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Premiere Pro Tutorial: Learn to Read Scopes with Larry Jordan

8 years ago by Rob Hardy

Rob Hardy

Give Your Digital Footage That Film Look and Enter FilmConvert Cinematography Competition

8 years ago by V Renée

V Renée

Watch: Tutorial on What It Takes to Pull Off Great Chroma Keying

8 years ago by V Renée

V Renée

Quick VFX Tutorial on Color Grading: Using Masks to Adjust Color Separately

8 years ago by V Renée

V Renée

Watch 20-Minute David Lynch Doc: Sage Advice for Indie Filmmakers in 'Room to Dream'

8 years ago by V Renée

V Renée

Apple Unveils Logic Pro X: Complete Overhaul of the Professional Audio Editing Application

8 years ago by V Renée

V Renée

Creatively Stagnant? Here's a Video Editing Tip That Might Get Your Brain Juices Flowing

8 years ago by V Renée

V Renée

Q: What are the Latest and Greatest Tools Filmmakers Need to Have Right Now? A:

8 years ago by Ryan Koo

Ryan Koo

Version 7 of Avid Media Composer Now Available and Cheaper than Ever

8 years ago by Rob Hardy

Rob Hardy

'You Film, They Edit': Videopixie & Viedit Offer Marketplaces for Freelance Editors to Cut Your Projects

8 years ago by Dave Kendricken

Dave Kendricken

From Flatbed to Avid: Has the Switch from Physical to Digital Editing Changed Filmmaking for Good?

8 years ago by Justin Morrow

Justin Morrow

Coen Brothers Switching from Final Cut Pro to Adobe Premiere with Their Next Film

8 years ago by Joe Marine

Joe Marine

Avid Tutorial: How to Bring Your Shots to Life with These Basic Color Correction Tips

8 years ago by Rob Hardy

Rob Hardy

Lightworks Beta for Mac Os X Gets Demonstrated at NAB 2013

8 years ago by V Renée

V Renée

NAB Video: Avid & Lightworks

8 years ago by Micah Van Hove

Micah Van Hove

Media Composer 7: Avid Brings Their Flagship NLE into the High Resolution Future and Lowers Price

8 years ago by Rob Hardy

Rob Hardy

Looking Ahead: PreNAB Editors' Lounge 2013

8 years ago by Micah Van Hove

Micah Van Hove

EditShare Announces the Highly Anticipated Mac Version of the Cross-Platform NLE Lightworks

8 years ago by V Renée

V Renée

LumaForge Introduces 4kFLOW, an Affordable 'End-to-End' 4k Platform Based Around FCPX

8 years ago by Micah Van Hove

Micah Van Hove

Joe Marine

Major NLE Updates Coming at NAB? What Adobe and Avid Should Do to Improve Their Products

8 years ago by Rob Hardy

Rob Hardy

'Side by Side,' the Film vs. Digital Documentary Produced by Keanu Reeves, is Now on Netflix

8 years ago by Joe Marine

tribeca film institute

Joe Marine

Dave Kendricken

Check Out This Thorough Presentation Comparing Final Cut Pro X vs. Premiere Pro CS6

8 years ago by Benjamin Dewhurst

Benjamin Dewhurst

Brief Tutorial on Working with RED Files in Adobe Premiere Pro CS6

8 years ago by Joe Marine

Joe Marine

Adobe Extends 40% Discount on Creative Cloud to June 2013

9 years ago by Ryan Koo

Ryan Koo

Beginner's Guide to DaVinci Resolve 9 and Blackmagic Cinema Camera RAW CinemaDNGs

9 years ago by Joe Marine

Joe Marine

Pages

I Have To Make A Video For TV

4 years ago by Arsh DSJ

Arsh DSJ

Director Editor Producer

324

mac pro choice

4 years ago by Shane Lee

Shane Lee

filmmaker

Stuck between GH5 & a7sII - Need your experience & thoughts to help me decide

4 years ago by Ehab Eazy Ismail

Ehab Eazy Ismail

Director/D.O.P

130

Film entire scene in each shot

4 years ago by Emil F. Skanning

editing

Emil F. Skanning

Writer, Director, Editor

401

2016/2017 Macbook Pro for Editing

4 years ago by Tavis Northam

Tavis Northam 137

MAC Pro for NLE editing

4 years ago by Andrew Neighbour

Andrew Neighbour

Filmmaker

111

Animated Titles (specific request + budgeting)

4 years ago by John Haas

John Haas

Cinematographer

985

Alienware 17 R4 vs pc specialist optimus viii

4 years ago by Sean Breathnach

Sean Breathnach

Writer\Director\Editor

199

Creativity. How do I be one?

4 years ago by zeonlmao

zeonlmao

editor

Video Effect

4 years ago by Derek Berndt

Motion Graphics

editing

Derek Berndt 79

16:9 to 4:3

4 years ago by Robert Picciano

Robert Picciano

Student

120

How should I determine my weekly rate?

4 years ago by Ben Develin

Ben Develin

Filmmaker

150

The Importance of Scene Continuity

4 years ago by Samuel Sloan

Samuel Sloan 351

6 Sessions - Intermediate Adobe Premiere Pro Workshop

4 years ago by Scribe Video Center

editing

Scribe Video Center

Media Arts Center

154

Watch: How Whiplash Edits Itself

4 years ago by Zack Eagles

Zack Eagles

Director, Editor

What is the name of this Effect?

4 years ago by Taha

editing

Video Effect

Taha 137

Check out a music video I directed?

4 years ago by Anthony Greene

Anthony Greene

Writer / Director / Cinematographer

Should I buy a used 2013 MacBook Pro 15"?

4 years ago by W K

W K 81

I made an award wining short, how bad is it?

4 years ago by Pece Zdravkovski

Pece Zdravkovski

Studying Film

224

Any Feedback? :)

4 years ago by anthony frank

anthony frank

Director/Editor/Screenwriter

183

Editing footage on multiple computers - Premiere

4 years ago by Elyse Forbes

Elyse Forbes

Writer

What Frame Per Second Should I Shoot At?

4 years ago by HeatherHodgins

editing

HeatherHodgins 74

Don't Let Bad Clients Get You Down

4 years ago by Ikem Smith

Ikem Smith

Editor

175

Who here hasn't wanted to kill their SAN? We did. And here's the destruction b-roll.

4 years ago by Michael Kammes

storage

editing

Michael Kammes

Director of Technology, Host of 5 THINGS Tech Series

168

Great Desktop for using Avid Media Composer

4 years ago by Shadae Milner

Shadae Milner 81

Playback performance issues on Nuke Studio Non-Commercial

4 years ago by Luca Cherubin

Luca Cherubin 69

Premiere warp stabilizing multiple clips requiring nesting, how??

4 years ago by Domenic Curulli

Domenic Curulli 81

Editing on a PC when everyone else you work with has MAC

4 years ago by Tim McDermott

Tim McDermott

Video Editor / Digital Content Creator

Why I Edited My Feature Film on DaVinci Resolve

4 years ago by Alex Ferrari

Alex Ferrari

Director / Producer

1068

Thesis topic on Editing

4 years ago by L v P

editing

Thesis

Topic

L v P 88