Which is the Better Value, Canon C100 or C300? Plus a Short Film Scene Shot with the C100
This camera seems to be getting as much vitriol in the comments on this website as the Canon 1D C, but the Canon C100 also has its share of defenders. It might not be priced perfectly considering the features, but it's a camera that should just work out the box without much fuss, and Canon has made some key changes compared to the C300 that might be a deal-breaker for some, but well worth the cost-savings for others. I've said quite a bit about where I think this camera can fit in, but don't take my word for it, here is Philip Johnston with his review (which is also available for download):
Obviously Canon didn't have many options on where to put the LCD since they decided to shrink the camera down, but I think since the viewfinder on the back isn't great according to most reviewers, a loupe attached to the LCD is probably going to be a great option for getting critical focus (you thought you left those behind on your DSLR, huh?). I really think this is almost a perfect incognito documentary camera for low-light situations. Even though it doesn't already have a broadcast codec built-in, an external recorder should really be able to fix that without adding too much cost to the rig.
Speaking of external recorders, Ryan Emanuel, who frequents the site, has been testing the C100, and used a Hyperdeck Shuttle to record ProRes 4:2:2 HQ. Here is a little bit of his process, and the scene below:
It was shot handheld but on a wooden camera rig.
2 Sennheiser EW 100s hooked up to the xlr ins
Zeiss ZE 35mm 1.4 50mm Makro and 85mm 1.4
I used Canon log, I feel it gives by far the best results for narrative. In my CP, I adjust the white balance point 5 Magenta and 1 Blue. I think that though the c100 can mathematically white balance, it still has a green tint to it, but you can fix it. Canon log is preset at -10 on the sharpness, I turned that up a bit, and added a little color saturation in the darks, thats where the camera struggles a little bit.
I graded in davinci resolve but for the most part the look was derived in lighting.
This is some of the better looking footage that I've seen out of the C100, and if it wasn't already clear to me before, it's definitely clear now: this camera can and will be used for narrative work. With a few modifications, you can basically get all of the benefits of the C300, and save a few dollars in the process. It's not clear what differences there are internally between the C100 and the C300, but at almost half the price, the C100 does most of what its higher-priced sibling can do -- except for the missing slow motion options (even though with a little work it's technically possible to somewhat replicate a 60p look using the 1080 60i setting in the camera).
Just to put it into perspective a bit, here is a comparison between the Sony EX1, Canon 5D Mark II, and the C100:
The EX1 is still a $6,000 camera, and even though it does include a few more options like a built-in lens and 10-bit 4:2:2 out of the HD-SDI port, internally it's recording to a similar (or worse, depending) 35mbps 4:2:0 codec, and only does 720p 60fps. Just a few years ago this was one of the best 1080p cameras around for the money, but it's clear that there are many more advantages to having a large sensor, especially for cinematic purposes.
What do you think of the cinematic possibilities of the C100? Do you think we're spoiled because of so many low-cost cameras with large sensors in this price range? While they are aimed at totally different markets, what do you think about the fact that the EX1 is priced around the C100? Has any of the footage above changed your mind about the $6,500 C100?
Links:
[via Notes On Video]
10 Storytelling and Directing Tips Inspired by Akira Kurosawa
Learn from one of the greatest directors of all time.
In the pantheon of cinematic greats, Akira Kurosawa stands as a towering figure, a master storyteller whose influence transcends time and borders. His works, characterized by their epic narratives, exquisite visuals, and emotional depth, continue to inspire filmmakers and audiences alike.
Kurosawa's unique approach to directing and storytelling has become a subject of study and admiration. As we explore the wisdom distilled from his illustrious career, we find timeless lessons that go beyond the confines of genre and culture. These principles serve not only as a blueprint for aspiring directors but also as a testament to Kurosawa's enduring legacy in the art of filmmaking.
The Humanistic Cinema of Akira Kurosawawww.youtube.com
1. Trust Your Gut
'Rashomon'
Credit: Everett Collection
Kurosawa emphasized the importance of a director's intuition. This suggests that when faced with creative decisions, it’s often valuable to listen to your gut feeling. This could mean choosing an unconventional shot or narrative direction that feels right, even if it challenges traditional methods or the opinions of collaborators.
2. Study The Masters
Akira Kurosawa working with a cinema camera on the set of
Credit: BFI
By examining the works of great directors, one can learn various aspects of filmmaking, such as shot composition, pacing, and storytelling.
Kurosawa himself was influenced by filmmakers like John Ford and Jean Renoir and believed in the value of understanding their techniques to refine his own work.
3. Collaborate With Your Actors
Credit: BFI
Actors bring characters to life, and Kurosawa believed in giving them space for interpretation. This includes working closely with them, understanding their perspective, and allowing them to bring their own creativity to their roles, which can result in more authentic and compelling performances.
4. Planning is Paramount
Akira Kurosawa's manual splicing
Credit:
Detailed planning and storyboarding were key to Kurosawa’s approach. He would often sketch out every shot before filming.
This level of preparation ensures that every visual element serves the story and can help in executing complex scenes more efficiently.
5. It's all in the Details
Akira Kurosawa on the set of ‘Yojimbo’
Credit: Film Magazine
In Kurosawa’s view, the minutiae of a film—such as the costumes, set design, and props—were crucial in creating a believable world.
Attention to these details helps to immerse the audience and can subtly enhance the storytelling.
6. It's Okay to be Silent
'Throne of Blood'
Credit: Toho
Silence can be as powerful as dialogue or music. Kurosawa harnessed silence to build suspense and convey emotion, using it to draw the audience in and focus their attention on the visual storytelling.
7. Learn From Mistakes
'High and Low'
Credit: Toho
Kurosawa was not afraid to recognize his own mistakes and saw them as learning opportunities. This principle encourages a mindset of continuous improvement and resilience in the creative process.
8. Keep a Handle on Emerging Technology
'The Hidden Fortress'
Credit: Toho
Always curious about the latest developments, Kurosawa integrated new technologies into his filmmaking. This openness to innovation can lead to new ways of storytelling and can give a unique aesthetic to films.
9. Maintain Your Vision
'Dreams'
Credit: Warner Bros.
A director must have a clear vision for the film and remain true to it throughout the process. This can sometimes mean resisting studio pressure or popular trends to create a work that is authentic and personal.
10. Let Passion Guide You
'Seven Samurai'
Credit: Toho
Kurosawa’s passion for filmmaking was evident in his dedication to his craft. This principle suggests that great art comes from a place of deep commitment and enthusiasm, and that passion is infectious, often inspiring the entire cast and crew to strive for excellence.
In honoring Kuroswas's legacy, we continue the quest for storytelling that resonates, transforms, and endures. For filmmakers and storytellers looking to craft their own masterpieces, let Kurosawa's spirit guide your cinematic adventures.
May your films be as bold, as beautiful, and as profoundly human as the ones he left us.
Now go make something.