This great cameras offer a Full Frame image sensor and Z-Raw up to 120fps.
The F6's full frame 28MP image sensor has a wider range of options for shooting in fps. The F6 can shoot 6K at up to 60fps, 4K at up to 120 fps, and Full HD at 120fps. The 61 MP 8K F8 remains constant at 30fps at this juncture, even when shooting at lower 6K and 4K resolutions. That's kind of a bummer, because you'd think that at lower resolutions other options would be open.
Maybe Z-Cam is planning to open them up with a future firmware update? One other difference is that the 8K F8 is slightly larger, while the 6K F6 has the same basic dimensions as the 4K model.
Other options for both cameras include Open Gate at full res, DCI 2.4:1, 4:3 and 6:5 in various configurations. The F6 also promises 15 stops of dynamic range, shooting in the new Z-Raw codec, images to CFast 2 cards at up to 300 fps, and has 10 bit recording in 4:2:0 color sampling. Both 6K and 8K models also support dual native ISO with ISO 400 and 2500.
One thing that is also noteworthy, is that the F6 & F8 don't come ProRes certified, and do not offer Apple's hires codec as an option. This is a step backwards from the Micro Four Thirds E2F4, which shoot ProRes 4:2:2 with HQ, Standard, LT and Proxying options. That's a very similar problem that we've heard on the Blackmagic Pocket Cinema Camera 6K, which also doesn't shoot ProRes.
Z-Cam reps say that ProRes could come later, leaving me to think that certification is taking longer than expected, and as such, why wait when you can get opened up later? I mean, no need to wait for Cupertino to give their blessing, if you can just unlock it in a future firmware update.
Other features include:
- CFast 2.0
- USB 3 Type-C
- 2x com ports
- Sony LANC support
- 3,5mm audio in/out
- dual XLR microphone jacks
- 802.11n WiFi
ZCam is also introducing a Sub $3,000 Super 35mm E2-S6, with 14 stops of dynamic range and shooting 6K at up to 48fps. The S6 can shoot up to 120 fps in full HD, but for 6K it maxes out at 75ps. But it can shoot Open gate, 6K via DCI at 2.4:1 .
Price for the cameras break out as follows:
- ZCam E2-F8 8K Full Frame Cinema Camera - $5,995
- ZCam E2-F6 6K Full Frame Cinema Camera - $4,995
- Z-Cam E2-S6 Super 35mm Cinema Camera - $2,995
All three are available for pre-order now.
In other Z-Cam news, the camera company is offering their own flavor of Raw (dubbed Z-Raw) to the 4K E2, E2C, and as mentioned, it will be included in future S6, F6 and F8 Cinema Cameras as well. Firmware .88 offers the following new features and fixes:
- ZRAW (partial debayer), supports up to 4096×2160@30fps initially
- Monitor preview LUT, x33 cube format
- Still image capture (JPEG only)
- VFR fine control, 1 frame per step
- Native ISO toggle control
- Parade view
- Card formatting compatibility
- AWB always use a white priority in Z-Log2
- Performance optimization
- Time Code sync to an external device
- Other minor bug fixes
Users will require ZRAW VideoSuite convert ZRAW for post production workflows. And unfortunately, it's Windows only. Additionally, no proxy recording is allowed when ZRAW is selected. Shooters will need to use iOS device or HDMI to record proxy file instead.
So, BMD offers 6K for under $3,000, RED is hinting the Komodo 6K may be around $5,000, and now we have Z-Cam 6K for under $6,000. I think it's safe to say the cinema camera market is pretty well disrupted.