This $250 LED Lighting Kit Is Ideal for Filmmakers on a Budget | No Film School

Even though there are many ways to save money on lighting, sometimes you do need to bite the bullet and drop some dough on some lights. However, this can be a scary process, because 1.) lighting is important and not all lights are created equal, and 2.) you may not have enough money to get your hands on ones that are powerful/accurate/functional enough. But Caleb Pike of DSLR Video Shooter is here to give you some suggestions on some dirt cheap LEDs that will give you the most bang for your buck. Check out his video below:

This is actually the second video Pike has made about budget-friendly LED light kits, the first one having a maximum budget of $500. So for this video, he took it a little further and cut the budget in half for those that really need to pinch their production pennies.

At just $250, Pike's kit includes 3 LEDs, 3 light stands, 3 batteries, a battery kit, a mic stand boom arm, clamps, and some diffusion material. That's pretty impressive considering the price. Here's a breakdown of the kit. If you want links, head on over to DSLR Video Shooter.

NEEWER CN-304 LED light (x1)
NEEWER CN-160 LED light (x2)
DSTE 2x NP-F750 battery/charger (x1)
DSTE NP-F750 battery (x1)
NEEWER 6ft tripod kit (x1)
AmazonBasics tripod boom microphone stand (x1)
Diffusion material
6-pack of clamps (x1)

Clearly the most important parts of this entire kit are the lights. If they're no good then the kit is essentially worthless. So, let's talk about the NEEWER CN series.

According to Pike, these are worth the $56 (CN-304) and $32 (CN-160) price tag. The CN-304 is bright thanks to housing 304 LEDs and comes with a dimmer, battery level indicator, and several useful filters. The light is also compatible with five different kinds of batteries, including NP-F and regular old AAs. You can also power this thing with a cable via the DC jack.

With an inexpensive kit like this, you may be lacking in CRI or desired features like LCD screens or dual daylight/tungsten color balance, but if it's got the brightness, as well as the ability to dim that brightness, I'd say it's well worth your hard earned cash, especially if you're a beginner.

What are some other inexpensive LED lights that low-budget filmmakers should check out?

Source: DSLR Video Shooter

LED lights LED lighting lighting lighting kits budget LED lighting

What's the Hype With 'Interstellar' Revisiting Cinemas After a Decade in 70mm IMAX?

Here's Why You Need to Revisit 'Interstellar' in 70mm IMAX

Celebrate the love and hope at the center of Nolan's space epic in the format it was meant to be seen.

If we know anything about Christopher Nolan, he likes to go big. Nolan started with smaller-scale stories (as many of us do) with early noir adjacent works like Following, Memento, and Insomnia, then started going and staying big with his illusionist drama The Prestige. Since then, the scale has been various degrees of massive, with the biggest scope in his time-and-space sprawling epic, Interstellar.

While Interstellarmight not be everyone's favorite Nolan outing, there's no denying it's an impressive feat of filmmaking and his most emotional—if watching Matthew McConaughey's Cooper desperately try to reach his family through quantum space-time doesn't make you cry at least a little bit, what's going on, dude?

With Interstellar'sIMAX release, it's a great time to shed some tears in a public setting in one of the most prestigious film formats around. As we mentioned in our film gauge piece, Nolan loves shooting on film and utilizes 65mm intentionally to provoke a tone of massive scale. In that regard, Interstellar was made for 70mm IMAX. That goes without saying, dawg. That being said, other factors make Interstellar a perfect movie to revisit in theaters while you can.

Let's break down the release further below.

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