How Will Netflix Get Back On Set?

This week, we “Follow The Cheese” towards Netflix’s new on-set rules in the times of COVID-19, dig into Ken Burns' burns of the Michael Jordan documentary The Last Dance, share Frame.io’s new features, and we wonder: did Apple finally make a 13-inch laptop for filmmakers? Plus, deep cuts!

As always, send us any questions and leave a comment!

Please subscribe and rate us on iTunes, Soundcloud , or the podcasting app of your choice. You can listen to more from our interview podcast series here:

This episode of The No Film School Podcast was produced by George Edelman, Charles Haine, and Michelle DeLateur.

podcast the no film school podcast no film school podcast apple macbook pro netflix deep cuts Frame io Ken Burns documentary

Affordably Shoot Ultrawide with Tamron’s First-Ever Canon RF Mount Lens

Tamron’s first RF mount lens is set to be an ultra-wide 11-20mm f/2.8 Di III-A RXD zoom, here’s what you need to know.

As any longtime videographer can tell you, there are things to love about all of the different lens brands. Some offer more sharpness or more clarity, whereas others offer more reliability or more versatility. Tamron is a brand known for a bit of all of the above plus affordability—which can often be a deciding factor for beginner or up-and-coming filmmakers.

So it’s exciting to see that Tamron has just announced its first Canon RF mount lens with a new compact, lightweight, and fast-aperture ultra-wide-angle zoom. Let’s look at this new Tamron 11-20mm f/2.8 Di III-A RXD lens.

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How Will Netflix Get Back On Set?

What will getting back on-set look like...and what should it look like?

Affordably Shoot Ultrawide with Tamron’s First-Ever Canon RF Mount Lens

Tamron’s first RF mount lens is set to be an ultra-wide 11-20mm f/2.8 Di III-A RXD zoom, here’s what you need to know.

Tamron 11-20mm f/2.8 Di III-A RXD Lens

A 35mm Equivalent Focal Length Range for 18-32mm

Price and Availability

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