NFS + Adobe Premiere Pro Masterclass—Mastering Audio: Basics & Fundamentals | No Film School

The NFS + Adobe Premiere Pro Masterclass returns to sound with Mastering Audio: Basics & Fundamentals. During this week's lesson, we return to fundamentals to give editors a deeper understanding of audio. We'll cover concepts such as frequency, metering, waveforms, levels analysis, and more!

As always, the NFS + Adobe Premiere Pro Masterclass will go live this Friday at 10:30 a.m. PST on the No Film School YouTube Channel or via the bookmarked video below.

Mastering Audio: Basics & Fundamentals

The NFS + Adobe Premiere Pro Livestream Masterclass is held every Friday at 10:30 a.m. PST on the No Film School YouTube Channel. If you missed a livestream, we have recordings up on our site and YouTube channel a few days after the stream.

While you wait, check out these tips here, here, and here to get you caught up!

These free masterclasses have been designed with certification in mind, meaning creatives who follow along each week will build foundational skills and knowledge that are necessary to pass the Adobe Certified Professional Exam for Premiere Pro and kickstart their post-production career.

For a limited time, No Film School readers will get a 20% discount on the cost of an Adobe Certified Professional Exam delivered online through Certiport.

Adobe Premiere Pro Masterclass premiere pro Adobe Creative Cloud adobe sponsored adobe after effects editing post production Exporting audio

28 Years Later iPhone

Why Did Danny Boyle Shoot ‘28 Years Later’ on an iPhone 15?

Here’s everything we know about the reports of the new ‘28 Years Later’ thriller being shot on an iPhone 15.

Move over, Sean Baker and Steven Soderbergh—Danny Boyle is the latest director to make the bold choice to shoot his latest feature film on an iPhone. Why, you ask? Partly, perhaps, because the team knows it will get them some nice headlines like this one. And partly just because they can.

Whether you love or hate the idea of shooting professional video on iPhones, it’s hard to argue that these latest smartphones aren’t capable of high-end video.

The iPhone 15, which is what Boyle and his team reportedly used for the long-awaited follow-up to the original 28 Days Later in 2002 and its 2007 sequel 28 Weeks Later, in particular, has proven to be a major step forward for Apple and was very much promoted as a filmmaking-capable camera.

Still, as is always the case with these smartphone-shot feature films, there’s more to the story than just the headline here. So let’s explore how Danny Boyle and his team were able to shoot 28 Years Later on an iPhone.

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