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3 Lessons from the Opening Scene of 'The Godfather'
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10 Screenwriting and Directing Tips from Robert Eggers
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Phones Aren't Phones Anymore—Sony Xperia 1 IV Debuts with True Optical Zoom Lens
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Denis Villeneuve and Roger Deakins Do Insert Shots Differently
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We're Going Back to Basics—Color Grading 101 in 2022
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USC’s School of Cinematic Arts Teams Up with Sony to Help Aspiring Filmmakers
1 month ago by
Alyssa Miller
film school
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virtual production
Alyssa Miller
What’s Going On with the Austin Film Festival Screenplay Coverage?
5 months ago by
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no film school podcast
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Dolph Lundgren On Hollywood, Ambition, and Changing Course
5 months ago by
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Why Comic-Con Is for Filmmakers
6 months ago by
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DP Robert Yeoman on Shooting with Wes Anderson
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Turn Your Holidays into a Filmmaking Laboratory
6 months ago by
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How to Shoot a Feature in One Take—For Real
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Sony VENICE 2 Drops—Here's What You Should Know
6 months ago by
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What Is It Like to Write a Movie for Marvel?
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Optioning Scripts for Indie Filmmakers, When to Drone, and "Good Deal/Bad Deal"
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7 months ago by
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7 months ago by
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'Dune' Rocked, and We Talked to the People Who Made It
7 months ago by
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Justin Long, Christian Long, and Justin Chon for 'Lady of the Manor' and 'Blue Bayou'
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Should You Pay for Script Coverage?
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Fuqua, Gyllenhaal, and Melfi on 'The Guilty' and 'The Starling'
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Bond Is Back, and We Chat with the 'No Time To Die' Visual Wizards
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Sara Colangelo Tells the Truth in 'Worth'
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How Two Friends Turned an Inside Joke into a Feature Film
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An Indie Film Legend Shares His Secrets
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Paul Schrader On Inventing the "Incel" and How 'Taxi Driver 2' Almost Happened
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