We speak with Redrock Micro's Brian Valente as he demos their new Atlas focus/iris motors ($1,000 per channel) and Orbit ($895) which automatically swivels your monitor to stay in view as you change height on your gimbal. In addition, Brian shows us last year's Halo ($1,200) autofocus system in action.
No Film School's complete coverage of NAB 2016 is brought to you by My RØDE Reel, Shutterstock, and Blackmagic Design.
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The biggest news here is that Final Cut Camera users will now have the ability to capture Log-encoded HEVC video in standalone or Live Multicam sessions. This means that Final Cut Camera smartphone shooters will be able to fully take advantage of the amazing dynamic range of Log while still benefitting from reduced file sizes and even more recording time.
This updated Final Cut Camera will also allow users to enable a LUT preview while recording in Log, which should help showcase the vibrancy of the original scene in SDR or HDR with the Apple Log LUT.
Plus, for iPhone 16 Pro users, you’ll now be able to record beautiful and crisp 4K120 fps footage for even smoother cinematic slow motion, then directly import it into Final Cut Pro for iPad, and begin your edit in a new Apple-approved, seamless flow.
Here are all of the new features and enhancements set to come to Final Cut Camera 1.1:
Final Cut Camera 1.1 is available today as a free standalone app on the Apple App Store.
