Insteon’s New LED Bulb is Dimmable and Wirelessly Controllable. But is it a Good Practical Light? | No Film School

A couple of weeks ago I wrote about The Kick camera light and what it’s features could mean for the future of studio lighting, one of which was the possibility of controlling the attributes of multiple lights from a smart phone . While this is a feature that hasn’t yet come to pass for studio lights, it is starting to appear in practicals:

On the surface, this looks kind of cool: a wirelessly controllable, dimmable LED bulb that, according to the product website, has an operating range of 50 meters.

But since this bulb is aimed at the home automation market and not filmmakers, it seems that some important details have been left out. Firstly, the video shows the bulb giving off a warm white light, but unfortunately I can’t find any information on the bulb's color temperature or CRI values so there’s no way to know how well this will match up with other studio lights. Nor is there any information listed about lumen output (just that it's supposed to be a 60W equivalent), or the bulb's refresh rate (is the bulb is flicker free or was the camera that shot the promo using syncro scan?). Secondly, according to the product website the bulb “emits a subtle buzzing noise that is barely noticeable. However, when several bulbs are installed in a single location, the buzzing may become more apparent.” As anyone who’s done sound recording knows, what is subtle to the ear can be quite pronounced to a mic, so using these bulbs on set could possibly create issues if you're trying to get a clean sound recording.

To me it seems there are too many unknowns at this point to determine whether or not this bulb would be useful as a practical light, but if you decide to take the plunge and try it out, Insteon’s LED bulb will run you about $30 (as of this writing it’s currently backordered until the end of July), but you will also need their $100 SmartLinc Hub connected to a router in order to control them with iOS or Android.

Link: Insteon LED Bulb

Via: [Cinescopophilia]

cinematography iphone android led ledlighting

What's the Hype With 'Interstellar' Revisiting Cinemas After a Decade in 70mm IMAX?

Here's Why You Need to Revisit 'Interstellar' in 70mm IMAX

Celebrate the love and hope at the center of Nolan's space epic in the format it was meant to be seen.

If we know anything about Christopher Nolan, he likes to go big. Nolan started with smaller-scale stories (as many of us do) with early noir adjacent works like Following, Memento, and Insomnia, then started going and staying big with his illusionist drama The Prestige. Since then, the scale has been various degrees of massive, with the biggest scope in his time-and-space sprawling epic, Interstellar.

While Interstellarmight not be everyone's favorite Nolan outing, there's no denying it's an impressive feat of filmmaking and his most emotional—if watching Matthew McConaughey's Cooper desperately try to reach his family through quantum space-time doesn't make you cry at least a little bit, what's going on, dude?

With Interstellar'sIMAX release, it's a great time to shed some tears in a public setting in one of the most prestigious film formats around. As we mentioned in our film gauge piece, Nolan loves shooting on film and utilizes 65mm intentionally to provoke a tone of massive scale. In that regard, Interstellar was made for 70mm IMAX. That goes without saying, dawg. That being said, other factors make Interstellar a perfect movie to revisit in theaters while you can.

Let's break down the release further below.

Keep ReadingShow less

Popular

Latest