How to Tap into Your Animalistic Filmmaking Instincts and Become a 'Bitch' [PODCAST]
Don't be scared to let the dogs out.
I saw a lot of weird movies in the Midnight Section at Sundance this year. Bitch, however, is a batshit insane movie. In terms of understanding what we’re dealing with here, the premise really only gets you halfway there: an underappreciated mother finds out her jerk-off husband is cheating on her and as a result, well, she turns into a dog.
The real insanity, however, comes across in a near constant destruction of genre conventions. Is it a horror? Is it a comedy? Is it a relationship drama? At times it’s all of these things together; at times it is very clearly just one.
Marianna Palka wrote the script in just two days, which, aside from being a remarkable achievement, is a testament to the free-wheeling nature of the film itself. She also directs and stars in the film. At Sundance, I was joined by No Film School's Emily Buder, Marianna Palka, and actor/musician Zack Clark to discuss Palka’s unrivaled writing technique and the benefits of being a multi-hyphenate.
If you're in New York you can check out Bitch at BAM CinemaFest this week.
Listen to the episode by streaming or downloading from the embedded player above, or find it on iTunes here.