RED Reveals Komodo Will Have Touchscreen Phase Detection Autofocus

Is the RED Komodo inching closer to its final release? 

Over the weekend Jarred Land of RED posted on Instagram about the phase detection autofocus capabilities of the Komodo, saying the firmware build is "coming along nicely" but RED engineers still have "miles to go to make this new AF perfect."

Judging by the clip, it's already in a pretty sweet spot. 

RED first teased Komodo back in July of 2019, but there's no doubt plans for the camera have been well underway for much longer.

Since the initial series of Facebook posts, specs about Komodo have trickled in, including its 6K sensor, displayglobal shutter mode, anamorphic support, and its wireless video module, among others. 

The Steven Soderbergh feature Let Them All Talk used Komodo, and it has been in the hands of many other high profile filmmakers. More recently, the short clip above of Brad Pitt was shot with Komodo. But the biggest hint that it could be coming soon is that RED released the dimensional drawings for third-party developers. 

Here's what we know so far at Komodo:

  • It will not replace DSMC2
  • It does not have a Monstro, Helium, Gemini, or Dragon sensor 
  • It has a new 6K sensor 
  • It's not full-frame or large format, but similar to Kodak's Super 35mm 3-Perf 
  • 4K SDI output (either 12G or 6G)
  • No XLR ports but 3.5mm audio inputs for a microphone and a headphone
  • Will not record to proprietary media
  • Will record CFast cards 
  • There will be a wireless video module 
  • The display is touchscreen 
  • Phase Detection Autofocus
  • Features a Canon RF mount, no fixed lens
  • Box design, no dimension longer than 4 inches
  • Cost will be around $5000

While autofocus was planned for Komodo, the video confirms the display will be touchscreen and will integrate phase detection autofocus. The Komodo will be RED's first camera with PDAF, which may not seem like a big deal to some, but adding autofocus to REDCODE RAW is going to make this camera interesting. Building an autofocus system from the ground up can't be easy, so we can see why Land mentioned RED still has miles to go. 

The video showed the autofocus took about a second to focus on one image to the next, so there is some room for improvement. Though we kind of like the slower speed of the focus. It isn't overly fast. It seems more natural as if a hand did the rack focus over a processor. 

You can also see in the images above the icons for Komodo's dual battery system, the wireless video module, and that its 6K will be a 17:9 aspect ratio, similar to Canon EOS C500 MK II. Not sure why the dual battery system is not being talked about more, but we think it's a great feature. One battery to power the camera, another to power accessories through D-tap. Hot-swappable without powering down. All solid features if part of the release. 

In the mirrorless world, the major players are somewhat known for specific things. The Sony Alpha series is a great low light camera, Canon is exceptional at autofocus, Nikon has great glass, Panasonic has robust internal codecs, and its S1H can just about do everything well. That's what we're hoping for with Komodo – a camera that Frankenstein's what each camera manufacturer does well and adds RED's compressed RAW with a battery that doesn't die in 30 minutes.

It would be surprising not to see Komodo come out in 2020, but at this point, your guess is good as ours. What do you think of latest Komodo specs? Tell us in the comments below.      

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Your Comment


Was ready to bash this product as a wannabe Z-CAM at 50 times the price... but $5000 is pretty good. :)

April 13, 2020 at 6:31PM


Red starting prices are like Tesla starting prices. You dont buy it at stock. You always upgrade and buy options. Want a memory card? Proprietary. Want XLR audio? That module costs 25% the price of an entire BlackMagic 4k cinema camera... Likely at léast...

But - will clients pay more for you to bring your Red? Does it make the price back from production rental fees?

Thats kinda the business model. And thats their choice so no hard feelings.

I am happy they are pushing the industry forward with AF. That pushes BlackMagic (and others) to invest into useable AF. Even if just for basic shoots would be nice.

Plus... You are shooting on a Red!

Travis Johansen
Minneapolis, MN

April 16, 2020 at 10:05AM, Edited April 16, 10:07AM

Travis Johansen - Minneapolis
Director of Photography & Producer

Rf mount would have been good on the pocket 6k. Hope mounts go
In this direction.

April 13, 2020 at 9:46PM

cee dee

100% agree about RF mount and using Sony NP style batteries like their grip. But hey - if you buy the grip then you get more power. Still everyone complains which is kinda funny.
Especially the 4k for like $1500... Or 6k raw at what... $2500?
I own both and they each have their place.

April 16, 2020 at 10:01AM

Travis Johansen - Minneapolis
Director of Photography & Producer

There aren't any RF cinema lenses with AF that I know of, so it's not surprising to see focus breathing.

April 13, 2020 at 11:52PM


Will the AF track? Because touchscreen AF is of limited use if it can't track. It's good for shooting locked down, static shots where the subject doesn't move. Which is basically a scenario where I don't need AF at all.

April 14, 2020 at 10:57AM

Derek Doublin
Director, Cinematographer, Large Scale Artist

It is what I was looking for, but the price will play an important role. Watch my photography related video tutorials @ Morphix TV. Your feedback is appreciated.

April 14, 2020 at 12:01PM, Edited April 14, 12:06PM


The 30 second video about AFI movie club - you didnt give much context for it. You mentioned global shutter / features then the video. What am i missing?
How is that video related to the article. Generally I trust if you embed a video it is related to the content but is NoFilmSchool literally embedding videos just for ads?
Android using chrome.
It wasnt super salesy or long - seemed like a camera test?
Should we not assume videos in blog posts are related from now on?

April 16, 2020 at 9:58AM

Travis Johansen - Minneapolis
Director of Photography & Producer

That video is one of the first official Komodo samples.

April 16, 2020 at 1:03PM

Rakesh Malik
Director of Photography/Colorist