January 13, 2020

The 2020 Academy Award Noms Leave Off Ladies and Gems

The 2020 Academy Award nominations are here! 

The 2020 Academy Awards nominations are here and not without controversy. There are lots of notable titles left off the list, like Uncut Gems, The Farewell, and women are entirely left out of the directing category. 

As Issa Rae said while announcing the Best Director Oscar nominations this morning, "Congratulations to all those men."

Comic book movies are here in a big way as Joker leads the pack with 11 nominations. 

The Irishman, Once Upon a Time...in Hollywood and 1917 followed close behind with 10 nods each.

The Academy Awards will air live Feb. 9 on ABC.

Here is the full list of 2020 Oscar nominations:

Best Picture:

“Ford v Ferrari”
“The Irishman”
“Jojo Rabbit”
“Joker”
“Little Women”
“Marriage Story”
“1917”
“Once Upon a Time in Hollywood”
“Parasite”

Lead Actor:

Antonio Banderas “Pain and Glory”
Leonardo DiCaprio “Once Upon a Time in Hollywood”
Adam Driver “Marriage Story”
Joaquin Phoenix “Joker”
Jonathan Pryce “The Two Popes”

Lead Actress:

Cynthia Erivo “Harriet”
Scarlett Johansson “Marriage Story”
Saoirse Ronan “Little Women”
Charlize Theron “Bombshell”
Renee Zellweger “Judy”

Supporting Actor:

Tom Hanks, “A Beautiful Day in the Neighborhood”
Anthony Hopkins, “The Two Popes”
Al Pacino, “The Irishman”
Joe Pesci, “The Irishman”
Brad Pitt, “Once Upon a Time in Hollywood”

Supporting Actress:

Kathy Bates, “Richard Jewell”
Laura Dern, “Marriage Story”
Scarlett Johansson, “Jojo Rabbit”
Florence Pugh, “Little Women”
Margot Robbie, “Bombshell”

Director:

Martin Scorsese, “The Irishman”
Todd Phillips, “Joker”
Sam Mendes, “1917”
Quentin Tarantino, “Once Upon a Time in Hollywood”
Bong Joon Ho, “Parasite”

Animated Feature:

“How to Train Your Dragon: The Hidden World” Dean DeBlois
“I Lost My Body” Jeremy Clapin
“Klaus” Sergio Pablos
“Missing Link” Chris Butler
“Toy Story 4”  Josh Cooley

Animated Short:

“Dcera,” Daria Kashcheeva
“Hair Love,” Matthew A. Cherry
“Kitbull,” Rosana Sullivan
“Memorable,” Bruno Collet
“Sister,” Siqi Song

Adapted Screenplay:

“The Irishman,” Steven Zaillian
“Jojo Rabbit,” Taika Waititi
“Joker,” Todd Phillips, Scott Silver
“Little Women,” Greta Gerwig
“The Two Popes,” Anthony McCarten

Original Screenplay:

“Knives Out,” Rian Johnson
“Marriage Story,” Noah Baumbach
“1917,” Sam Mendes and Krysty Wilson-Cairns
“Once Upon a Time in Hollywood,” Quentin Tarantino
“Parasite,” Bong Joon-ho, Jin Won Han

Cinematography:

“The Irishman,” Rodrigo Prieto
“Joker,” Lawrence Sher
“The Lighthouse,” Jarin Blaschke
“1917,” Roger Deakins
“Once Upon a Time in Hollywood,” Robert Richardson

Best Documentary Feature:

“American Factory,” Julia Rieichert, Steven Bognar
“The Cave,” Feras Fayyad
“The Edge of Democracy,” Petra Costa
“For Sama,” Waad Al-Kateab, Edward Watts
“Honeyland,” Tamara Kotevska, Ljubo Stefanov

Best Documentary Short Subject:

“In the Absence,” Yi Seung-Jun and Gary Byung-Seok Kam
“Learning to Skateboard in a Warzone,” Carol Dysinger
“Life Overtakes Me,” Kristine Samuelson and John Haptas
“St. Louis Superman,” Smriti Mundhra and Sami Khan
“Walk Run Cha-Cha,” Laura Nix

Best Live Action Short Film:

“Brotherhood,” Meryam Joobeur
“Nefta Football Club,” Yves Piat
“The Neighbors’ Window,” Marshall Curry
“Saria,” Bryan Buckley
“A Sister,” Delphine Girard

Best International Feature Film:

“Corpus Christi,” Jan Komasa
“Honeyland,” Tamara Kotevska, Ljubo Stefanov
“Les Miserables,” Ladj Ly
“Pain and Glory,” Pedro Almodovar
“Parasite,” Bong Joon Ho

Film Editing:

“Ford v Ferrari,” Michael McCusker, Andrew Buckland
“The Irishman,” Thelma Schoonmaker
“Jojo Rabbit,” Tom Eagles
“Joker,” Jeff Groth
“Parasite,” Jinmo Yang

Sound Editing:

“Ford v Ferrari,” Don Sylvester
“Joker,” Alan Robert Murray
“1917,” Oliver Tarney, Rachel Tate
“Once Upon a Time in Hollywood,” Wylie Stateman
“Star Wars: The Rise of SkyWalker,” Matthew Wood, David Acord

Sound Mixing:

“Ad Astra”
“Ford v Ferrari”
“Joker”
“1917”
“Once Upon a Time in Hollywood”

Production Design:

“The Irishman,” Bob Shaw and Regina Graves
“Jojo Rabbit,” Ra Vincent and Nora Sopkova
“1917,” Dennis Gassner and Lee Sandales
“Once Upon a Time in Hollywood,” Barbara Ling and Nancy Haigh
“Parasite,” Lee Ha-Jun and Cho Won Woo, Han Ga Ram, and Cho Hee

Original Score:

“Joker,” Hildur Guðnadóttir
“Little Women,” Alexandre Desplat
“Marriage Story,” Randy Newman
“1917,” Thomas Newman
“Star Wars: The Rise of Skywalker,” John Williams

Original Song:

“I Can’t Let You Throw Yourself Away,” “Toy Story 4”
“I’m Gonna Love Me Again,” “Rocketman”
“I’m Standing With You,” “Breakthrough”
“Into the Unknown,” “Frozen 2”
“Stand Up,” “Harriet”

Makeup and Hair:

“Bombshell”
“Joker”
“Judy”
“Maleficent: Mistress of Evil”
“1917”

Costume Design:

”The Irishman,” Sandy Powell, Christopher Peterson
“Jojo Rabbit,” Mayes C. Rubeo
“Joker,” Mark Bridges
“Little Women,” Jacqueline Durran
“Once Upon a Time in Hollywood,” Arianne Phillips

Visual Effects:

“Avengers Endgame”
“The Irishman”
“1917”
“The Lion King”
“Star Wars: The Rise of Skywalker”     

Your Comment

4 Comments

I'm sick of the word "snub." It implies the Academy votes as a committee, which implies conspiracy, when they actually vote as individuals on secret ballots.

"Snub" also removes any element of subjectivity or objectivity by implying specific people are deserving of awards simply because they directed or starred in a film in a given year.

Awards should be based on merit and quality, and nothing more. For the last decade, every major motion picture award has been injected with controversy, and it has led to a lot of shitty nominations and wins. The only films that have won Best Picture since 2010 that have any real merit are Moonlight and Spotlight. I'd argue for King's Speech, just because it works so well and the material was approached with a unique lens -- but I won't include it.

Point is, "snub" is a pointless and childish way to deal with not getting recognition. No one "deserves" anything. And saying someone does deserve recognition simply because they did a thing is not only obnoxious, it's condescending to that person, and cheapens the merit of the award itself. It's like patting someone on the head and saying, "Aww, look what you did!"

The other thing is the selective rage and backlash. Gerwig doesn't get a nod, and everyone is outraged. Eddie Murphy doesn't get a nod, and no one cares.

It's nonsense.

January 13, 2020 at 12:13PM, Edited January 13, 12:27PM

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Jeff Payne
Writer/Director
365

The Academy Awards are a joke. I wonder why anyone would try to make sense of the noms or the winners.

And I'm asking a simple question: if you're anything other than a white male, would you like to get an award JUST because you're not a white male ? Seems to me like that's what everybody wants: let's give awards to non-heteros, non-white and non-male.

Putting your thumb on the platter of a scale does not make the weights equal.

January 16, 2020 at 7:47PM

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The Lighthouse and Willem Dafoe should have been nominated.

January 13, 2020 at 4:19PM

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Eugenia Loli
Filmmaker, illustrator, collage artist
114

Well.. I'm here for Deakins. #thatsall

January 13, 2020 at 9:23PM, Edited January 13, 9:23PM

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Wentworth Kelly
DP/Colorist/Drone Op
2669