April 22, 2015
NAB 2015

Sound Devices' 4K Monitors Offer Touch Sensitivity & Full Range of Apple ProRes Codecs

At NAB, Sound Devices showed off their robust line of 5" and 7" field monitors, the PIX-E Series, which offers tons of monitoring tools, SDI and HDMI I/O, 4K recording, and the full range of Apple ProRes codecs.

There are a lot of great features that come with these field monitors, like touch sensitivity, TapZoom (for focus checking), and a hi-res, color-accurate screen. However, the most impressive aspect of the PIX-E series is the fact that they are "the first on-camera monitors to offer the full range of Apple ProRes codecs", which includes Apple ProRes 4444 XQ.

Key Features

  • Full HD Ultra-Bright IPS Touchscreen
  • TapZoom for Rapid Focus
  • PIX-Assist Monitoring Tools
  • 4K Recording (4K up to 24 fps, UHD up to 30 fps, 1080p or 720p up to 60 fps)
  • Apple ProRes 4444 XQ, 12-Bit
  • Real Buttons for Fast Tactile Control
  • Robust; Die-Cast Metal Chassis
  • Virtually Indestructible Gorilla Glass 2

Monitoring Tools

  • Waveform Monitor
  • Vectorscope
  • Histogram
  • TapZoom
  • Peaking
  • Zebras
  • False Color
  • Frame Markers
  • Four Way View
  • LUTs

These monitors come in three flavors and are set to hit the market this summer:

  • 5" PIX-E5H (HDMI only): $1195
  • 5" PIX-E5: $1395
  • 7" PIX-E7: $1595

To learn more about this line, head on over to Sound Devices website.


No Film School's complete coverage of NAB 2015 is brought to you by Color Grading Central, Shutterstock, Blackmagic Design, and Bigstock.

No Film School's coverage of NAB is brought to you by Color Grading Central, Shutterstock, Blackmagic Design, and Bigstock

Your Comment

8 Comments

Using msata is a brilliant idea. Low cost and decent speeds.

April 22, 2015 at 2:03PM

0
Reply
avatar
treykaiza@gmail.com
Cat Herder
248

Would be amazing if it had cross conversion for the HDMI signal, but so far no one mentioned it, so I guess - not happening. Would buy instantly for the A7s and basically any camera, but now I have to consider the bulky Odyssey.

April 22, 2015 at 2:12PM

0
Reply
Gleb Volkov
Director of Photography
379

the odyssey is not bulky at all - this guy beats it in one thing - 4444 pro res codec - but the odyssey also can do multistream, much more varieties of raw, and already out for over a year - tons of firmware updates and very power efficient

I'm curious about this guy - but I still don't think it will overtake the odyssey 7q+ anytime soon

April 22, 2015 at 5:06PM

2
Reply
avatar
Ed David
Director of Photography
1711

The Odyssey is definitely more capable, but that's only if you need all that stuff. I do think it bulky, especially with the battery plate, for anything smaller than an F5, for example. For the A7s it's like a giant sail, twice the size of the actual camera. Could be a good rental option for when you need all the capabilities (RAW etc.), but on a daily basis I'll take this compact 5''.

April 22, 2015 at 10:26PM

0
Reply
Gleb Volkov
Director of Photography
379

It does pump the hdmi signal out the Sdi and vice versa. It won't downconvert or cross convert the signal.

I have a shogun and love it. It's now only $1695 with canon raw and Sony raw coming soon.

April 23, 2015 at 10:47AM, Edited April 23, 10:47AM

1
Reply
avatar
Thomas Koch
Director/DoP
283

When can we expect it?

April 22, 2015 at 3:02PM, Edited April 22, 3:02PM

0
Reply
Pedro M
74

Isn't the headline a bit misleading? They are 4K recorders, not 4K monitors (the displays top out at 1920x1200 for the 7 inch model).

April 22, 2015 at 5:22PM

0
Reply

I wonder if you guys have any information -price and availability- about their PIX-LR interface. How about the sound recording quality of this new PIX series? Anything close to Sound Devices field recorders, say 702 model?

April 22, 2015 at 7:16PM, Edited April 22, 7:42PM

0
Reply
Anamorph
Director
1