In this episode, we talk about…

  • Comparing the flexibility of a small film versus a larger film
  • Being open to change even with a structured plan in place
  • Capturing the idea of loneliness and isolation with cinematography
  • Why Davis doesn’t work against the light source
  • How they got the digital format to look like film 
  • Choosing the color palette with the director, Martin McDonagh
  • What it was like working with Clint Eastwood in the film Cry Macho
  • A powerful lesson about ego

Subscribe to the No Film School Podcast on:

Get your question answered on the podcast by emailing

Listen to more episodes of the No Film School podcast right here:

This episode of The No Film School Podcast was produced by George Edelman.