstro Elisasue, check out Vulture's super cool SFX breakdown here.
See also: Society (this arguably deserves it's own spot for it's flesh blending orgy scene, but we'll leave it here to pair for some nice "satirical comedy in body horror" tidiness)
'Re-Animimator'
Re-Animator is one of those movies that when I watched it for the first time I couldn't stop thinking about it for weeks. What starts as an innocently campy Lovecraft adaptation quickly escalates to arguably one of the most fucked up movies I've ever seen.
I wouldn't consider Re-Animator one of my favorites ever, but it's certifiably one of the craziest. Putting some of these set pieces into words is a little out of my comfort zone, so I'll let you see for yourself if you haven't already. That being said, it makes the list for its impeccably well-executed use of practical effects for lingering fear.
One of the best arguments for the dead staying dead there is.
See also: Color Out of Space (a great Lovecraft double feature. A family that rides together gets their flesh stuck together)
'The Blob' (1988)
The Blob is, dare I say, a perfect movie. Practical effects are more or less the catalyst of this remake to a (also very good) classic, elevated beautifully with its heavy reliance on practical guck.
If you still want to go into a phone booth or hospital after checking this out... Good luck, bub.
See also: The Stuff (a perfect double feature. Blobs and stuff? give me a better pairing)
'The Thing' (1982)
If this list was ranked in a particular order, The Thing just might take the cake for all-time best. The above video's title says it all—the effects are insane, and the amount of work and artistry that went into building this world is a masterclass in how to utilize practical effects to elevate your movie to elite status.
On top of that, it's also an amazing movie taking the idea of "hell is other people" to elegant shape-shifting extremes.
See also: They Live (while not crazy on practical effects, the creature design itself earns its keep as a great Carpenter practical effect-heavy paring. Plus, it rules—bubble gum or no)
'Nightmare on Elm Street'
No one does practical effects quite like Freddy.
Outright, Freddy Krueger's character design is one of the most iconic looks out of any slasher villain—can we think of a better example of a slasher villain with a classically distinguished look that isn't wearing a mask?
On top of that, Nightmare on Elm Street has the genius advantage of dream logic, where pretty much anything the filmmaker's mind thinks of (in this case our guy Wes Craven) goes. It's a playground of creativity the entire franchise utilizes in beautiful fashion, but the first is so good it set the standard for how to use practical effects to make a long-lasting classic with some of the most intricate practical set pieces out there.
Hell, Wes designed an entire rotating set to pull of a scene where he rains blood on his final girl in her bedroom. If that's not bad ass filmmaking, I don't know what is. Even despite the near of an electrician's worst nightmare (if you don't know what I mean, see above).
See also: Texas Chainsaw Massacre (considering Leatherface and Freddy Krueger are boys that match each others freak too well, this pairing goes without saying. Texas Chainsaw also happens to stand as one of the scariest movies ever made thanks to the practical flair Tobe Hooper added to the Sawyer family's entire space)
'Sleepaway Camp'
Sleepaway Camp
UFDC
Sleepaway Camp is one of those horror movies that got lost in the shuffle in the slasher boom and is rightfully getting more attention as time goes on. Crazy twist ending aside (that is also one of the best jump scares of all time), Sleepaway Camp is a movie that wears its affection for horror via practical effects on its sleeve. We love it for that.
If you're looking to know more about how it all came together, check out this awesome breakdown.
If you're reading this, Angela, please don't come after me next time I go camping.
See also: Pieces (a lesser known slasher that puts the "gnarly" in gnarly)
The 'Alien' Franchise
Alien
film-grab.com
The Alien franchise is one of the most consistently well-made, expertly crafted franchises out there—and much of that is due (and thanks) to the reliance on practical effects. The world building, the horror, everything. Alien is an all time classic, and the quality of H.R. Geiger's concepts made real by practical effects goes to show its lasting impression.
See also: Event Horizon (hell in space? It's practically rendered hell in space)
Honorable Mentions
Scanners
film-grab.com
Look, there's a lot of good stuff out there—we can't hit them all.
Sometimes, for the sake of organizing an intuitive top 10 list, you have to make some tough choices and leave out some gems. Whether they have a wild head explosion or elegant, practical depiction building of hell itself, here are some great examples of expert practical effects that are more than worth your time.
Without further ado...
Possession: Are we going to talk about the demonic tentacle monster in the room?
Pans Labyrinth: There's a guy with eyes in his hands.
House of the Devil: Maybe a stretch but with the Greta head shot and blood moon ritual it earns it.
X Trilogy: Each entry has at least one moment worthy of SFX prestige .
Scanners: The ultimate head blow up.
Talk to Me: When they say smash up heads, they mean it.
Maniac : Goopy slasher goodness.
Eraserhead : Nothing says parental existentialism quite like that weird baby.
Oddity: This one has good head booms and wooden man monster.
Abagail : Radio Silence really goes for high concept horror fun here and it's a blast.
Barbarian: A scary creature design for the ages.
Friday the 13ths: When Jason hits, he hits.
The House That Jack Built: Lots of good stuff here, but that ending really takes the cake.
American Werewolf in London: Best werewolf transformation out there, Landis family be damned.
Night Breed: This movie has so much going on and it all looks amazing.
Love Lies Bleeding:Two words: "Dave Franco"
From Beyond: The ultimate practical effect face
Comment with any we forgot to mention... Or else (we might even add it to the honorable mentions list)!
Tommy Lee Jones as Ed Tom Bell in 'No Country for Old Men' (2007)
Tara Reid as Bunny Lebowski in 'The Big Lebowski' (1998)
'Burn After Reading' (2008)
