15 Great Nora Ephron Quotes to Inspire Your Filmmaking

Credit: Next Tribe
Let Nora Ephron be your guide through filmmaking. 

We all get a little blocked up when it comes to writing and directing. Sometimes it's hard to know a way forward or how to manage your career, so I like to go back to some of the quotes from filmmakers who inspire me. One of my other personal favorites is Steven Speilberg, check out his quotes here

Nora Ephron was a writer and director who carved out her own path in the industry, revolutionizing film and television with her amazing takes on romantic comedies and dramatic films. She was a pure and original voice who was able to revamp genres and make stars out of celebrities. She is best known for her romantic comedy films and was nominated for three Academy Awards for Best Writing for Silkwood (1983), When Harry Met Sally... (1989), and Sleepless in Seattle (1993). She won the BAFTA Award for Best Original Screenplay for When Harry Met Sally.

Check out these quotes that I hope help inspire your next project. 

15 Great Nora Ephron Quotes To Inspire Your Filmmaking

1. “Reading is everything. Reading makes me feel like I’ve accomplished something, learned something, become a better person. Reading makes me smarter. Reading gives me something to talk about later on. Reading is the unbelievably healthy way my attention deficit disorder medicates itself. Reading is escape, and the opposite of escape; it’s a way to make contact with reality after a day of making things up, and it’s a way of making contact with someone else’s imagination after a day that’s all too real. Reading is grist. Reading is bliss.”

2. “My mother wanted us to understand that the tragedies of your life one day have the potential to be comic stories the next.”

3. “I don’t care who you are. When you sit down to write the first page of your screenplay, in your head, you’re also writing your Oscar acceptance speech.”

4.  “I go through periods where I work a great deal at all hours of the day whenever I am around a typewriter, and then I go through spells where I don’t do anything. I just sort of have lunch—all day. I never have been able to stick to a schedule. I work when there is something due or when I am really excited about a piece.”

5. “You better make them care about what you think. It had better be quirky or perverse or thoughtful enough so that you hit some chord in them. Otherwise, it doesn’t work. I mean we’ve all read pieces where we thought, 'Oh, who gives a damn.'”

6. “I try to write parts for women that are as complicated and interesting as women actually are.”

7. “Whatever you choose, however many roads you travel, I hope that you choose not to be a lady. I hope you will find some way to break the rules and make a little trouble out there. And I also hope that you will choose to make some of that trouble on behalf of women.”

8. “I grew up in the movie business and I knew I had to get out of Los Angeles, knew it was the most horrible place for women. And most of the writers, my mother was a screenwriter, wrote with their husbands. So you had to be married in some weird way to even be a writer. I mean, it was such a bizarre idea that you needed a husband to write.”

9. “You do get to a certain point in life where you have to realistically, I think, understand that the days are getting shorter, and you can’t put things off thinking you’ll get to them someday. If you really want to do them, you better do them. There are simply too many people getting sick, and sooner or later you will.”

10. “We have a game we play when we’re waiting for tables in restaurants, where you have to write the five things that describe yourself on a piece of paper. When I was [in my twenties], I would have put: ambitious, Wellesley graduate, daughter, Democrat, single. Ten years later not one of those five things turned up on my list. I was: journalist, feminist, New Yorker, divorced, funny. Today not one of those five things turns up in my list: writer, director, mother, sister, happy.”

11. “Insane people are always sure that they are fine. It is only the sane people who are willing to admit that they are crazy.”

12. “My point of view happens to be faintly cynical or humorous—and that’s just the way I see things and that’s how it comes out when I write it. It is not anything I am conscious of, though. A piece about a 'heavy' subject can be written a little bit light so the piece doesn’t seem quite as heavy. You’ve mainly got to trust yourself to write the way you feel about something.”

13. “The moment you stop work on a script seems to be determined not by whether you think the draft is good but simply by whether shooting is about to begin: if it is, you get to call your script a final draft; and if it’s not, you can always write another revision. This might seem to be a hateful way to live, but the odd thing is that it’s somehow comforting; as long as you’re revising, the project isn’t dead.

14. “As a young journalist, I thought that stories were simply what happened. As a screenwriter, I realized that we create stories by imposing narrative on the events that happen around us.”

15. “Structure is the key to narrative. These are the crucial questions any storyteller must answer: Where does it begin? Where does the beginning start to end and the middle begin? Where does the middle start to end and the end begin? ... Each of those things is entirely up to the writer. They are the hardest decisions for any writer to make about any story, whether fiction or nonfiction. If you make the right decision about structure, many other things become absolutely clear. On some level, the rest is easy.”     

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