Adorama has a group buy running through April 28th is for all Inovativ Voyager model carts. The 30”, 36” and 42” EVO and the 36” and 42” NXT.
At the end of the buy (or when it hits 25% off), you will get an email with payment instructions, and you have one week to pay. Here is how the discounts break down:
1-25 units sold gets to 15% off,
26-50 units sold gets the discount to 20% off
51+ units sold and the discount hits 25% off
Email wearsgroupbuy@gmail.com if you are interested with your order, and phone info for contact purposes.
The Voyager EVO continues Inovativ's line of collapsible, durable, lightweight carts. It has Inovativ's "Self-locking adjustable shelving system", which is part of what makes it possible for users to break down the cart so easily. The wheels are another strong feature, each individual wheel can be attached or removed. It has manual foot breaks, and the wheels come in sizes 6", 8" and 10" all of which fit nicely inside when you need to travel.
Here are more specs:
Hand crafted in the USA
INOVATIV's patented SLAS system allows for 10" of adjustable work height at 2" increments
INOVATIV's patented Dovetail Wheel System
Folds to super slim 8.25" profile
No tools required for assembly
Spring Loaded Latches
20% lighter than other carts currently serving the marketplace
Upright posts lock in place and will not loosen over time
100% sealed bearing wheels that are extremely quiet and easy to roll
Equipped with INOVATIV's Foot Brake System
Constructed of premium 5052 and 6061 aluminum, 40% Glass Filled Nylon Corners & Hinge Brackets and stainless steel hardware
Type II and III anodizing on all uprights and machined parts
Durable texture black powder coat on top and bottom shelves
2 Threaded Rail Plates
5 year limited warranty
Inovativ Voyager NXT
The Voyager NXT is as lightweight as it's Inovativ predecessors, but seemingly also sturdier. It is, of course, portable and collapsible, so it can break down to fit into the back of a car of pretty much any size. What makes it different than the Voyager EVO is that it doesn't have the adjustable top shelf, or the EVO wheel system, though it is possible to upgrade the product to have those features as well.
Here are some specs on the Voyager NXT:
Tool-free design
Fully collapsible - Collapses down to slim 8.25" thick flight ready travel case
Easily upgradeable to the EVO's premium wheel system and height adjustable top shelf
Fully compatible with INOVATIV's long line of accessories
Upright posts lock in place and will not loosen over time
Constructed of premium 5052 and 6061 aluminum, 40% Glass Filled Nylon Corners & Hinge Brackets and stainless steel hardware
Type II anodizing on all uprights and machined parts
Durable Charcoal powder coat on top and bottom shelves
When I'm watching a movie or TV show for the first time, I always pay attention to how they introduce their characters. I want to know how the writers craft a scene that gets the most out of their protagonist or antagonist and how that scene sets them off on their journey.
A great character introduction can hook an audience, etch an image in our minds, and leave us craving more. And keep us watching or reading a spec.
On the other hand, a bungled introduction can make even the most intriguing character fall flat in seconds. So, how does one nail that crucial first impression?
Let's dive in.
It All Starts From Character
Forrest Gump
Paramount
The first thing I do when writing a new screenplays is I figure out who my characters are. I do this by developing them in a way where I know what the story needs from them and how to develop their arcs.
Once those decisions are made, I try to introduce them in a way that feels unique to who they are, and hints at who they need to become.
So if a character is a wimp, I'd introduce them being bullied, and show the audience a slight hint at what that arc should be moving forward.
Or if I was introducing a villain, I would have them doing something villainous.
No matter what, your character introduction should reveal to the audience something about the person they're about to meet.
And that should be dictated by who they are as a person.
Visuals and Character Introductions
Breakfast at Tiffany's
Paramount
Film and television are fundamentally visual mediums. Often, our first encounter with a character is a purely visual one, before a single word is spoken.
Think of the chilling silhouette of Darth Vader against the backdrop of a captured rebel ship, or the striking close-up of Holly Golightly gazing into Tiffany's window as she nibbles on a pastry.
Costume, setting, body language all contribute to building a character's image before the story even begins to unfold.
Introducing characters in film and television is, ultimately, about striking a balance. It requires a deft combination of visual storytelling, purposeful action, carefully chosen dialogue, and perhaps a dash of the intangible, the 'it' factor that makes certain characters rise above the page and come alive on screen.
Let's look at a few examples.
Iconic and Powerful
Hannibal Lecter (The Silence of the Lambs): Despite being imprisoned, his eerily calm demeanor, piercing stare, and refined mannerisms convey a chilling intelligence and unsettling authority.
The Bride (Kill Bill Vol. 1): Bloodied and determined, we're introduced to her through her quest for vengeance. It's raw, visceral, and instantly establishes her as a force to be reckoned with.
Trinity (The Matrix): Her opening scene, defying gravity with slick leather and stylized fight moves, showcases her as a powerful and mysterious figure within the simulated world.
The Terminator (The Terminator): The Terminator's arrival, naked and amidst bursts of electricity, followed by his relentless pursuit of Sarah Connor, immediately cements him as an unstoppable, inhuman threat.
Unforgettably Quirky
Jack Sparrow (Pirates of the Caribbean: The Curse of the Black Pearl): His grand entrance, drunkenly sailing a barely-afloat boat into port, immediately paints him as a lovable, eccentric rogue.
Jules Winnfield (Pulp Fiction): His philosophical ramblings and the now-iconic "Ezekiel 25:17" speech set the tone for the uniquely stylized and violent world of the film.
The Dude (The Big Lebowski): Shuffling around in his bathrobe, perpetually laidback and obsessed with White Russians, he's an instant emblem of offbeat charm and a life lived outside the norm.
Subtle Yet Effective
Marge Gunderson (Fargo): Her small-town charm, folksy accent, and persistent politeness sharply contrast with the brutal murders she investigates. The juxtaposition makes her both likable and shrewd.
Tony Soprano (The Sopranos): The opening scene, where he sits in a therapist's office, establishes both his ordinary suburban life and the inner anxieties that plague him.
Vito Corleone (The Godfather): His opening scene, calmly listening to a request on his daughter's wedding day, uses quiet moments and subtle gestures to establish immense power and unspoken influence.
Try This Character Introduction Template
Pirates of the Caribbean
Disney
Alright, so you read through and still need some help? We developed this template to help you suss out how to introduce your characters in your movies and TV shows.
It takes all the basics of what we've talked about and amplifies it from there.
I also think the intro gets boiled down to just the first scene, when really in all of act one you're giving us more and more about the character. So I tried to make the template help carry you deeper into the story as well.
Character Introduction Template
1. The Basics
Name: Consider the significance of the name.
Age (and general age appearance): Does their age match their appearance? Does it influence their worldview?
Role in the Story: Protagonist, antagonist, supporting role, mentor, etc.
2. Visual Impression
Physical Description: Focus on distinctive features, body language, style of dress. What do these things tell us about them?
Setting: Where do we first encounter them? What does this location say about their life circumstances?
Iconic Prop/Object: Is there an item immediately associated with them? (Glasses, a weapon, a particular piece of clothing, etc.)
3. Action Beats
First Action: What's the FIRST thing they DO that we see? Make it count.
Defining Moment: A key scene/choice that reveals their core personality (brave, cowardly, compassionate, selfish, resourceful, etc.)
4. Words that Matter
Voice/Speaking Style: Formal, casual, slang, accent? Does it match their appearance?
Key Quote: A memorable line that gives insight into their mindset or beliefs. It doesn't need to be from their first appearance but should be an early, defining line.
5. The Intangibles
Overall Vibe: What kind of emotional impression do they leave (menacing, comforting, quirky, unsettling)?
The Hook: What's the question or mystery about this character that makes the audience want to know more?
How to Use the Template
Don't fill every box: It's about sparking ideas, not a rigid checklist.
For existing characters: Use the template to analyze why their intro works (or doesn't).
Consider your Genre: A comedic intro needs different elements than a thriller.
Example (Abbreviated)
Name: Sarah Connor
Age: Early 20s, but appears world-weary
Role: Protagonist
Physical Description: Muscular, unassuming clothes, short hair—practical
Setting: Diner where she works as a waitress
First Action: Notices unusual man watching her, subtly checks the exits
Key Quote: "You still don't get it, do you? He'll find her! That's what he does!"
Overall Vibe: Capable, but fear simmers just below the surface
The Hook: Who is 'he'? Why does it seem impossible for her to hide?
At the end of the day, your intros are going to be as unique and voicey as the story you're writing. They're a great opportunity to excite the reader and get an actor excited about playing one of these roles.