» Posts Tagged ‘rode’

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Ryan Connolly and Olivia Speranza talk to No Film School about the My Rode Reel ContestRøde’s latest promotional effort brings together top companies from every corner of the film industry to offer $70,000 in prizes to encourage filmmakers to get creative. By submitting a short film of up to 5 minutes in length with a supplemental behind-the-scenes video showing the use of a Røde microphone you can win cameras, gear and software from Adobe, Blackmagic, Miller, Kessler, and many others. No Film School’s Joe Marine caught up with Ryan Connolly and Olivia Speranza at NAB to talk about how it works, why they are excited to be involved and important deadlines for the contest. Watch the video after the jump and learn everything you need to know. More »

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My Rode ReelWho wants to get totally hooked up with free gear? RØDE is now accepting entries into their short film competition, My RØDE Reel, which offers over $70K worth of prizes, including a Blackmagic Cinema Camera, Zeiss lenses, monitors, Kessler cranes, RØDE mics up the wazoo (of course), and much, much more. (They’re even offering RedGiant’s PluralEyes to all approved entries.) Not only that, but if you need some help navigating each stage of production, RØDE is supplying contestants with free resources and downloads, as well as video tutorials hosted by judges Ryan Connolly and Olivia Speranza. More »

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Rode VideoMic GoLike most areas of filmmaking, recording sound is a valuable talent as well as a complex science, which is why the knowledge of sound professionals is so important on your film projects. However, depending on budget constraints and the nature of your film, you might want something a little simpler with less of a learning curve. RØDE has just announced its light and compact “no fuss” VideoMic GO, designed to be portable and easy-to-use. It’s geared more toward hobbyists than seasoned professionals, but take a look at the sound quality and judge for yourself if RØDE’s new mic is worth the your hard-earned cash. More »

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RODEGripAny time you mention the use of a smartphone on a serious professional filmmaking project, you’re bound to get a few looks. However, this new tool from RØDE might be something that could really be helpful on whatever kind of shoot you’re on. A couple of days ago, the Australian-based company announced their new multi-purpose mounting chassis/pistol grip, the RØDEGrip, designed for the iPhone 4 and 4s, which can be used and mounted in numerous ways to help users capture audio and video with their phones. Continue on for more information on the RØDEGrip. More »

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We recently posted about RØDE’s iXY microphone and Rec app for iOS devices. While perhaps not suitable for everyone’s needs (or inversely, budget), it marks another step toward a lone multi-purpose tool handy to the crafty filmmaker — the iOS iPhone/iPad. While I’ll never own one, even I have to hand it to the iLeatherman. In a pinch, it’s a light meter, it’s a GoPro, it’s a shot designer, and with iXY and RØDE Rec, it’s a dual-system audio recorder, too. Now, RØDE continues its drive to make iOS a viable field sound-rec system with the smartLav lavalier microphone — as does the Apogee ONE, a like-minded iPad portable ‘recording studio’ system. RØDE has also upgraded its VideoMic for those run-and-gun shooters unsatisfied with smartphone sound — check out the details of each below. More »

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Ever been in a situation and needed a high quality microphone and recording, but didn’t want to carry around a few extra devices? Well RØDE has introduced the iXY Microphone, which is the first device for iOS capable of 24-bit/96k audio recordings. The new microphone has a high-quality on-board A/D converter, and attaches to the data connection port on the bottom of the iPhone or iPad. It works with RØDE’s own recording app to achieve the highest-fidelity recordings possible. Here is the video introduction from RØDE: More »

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As I said in my previous post on the Great Wireless Mic Shootout, great location audio will make your film shine. To ensure a proper sync with any second-system audio however, you need great source audio on an external recorder and from the camera. Luckily for us DSLR shooters there are plenty of options for on-camera mics out there. And if you’re not a fan of all that second-system syncing in post, you’re in luck — now through December 31st, RØDE is packaging PluralEyes 3 — a $200 value — with the purchase of their Stereo VideoMic Pro or their VideoMic Pro. Hit the bump for an informative video from Aahron Rabonowitz of Red Giant/Creative COW fame: More »

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I own an Audio-Technica AT-897 shotgun microphone, and I’m not particularly pleased with it. The shoddy sound quality of the dialogue on The West Side is one example of a microphone that was asked to perform is some non-ideal conditions, and did not deliver. Ever since I bought the AT897, I’ve found myself wishing that I had just gone with the industry standard (at a similar price point), the Sennheiser K6/ME66 combo. But you go to war with the army you have, not the army you might want or wish to have. That said, I’ve been eyeballing shotgun microphones that would be a significant step up from the AT897 for a good while, and the Rode NTG-3 has long been the top contender. Now Jim Feeley at ProVideo Coalition has written up a full review of the NTG-3, and here’s what he has to say about it: More »

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Rode has released the successor to their very popular VideoMic, the aptly-named VideoMic Pro. Rode’s duo of mics are usable both on-camera and mounted on the end of a boom, and work well with DSLRs sans adapters thanks to their 3.5mm mini output. The new mic is described as a “broadcast-quality” microphone; Philip Bloom got his hands on an advance review unit, and used it to film this video: More »