Sometimes I get so caught up in narrative cinema that I forget there's a whole realm of artists out there doing beautiful and interesting work on the experimental side of things.

Experimental film is so much fun. It's a place where all artistic representation matters, and it's somewhere I go when I want to be challenged.

If you've never fully indulged in the weirder, artsier side of cinema—or are already a fan and want to celebrate it—I want to take you through the world of experimental movies, with some history and characteristics, and dig into some of the greatest to ever grace our screens.

Sound good?

Let's dive in.


What is Experimental Film?

The experimental genre in film and TV refers to productions that deviate from the traditional narrative structure and style of mainstream entertainment.

These productions often challenge viewers to think outside the box and explore unconventional ideas and perspectives.

It's sort of an anything goes genre.

The Characteristics of Experimental Film

Experimental films sort of feelsl ike you can do anything, and that's mostly true. So what are some things I've seen over and over again that may make up some characteristics?

Key Characteristics:

  • Non-linear Narrative: Experimental films often lack a traditional plot or linear narrative structure. They may be abstract, fragmented, or entirely devoid of a storyline.
  • Visual and Sound Experimentation: These films often experiment with visual and sound elements, using techniques like collage, montage, superimposition, slow motion, and distorted or manipulated sounds.
  • Exploration of Themes: Experimental cinema can explore a wide range of themes, including the subconscious, dreams, memory, perception, identity, and social and political issues.
  • Personal Expression: Many experimental films are deeply personal works, reflecting the filmmaker's unique vision and artistic expression.
  • Found Footage: Using pre-existing film or video footage in a new context.
  • Direct Animation: Scratching or painting directly onto film strips.
  • Structural Film: Focusing on the material properties of film, such as light, movement, and time.

A Brief History of Experimental Film

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The roots of experimental cinema can be traced back to the early days of filmmaking, with people like Georges Méliès experimenting with visual effects and trick photography in the late 19th century.

However, it was during the early 20th century, with the rise of Dadaism and Surrealism, that experimental cinema truly began to flourish. These art movements, with their emphasis on challenging conventions and exploring the subconscious, found a natural expression in the medium of film.

In the 1920s and 1930s, filmmakers like Luis Buñuel and Salvador Dalí created surrealist films that shocked and bewildered audiences with their dreamlike imagery and unconventional narratives.

These early experiments paved the way for a wave of avant-garde filmmakers in the postwar era, who pushed the boundaries of cinema even further.

The 1960s and 1970s saw a surge in experimental filmmaking, with filmmakers like Stan Brakhage, Maya Deren, and Kenneth Anger exploring new techniques and pushing the limits of what was considered possible in film.

These filmmakers often worked outside of the mainstream film industry, creating films that were personal, challenging, and often deeply political.

The Impact of Experimental Film Across the Globe

Experimental cinema challenges viewers to rethink their expectations of what a film can be. It encourages critical thinking, provokes emotional responses, and opens up new possibilities for artistic expression.

They have influenced mainstream filmmakers, inspired new artistic movements, and sparked important conversations about the nature of reality, perception, and human experience.

Global Impact of Experimental Film:

  • Latin America: The Third Cinema movement in Latin America in the 1960s and 1970s was heavily influenced by experimental film. Filmmakers used cinema as a tool to challenge political oppression and social injustice.
  • Japan: The Japanese avant-garde film movement in the 1960s and 1970s produced a wealth of experimental films that challenged traditional Japanese aesthetics and explored new forms of expression.
  • Europe: European experimental film has a long and rich history, with filmmakers pushing boundaries and experimenting with new technologies. The European avant-garde has inspired filmmakers around the world.
  • Africa: African experimental filmmakers have used film to document social and political struggles, challenge stereotypes, and express unique cultural identities.

The Best Experimental Films

I wanted to make a list of experimental films I thought were great, that everyone should check out.

So, here you go:

  • Un Chien Andalou (1929) - Luis Buñuel and Salvador Dalí
  • Meshes of the Afternoon (1943) - Maya Deren and Alexander Hammid
  • Entr'acte (1924) - René Clair
  • Man with a Movie Camera (1929) - Dziga Vertov
  • L'Age d'Or (1930) - Luis Buñuel
  • A Movie (1958) - Bruce Conner
  • Wavelength (1967) - Michael Snow
  • Dog Star Man (1964) - Stan Brakhage
  • The Blood of a Poet (1930) - Jean Cocteau
  • Scorpio Rising (1963) - Kenneth Anger
  • Inauguration of the Pleasure Dome (1954) - Kenneth Anger
  • Flaming Creatures (1963) - Jack Smith
  • Rose Hobart (1936) - Joseph Cornell
  • Mothlight (1963) - Stan Brakhage
  • La Jetée (1962) - Chris Marker
  • Fuses (1964) - Carolee Schneemann
  • The Dante Quartet (1987) - Stan Brakhage
  • Line Describing a Cone (1973) - Anthony McCall
  • Light Is Waiting (2007) - Michael Snow
  • The Flicker (1966) - Tony Conrad
  • Ballet Mécanique (1924) - Fernand Léger
  • The Seashell and the Clergyman (1928) - Germaine Dulac
  • Anemic Cinema (1926) - Marcel Duchamp
  • Berlin: Symphony of a Great City (1927) - Walter Ruttmann
  • Emak Bakia (1926) - Man Ray
  • Ritual in Transfigured Time (1946) - Maya Deren
  • At Land (1944) - Maya Deren
  • A Study in Choreography for Camera (1945) - Maya Deren
  • The Very Eye of Night (1958) - Maya Deren
  • Window Water Baby Moving (1959) - Stan Brakhage
  • Bridges-Go-Round (1958) - Shirley Clarke
  • Serene Velocity (1970) - Ernie Gehr
  • Zorns Lemma (1970) - Hollis Frampton
  • The Act of Seeing with One's Own Eyes (1971) - Stan Brakhage
  • The Girl Chewing Gum (1976) - John Smith
  • Report (1967) - Bruce Conner
  • Reassemblage (1982) - Trinh T. Minh-ha
  • Tongues Untied (1989) - Marlon Riggs
  • Handsworth Songs (1986) - Black Audio Film Collective
  • Symbiopsychotaxiplasm: Take One (1968) - William Greaves
  • The Clock (2010) - Christian Marclay
  • The Grand Bizarre (2018) - Jodie Mack
  • Leviathan (2012) - Lucien Castaing-Taylor and Véréna Paravel
  • Sans Soleil (1983) - Chris Marker
  • Decasia (2002) - Bill Morrison
  • Blue (1993) - Derek Jarman
  • Last Year at Marienbad (1961) - Alain Resnais
  • Persona (1966) - Ingmar Bergman
  • Tetsuo: The Iron Man (1989) - Shinya Tsukamoto
  • Eraserhead (1977) - David Lynch

This list barely scratches the surface of the vast and diverse world of experimental cinema.

But maybe I left off your favorite. If so, I want to hear about it.

Let me know what you think in the comments.