Why is Roger Deakins Disappointed in Modern Filmmaking?

Roger Deakins is a visionary who has a preferred way to work. But Hollywood doesn't always abide. 

We're all familiar with Roger Deakins, the greatest living cinematographer in the universe. We've heard him wax poetic about zoom lenses, camera techniques, and the process, but we have never really heard him complain. 

Like all of us, Roger Deakins is only human. Also, he has a lot of opinions as to the way he'd like things to go. 

So, when Roger Deakins mentions he has a problem with the way movies are made today, we listen. 

Check out this amazing interview with the Oscar-winning DP from Collider and let's talk about some of his more interesting quotes after. 

Why Do Modern Movies Frustrate Roger Deakins? 

In this incredible interview, Deakins spends a ton of time going over his past works, but when it came to making movies today, he was critical of the process. 

“Movies have become more about the aesthetic than the story and the content and what the film is trying to say. I find that pretty disappointing and pretty depressing.”

What's his main beef? 

Well, while working on Blade Runner 2049, Deakins was constantly fighting with the studio and line producer over the kinds of equipment he needed to get the job done. 

See, in modern movies, things are shot with multiple units. The DP goes with the first unit and shoots the main action, while the second unit will shoot pickup scenes all the way through complex set pieces. 

On bigger tentpole movies, sometimes you'll have almost 9 units going. 

That can get expensive. 

But Roger Deakins, his wife, and longtime filmmaking collaborator James Ellis Deakins refuse to work that way.

Deakins likes to be in control of what's happening, as well as in charge of every setup. 

Deakins elaborated, “They say, we need a list of the 4 or 5 camera crews you want because we have to get all these shots. I said, what 4 or 5? No! I thought that was strange to ask that on Blade Runner as we worked with Denis before, quite successfully, I felt. But it’s always like that with production. The bigger movies, if someone says, ‘Oh, we’ll put 6 cameras on it and get the scene.’ No thanks.”

And it's not just Blade Runner. They had trouble with Bond as well. 

“We kept saying no, no, we don’t need that. And the line producer didn’t believe us,” James Ellis said. “The same thing with Skyfall. They said, ‘Don’t you need 5 or 6 cameras?’ I know they didn’t believe we could do it with one camera.”

The onset of all these cameras and crews makes for sloppy movies. There's no unity in the vision and in the way to tell the story. And that bugs Deakins. 

So, how do we work better and smarter? 

Only spend where you absolutely have to. Maybe it's better to work more days with fewer units, and cut costs elsewhere? 

Especially when you have to cut all this footage together later. 

But don't take my word for it. Listen to Deakins. 

What's next? A Closer Look at Stabileye, One of the Stabilizers Roger Deakins Used on '1917'

Cinematographer Rodger Deakins won an Oscar for 1917, a film No Film School has covered extensively with a podcast, an interview with Deakins, through untold insights with key collaborators, and several behind-the-scenes features, including its cameras and hidden cuts.

Now learn about the tools he used to create his vision.      

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Your Comment


Wow, always a treat to hear him! He was much more relaxed interviewing in his own home with his wife next to him imo. Also a treat to hear from the actual gearhead behind the legend!! Thanks for sharing!

April 9, 2020 at 2:11PM, Edited April 9, 2:24PM

Dylan Sunshine Saliba

I love Roger Deakins as a person, is so frank, direct and funny, a truly smart man.

April 10, 2020 at 1:05AM, Edited April 10, 1:07AM


Hollywood is a machine to make films for money, Deakins is an artist who doesn't like to be manipulated by said machine. The fact he wanted to be involved in all of the scenes, including shots usually set-aside for 2nd Unit is great, shows he wan'ts to be in control over the whole look of the film. Truly one of the greats.

April 10, 2020 at 2:26AM

Josh White
Director of Photography

What bugs me these days in Hollywood cinema is that, though they want every shot to be extremely aesthetic, all that work seems for nothing. Because the pacing in cutting is on steroïds nowadays. And you're way to often left with shots that last only a second or less, even if the action is minimal.

April 10, 2020 at 7:41AM

Laurens Van der Veken
Writer - Director

Hi there,
This is a great quality interview, could you elaborate on the equipment and how you did this interview. What software and hardware to get this really good quality remote interview? Thanks for this is!

April 10, 2020 at 1:23PM, Edited April 10, 1:23PM

asa martinez
Camera Movement Tech, Camera Operator

love this

April 10, 2020 at 9:52PM


Hold on people! Roger D. is the man he has become because of the woman who sits next to him during the interview. She completes his every sentence - his every thought - and does so unselfishly.

April 11, 2020 at 1:23PM, Edited April 11, 1:23PM

Tom Brown

Behind every successful man there is the right woman.

April 15, 2020 at 3:29AM


I need to share it

April 13, 2020 at 1:50AM


That's why Deakins is my Dude! brilliant Conversation

April 14, 2020 at 11:43AM

Wentworth Kelly
DP/Colorist/Drone Op

One camera is regarded the norm for depicting accurately the vision of a director. With these massive, over the top hi-tech productions and the use of digital cameras, everything has gotten way out of hand. I'm not surprised. Perhaps Deakins should choose to work more often with more modest budgets and more independent productions, rather than involving himself with big useless franchises.

April 15, 2020 at 3:41AM, Edited April 15, 3:41AM


That's the irony behind his career. The small movies paved the path that led him to the big movies which don't have much in common what he initially set off to do. But he's at the prime of his skills, I don't judge him taking the big checks, who wouldn't?

May 7, 2020 at 6:10AM, Edited May 7, 6:10AM