Defining the Most Popular Screenplay Transitions

What Are Screenplay Transitions?

Screenplay transitions are instructions written into a script to indicate how the film should move from one scene to the next.

They act like signposts, guiding the reader (and later, the director) on how to visualize the flow between scenes.

How to Use Screenplay Transitions

The screenplay should focus on the story itself. Transitions are there to enhance the flow, not overshadow it. Use them sparingly and let the action and dialogue carry the scene changes naturally whenever possible.

You don't need to write one between every scene—we just assume a new slugline is an automatic way to cut between scenes.

Most Popular:

• CUT TO: This is the workhorse of transitions, a clean shift to a new scene with no time passage implied. It is used to emphasize a cut between two scenes and usually to highlight a juxtaposition of them.
• DISSOLVE TO: A smoother transition, suggesting a passage of time or a shift in mood.

Use These Strategically:

• FLASH CUT TO: An abrupt cut to a new scene, often used to show flashbacks or create a disorienting effect.
• MATCH CUT TO: Creates a connection between two scenes by visually rhyming elements, like shapes or colors.
• SMASH CUT TO: An even more jarring cut than a flash cut, used for emphasis or to show a stark contrast.

Less Common:

• FADE IN/OUT/TO: Primarily used at the beginning (FADE IN) and end (FADE OUT) of the script, fades can also suggest a dream or memory.
• IRIS IN/OUT: An oldie but a goodie, irises open or close on a scene, putting emphasis on a specific element.
• WIPE TO: This one pushes the new scene over the old one, less popular now but can be used for a specific effect.

General Tips:

• Use transitions sparingly. Let the action and dialogue carry the flow whenever possible.
• Choose transitions with purpose. Consider the mood and the connection between scenes you want to create.
• Don't overcomplicate it. Most of the time, a simple CUT TO will do the trick.