December 10, 2018

Watch: Ridley Scott Teaches Us How to Cover a Dialogue Scene

In space, someone can hopefully hear you scream.

If there's one thing audience members can be sure to take away from the bone-chilling, horrific 1979 film from Ridley ScottAlien, it's those darn, dialogue-heavy dinner table sequences. With tongue placed firmly-in-cheek, we'll admit that that's not technically what viewers will remember, but due to one dinner-set scene in particular, in which the title character makes a blood-soaked first appearance, they do matter a great deal.

Popular online video essayist wolfcrow has just released an examination of the way the dinner table dialogue sequences in Alien are shot and framed. Scott and cinematographer Derek Vanlint worked closely together to indicate balances of power among the spaceship's crew, as well as subverting the attention away from whom ultimately grew to be their leading heroine (Ripley as played by Sigourney Weaver).

If the bringing in of actors closer to the frame indicates their character's immense power, then the pushing back of an actor out of the frame (or rather, further away from it), works as a subversion to indicate a lack of importance that the character may secretly possess. It's a visual sleight-of-hand that proves quite effective by film's end. 

What do you think of the video above? Are you fan of the Alien franchise (and does this video increase your fandom)? Let us know in the comments below.      

Your Comment

5 Comments

*thumbs up*

December 10, 2018 at 6:34PM

3
Reply
avatar
Tom Luca
Director, Producer, Chairman and CEO
44

That was interesting ... but do you sometimes think that people just over analyze some of this...

December 10, 2018 at 8:28PM

0
Reply

So...you come to a sight that's about *learning filmmaking* and someone takes the time to analyze a scene from a Classic movie, by a Genius Director and you call it...overanalyzing.

That says more about you. You, in particular, aren't interested in in-depth analysis. So...why are you here?

If you think Scott's work has surface value only, that he doesn't control every single frame like a Master, you're selling yourself very short.

December 16, 2018 at 9:55PM

1
Reply

i love this movie! cool!

December 11, 2018 at 10:35AM

12
Reply
avatar
Leah Albers
nurse
43

Moviemaking is a lot like Magic. By that, I mean sleight-of-hand is a very valuable storytelling tool.

December 16, 2018 at 9:56PM

0
Reply